{"id":1261,"date":"2021-08-12T16:17:49","date_gmt":"2021-08-12T16:17:49","guid":{"rendered":"https:\/\/bpo.org\/archives\/?page_id=1261"},"modified":"2022-10-11T18:41:25","modified_gmt":"2022-10-11T18:41:25","slug":"carnegie-hall-complete-repertoire","status":"publish","type":"page","link":"https:\/\/bpo.org\/archives\/carnegie-hall-complete-repertoire\/","title":{"rendered":"Carnegie Hall &#8211; Complete Repertoire"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][vc_empty_space height=&#8221;20px&#8221;][vc_column_text]1 May 1967 &#8211; Lukas Foss, Music Director<\/p>\n<p>Bach &#8211; <i><b>Concerto in C Minor for Oboe and Violin<\/b><\/i><br \/>\nAlbert Pratz, violin<br \/>\nRodney Pierce, oboe<br \/>\nWebern &#8211; <i><b>Five Pieces, op.10<\/b><\/i><br \/>\nWebern &#8211; <i><b>Two Songs<\/b><\/i><br \/>\nBethany Beardslee, soprano<br \/>\nP\u00e4rt &#8211; <i><b>Perpetuo Mobile<\/b><\/i><br \/>\nRavel &#8211; <i><b>Piano Concerto in G Major<\/b><\/i><br \/>\nCharles Rosen, piano<br \/>\nRavel &#8211; <i><b>Daphnis and Chlo\u00e9 Suite No.2<br \/>\n<\/b><\/i>__________________________________________<\/p>\n<p>11 September 1968 &#8211; Lukas Foss, Music Director<\/p>\n<p>Isang Yun &#8211; <i><b>&#8220;Re-ak&#8221; for Large Orchestra<\/b><\/i><br \/>\nIves &#8211; <i><b>Calcium Light Night<\/b><\/i><br \/>\nFoss &#8211; <i><b>Baroque Variations<\/b><\/i><br \/>\nBabbitt &#8211; <i><b>&#8220;Correspondence&#8221; for Strings and Tape<\/b><\/i><br \/>\nPenderecki &#8211; <i><b>Capriccio for Violin and Orchestra<\/b><\/i><br \/>\nPaul Zukofsky, violin<br \/>\n__________________________________________<\/p>\n<p>7 May 1969 &#8211; Lukas Foss, Music Director<\/p>\n<p>Ives &#8211; <i><b>Orchestral Suite No.2<\/b><\/i><br \/>\nDebussy &#8211; <i><b>Fantaisie for Piano and Orchestra<\/b><\/i><br \/>\nEvelyne Crochet, piano<br \/>\nMahler &#8211; <i><b>Symphony No.4<\/b><\/i><br \/>\nGwendolin Sims, soprano<br \/>\n__________________________________________<\/p>\n<p>11 March 1970 &#8211; Lukas Foss, Music Director<\/p>\n<p>Ruggles &#8211; <i><b>Men and Mountains<\/b><\/i><br \/>\nSch\u00f6nberg &#8211; <i><b>Erwartung<\/b><\/i><br \/>\nGloria Davy, soprano<br \/>\nStravinsky &#8211; <i><b>Le Sacre du Printemps<br \/>\n__________________________________________<br \/>\n<\/b><\/i><\/p>\n<p>24 October 1973 &#8211; Michael Tilson Thomas, Music Director<\/p>\n<p>Mouret &#8211; <i><b>Sinfonie de chasse pour le Roi Louis XIV<\/b><\/i><br \/>\nWagner &#8211; <i><b>Forest Murmers from Siegfried<\/b><\/i><br \/>\nWuorinen &#8211; <i><b>Concerto for Amplified Violin and Orchestra<\/b><\/i><br \/>\nPaul Zukofsky, violin<br \/>\nFarina &#8211; <i><b>Capriccio Stravagante<\/b><\/i><br \/>\nStravinsky &#8211; <i><b>Symphony in Three Movements<br \/>\n__________________________________________<br \/>\n<\/b><\/i><\/p>\n<p>18 April 1974 &#8211; Michael Tilson Thomas, Music Director<\/p>\n<p>Bach, C.P.E. &#8211; <i><b>Melodrama &#8220;Hamlet&#8217;s Soliloquy&#8221;<\/b><\/i><br \/>\nSchumann &#8211; <i><b>Melodrama &#8220;Sch\u00f6n Hedwig&#8221;<\/b><\/i><br \/>\nLizst &#8211; <i><b>Melodrama &#8220;The Blind Singer&#8221;<\/b><\/i><br \/>\nMichael Wagner, narrator<br \/>\nMichael Tilson Thomas, piano<br \/>\nBach &#8211; <i><b>Suite for Woodwinds and Strings No.1 in C Major<\/b><\/i><br \/>\nWendy Hilton Dance Company<br \/>\nBerio &#8211; <i><b>Recital I (for Cathy)<\/b><\/i><br \/>\nCathy Berberian, mezzo-soprano<br \/>\nSahan Arzruni, piano<br \/>\n__________________________________________<\/p>\n<p>19 May 1974 &#8211; Michael Tilson Thomas, Music Director<\/p>\n<p>Berlioz &#8211; <i><b>Overture to Benvenuto Cellini<\/b><\/i><br \/>\nBeethoven &#8211; <i><b>Piano Concerto No.4 in G Major<\/b><\/i><br \/>\nMalcolm Frager, piano<br \/>\nNielsen &#8211; <i><b>Symphony No.5, op.50<br \/>\n__________________________________________<br \/>\n<\/b><\/i><\/p>\n<p>17 November 1974 &#8211; Michael Tilson Thomas, Music Director<\/p>\n<p>Beethoven &#8211; <i><b>King Stephen (Incidental Music)<\/b><\/i><br \/>\nBeethoven &#8211; <i><b>Elegiac Song, op.118<\/b><\/i><br \/>\nBeethoven &#8211; <i><b>Calm Sea and Prosperous Voyage, op.112<\/b><\/i><br \/>\nRutgers University Choir<br \/>\nBeethoven &#8211; <i><b>Symphony No.7 in A Major<br \/>\n__________________________________________<br \/>\n<\/b><\/i><\/p>\n<p>2 February 1975 &#8211; Michael Tilson Thomas, Music Director<\/p>\n<p>Beethoven &#8211; <i><b>Overture to Egmont<\/b><\/i><br \/>\nMahler &#8211; <i><b>Piano Quartet in A Minor<\/b><\/i><br \/>\nThe Cleveland Quartet<br \/>\nMichael Tilson Thomas, piano<br \/>\nFeldman &#8211; <i><b>String Quartet and Orchestra<\/b><\/i><br \/>\nThe Cleveland Quartet<br \/>\nBerlioz &#8211; <i><b>Harold in Italy<\/b><\/i><br \/>\nMartha Strongin Katz, viola<br \/>\n__________________________________________<\/p>\n<p>4 May 1975 &#8211; Michael Tilson Thomas, Music Director<\/p>\n<p>Ravel &#8211; <i><b>Sheherazade, Overture de F\u00e9erie<\/b><\/i><br \/>\nRavel &#8211; <i><b>Sheherazade Song Cycle<\/b><\/i><br \/>\nFrederica von Stade, soprano<br \/>\nMahler &#8211; <i><b>Symphony No.6 in A Minor<br \/>\n__________________________________________<br \/>\n<\/b><\/i><\/p>\n<p>26 October 1975 &#8211; Michael Tilson Thomas, Music Director<\/p>\n<p>Ives &#8211; <i><b>Circus Band<\/b><\/i><br \/>\nIves &#8211; <i><b>They Are There<\/b><\/i><br \/>\nRutgers University Choir<br \/>\nIves &#8211; <i><b>Symphony No.4<\/b><\/i><br \/>\nMahler &#8211; <i><b>Symphony No.1<br \/>\n__________________________________________<br \/>\n<\/b><\/i><\/p>\n<p>1 February 1976 &#8211; Michael Tilson Thomas, Music Director<\/p>\n<p>Gershwin &#8211; <i><b>Cuban Overture<\/b><\/i><br \/>\nGershwin &#8211; <i><b>Songs for Voice and Piano<\/b><\/i><br \/>\nSarah Vaughan, soloist<br \/>\nMichael Tilson Thomas, piano<br \/>\nGershwin &#8211; <i><b>Second Rhapsody for Piano and Orchestra<\/b><\/i><br \/>\nRobert Cole, conductor<br \/>\nMichael Tilson Thomas, piano<br \/>\nGershwin &#8211; <i><b>Songs for Voice and Orchestra<\/b><\/i><br \/>\nGershwin &#8211; <i><b>An American in Paris<br \/>\n__________________________________________<br \/>\n<\/b><\/i><\/p>\n<p>3 October 1976 &#8211; Michael Tilson