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A History
Kleinhans Music Hall is the extraordinary gift of clothier Edward L. Kleinhans and his wife Mary Seaton Kleinhans to the city of Buffalo as provided for in their respective wills. Mr. Kleinhans, a
native of Michigan, joined his brother Horace in establishing a gentlemen's clothing firm in the newly-built Mooney-Brisbane building at Main and Clinton Streets in the 1890s. By the time
of his death in 1934 (followed shortly by the death of his wife), over $710,000 was designated by Mr. Kleinhans to construct a new music hall for Buffalo to bear the family name and was
soon supplemented by another $587,000 in PWA funds. This was fortuitous as the old Elmwood Music Hall on Elmwood at
Virginia Street was in serious need of costly repairs and even declared unsafe. Its grandest treasure was the great pipe organ, given by J.N. Adam, which once graced the Temple of Music at the Pan-American Exposition
in 1901.Twenty six sites were studied for the new music hall most encompassing existing Buffalo parkland, but it was
the westside homestead of Truman Avery at The Circle which was chosen and purchased from Mr. Avery's daughter for $50,000. Buffalo architects F.J. and W.A. Kidd were chosen as architects of record by a
newly-formed corporation headed Edward Letchworth and soil was turned on October 17, 1938. Eliel Saarinen, in collaboration with his son Eero, was named a consulting architect in December of 1938 and was responsible
for the gracefully curved contours of the exterior while the Kidds adapted the interior designs to the Saarinen plan. The cornerstone of this acoustical marvel was laid September 12, 1939.
The complex consists of two main parts: the semi-elliptical auditorium seating over 2800 and the elongated hemispherical chamber music hall with a parquet floor and zebra flexwood walls which seats 900. The
auditorium ceiling was built in a series of ridges, the stage area with ¾" resonating honeytone plywood and the
grand balcony was "open throat" with the front tilted slightly upward while the underside sloped down toward the
rear - a plan which captures and funnels sound to even the furthest reaches of the auditorium. East Indian rosewood was featured in the foyer and the entrance vestibules had floors of mankato stone. Downstairs was
dominated by a 52 foot upholstered bar with comfortable lounges at each end. The music hall's exterior was faced with Ohio Wyandotte brick and enhanced with panels of veined sandstone.
The dedicatory concert was held on October 12, 1940, led by maestro Franco Autori conducting the Buffalo Philharmonic Orchestra in Brahms Symphony No. 1 and also featured was nationally-known Buffalo violinist
Eudice Shapiro in Beethoven's Violin Concerto in D major.
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