Thomas, Music Director<\/p>\n<p>Ives &#8211; <i><b>Decoration Day<\/b><\/i><br \/>\nIves &#8211; <i><b>Psalm 90<\/b><\/i><br \/>\nCornell University Glee Club and Chorus<br \/>\nDvorak &#8211; <i><b>The American Flag, op.102<\/b><\/i><br \/>\nJoseph Evans, tenor<br \/>\nDavid Evitts, baritone<br \/>\nCornell University Glee Club and Chorus<br \/>\nTchaikovsky &#8211; <i><b>Symphony No.4 in F Minor<br \/>\n__________________________________________<br \/>\n<\/b><\/i><\/p>\n<p>20 February 1977 &#8211; Michael Tilson Thomas, Music Director<\/p>\n<p>Brahms &#8211; <i><b>Tragic Overture, op.81<\/b><\/i><br \/>\nFountain &#8211; <i><b>Ritual Dances of the Amaks<\/b><\/i><br \/>\nRachmaninoff &#8211; <i><b>Piano Concerto No.3 in D Minor, op.30<\/b><\/i><br \/>\nAlexis Weissenburg, piano<br \/>\n__________________________________________<\/p>\n<p>24 April 1977 &#8211; Michael Tilson Thomas, Music Director<\/p>\n<p>Mahler &#8211; <i><b>Symphony No.4<\/b><\/i><br \/>\nSusan Davenny Wyner, soprano<br \/>\nBerlioz &#8211; <i><b>Symphonie Fantastique, op.14<br \/>\n__________________________________________<br \/>\n<\/b><\/i><\/p>\n<p>4 March 1979 &#8211; Michael Tilson Thomas, Music Director<\/p>\n<p>Bartok &#8211; <i><b>Suite from The Miraculous Mandarin<\/b><\/i><br \/>\nBerlioz &#8211; <i><b>Nuits d&#8217;\u00e9t\u00e9<\/b><\/i><br \/>\nFrederica Von Stade, soprano<br \/>\nSibelius &#8211; <i><b>Symphony No.5<\/b><\/i><br \/>\nRavel &#8211; <i><b>La Valse<br \/>\n__________________________________________<br \/>\n<\/b><\/i><\/p>\n<p>16 November 1980 &#8211; Julius Rudel, Music Director<\/p>\n<p>Kay &#8211; <i><b>Of New Horizons<\/b><\/i><br \/>\nSchubert &#8211; <i><b>Symphony No.8 in B minor &#8220;Unfinished&#8221;<\/b><\/i><br \/>\nMahler &#8211; <i><b>Das klagende Lied<\/b><\/i><br \/>\nEsther Hinds, soprano<br \/>\nOrtrun Werkel, mezzo-soprano<br \/>\nJoseph Evans, tenor<br \/>\nAndrew Walker Schultze, bass-baritone<br \/>\nCornell University Chorus and Glee Club<br \/>\n__________________________________________<\/p>\n<p>February 23, 1986 &#8211; Semyon Bychkov, Music Director<\/p>\n<p>Smetana &#8211; <i><b>Overture to The Bartered Bride<\/b><\/i><br \/>\nSaint-Sa\u00ebns &#8211; <i><b>Concerto for Cello and Orchestra No.1, op.23<\/b><\/i><br \/>\nLynn Harrell, cello<br \/>\nShostakovich &#8211; <i><b>Symphony No.5, op.47<br \/>\n__________________________________________<br \/>\n<\/b><\/i><\/p>\n<p>February 7, 1988 &#8211; Semyon Bychkov, Music Director<\/p>\n<p>Mozart &#8211; <i><b>Concerto for Violin and Orchestra No.4 in D major, K.218<\/b><\/i><br \/>\nAnne-Sophie Mutter, violin<br \/>\nMahler &#8211; <i><b>Symphony No.6 in A Minor<br \/>\n__________________________________________<br \/>\n<\/b><\/i><\/p>\n<p>October 2, 1988 &#8211; Semyon Bychkov, Music Director<\/p>\n<p>Kodaly &#8211; <i><b>Dances of Galanta<\/b><\/i><br \/>\nPoulenc &#8211; <i><b>Concerto for Two Pianos and Orchestra<\/b><\/i><br \/>\nKatia Labeque, piano<br \/>\nMarielle Labeque, piano<br \/>\nRachmaninoff &#8211; <i><b>Symphonic Dances, op.45<br \/>\n__________________________________________<br \/>\n<\/b><\/i><\/p>\n<p>5 June 2004 &#8211; JoAnn Falletta, Music Director<\/p>\n<p>Rossini &#8211; <i><b>William Tell Overture: Allegro<\/b><\/i><br \/>\nBizet &#8211; <i><b>Carmen Suite No.1: Les tor\u00e9adors<\/b><\/i><br \/>\nBritten &#8211; <i><b>Young Person&#8217;s Guide to the Orchestra<\/b><\/i><br \/>\nO&#8217;Boyle &#8211; <i><b>Musical Fairy Tale<\/b><\/i><br \/>\nProto &#8211; <i><b>Doodles: An Introduction to the Orchestra<\/b><\/i><br \/>\nGrof\u00e9 &#8211; <i><b>Niagara Falls Suite: Thunder of the Waters<\/b><\/i><br \/>\nOffenbach &#8211; <i><b>Orpheus in the Underworld Overture: Can-Can<\/b><\/i><br \/>\nRon Spigelman, conductor and narrator<br \/>\n__________________________________________<\/p>\n<p>6 June 2004 &#8211; JoAnn Falletta, Music Director<\/p>\n<p>Kodaly &#8211; <i><b>Dances of Galanta<\/b><\/i><br \/>\nBarber &#8211; <i><b>Knoxville: Summer of 1915<\/b><\/i><br \/>\nGriffes &#8211; <i><b>Three Poems of Fiona MacLeod, op.11<\/b><\/i><br \/>\nBarbara Quintiliani, soprano<br \/>\nZemlinsky &#8211; <i><b>Die Seejungfrau (The Mermaid)<br \/>\n__________________________________________<br \/>\n<\/b><\/i><\/p>\n<p>8 May 2013 &#8211; JoAnn Falletta, Music Director<\/p>\n<p>Kancheli &#8211; <i><b>Morning Prayers<\/b><\/i><br \/>\nGli\u00e8re &#8211; <i><b>Symphony No.3 in B minor op.42 &#8220;Il&#8217;ya Muromets&#8221;<br \/>\n__________________________________________<br \/>\n<\/b><\/i><\/p>\n<p>3 October 2022 &#8211; JoAnn Falletta, Music Director<\/p>\n<p>Foss &#8211;\u00a0<em><strong>Ode for Orchestra<\/strong><\/em><br \/>\nFoss &#8211;\u00a0<em><strong>Three American Pieces<\/strong><\/em><br \/>\nFoss &#8211;\u00a0<em><strong>Renaissance Concerto for Flute and Orchestra<\/strong><\/em><br \/>\nFoss &#8211;\u00a0<strong><em>Psalms<br \/>\n<\/em><\/strong>Thompson &#8211;\u00a0<em><strong>Alleluia\u00a0<\/strong><\/em><br \/>\nFoss &#8211;\u00a0<em><strong>Symphony No. 1<\/strong><\/em><\/p>\n<p>Nikki Chooi, violin<br \/>\nAmy Porter, flute<br \/>\nThe Choir of Trinity Wall Street<br \/>\nDowntown Voices[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][vc_empty_space height=&#8221;20px&#8221;][vc_column_text]1 May 1967 &#8211; Lukas Foss, Music Director Bach &#8211; Concerto in C Minor for Oboe<a class=\"excerpt-read-more\" href=\"https:\/\/bpo.org\/archives\/carnegie-hall-complete-repertoire\/\" title=\"ReadCarnegie Hall &#8211; Complete Repertoire\">&#8230; Read more &raquo;<\/a><\/p>\n","protected":false},"author":169,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1261","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/1261","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/users\/169"}],"replies":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/comments?post=1261"}],"version-history":[{"count":8,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/1261\/revisions"}],"predecessor-version":[{"id":2481,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/1261\/revisions\/2481"}],"wp:attachment":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/media?parent=1261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}