{"id":2007,"date":"2022-08-02T17:29:49","date_gmt":"2022-08-02T17:29:49","guid":{"rendered":"https:\/\/bpo.org\/archives\/classics-repertoire-2020-2021-copy\/"},"modified":"2024-06-27T20:51:50","modified_gmt":"2024-06-27T20:51:50","slug":"classics-repertoire-2021-2022","status":"publish","type":"page","link":"https:\/\/bpo.org\/archives\/classics-repertoire-2021-2022\/","title":{"rendered":"BPO Classics Repertoire 2021-2022"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_section][vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<p style=\"font-weight: 400\"><strong>24, 25 September 2021<\/strong><\/p>\n<p style=\"font-weight: 400\"><strong>SMITH\/Skrowaczewski \u00a0<\/strong><em>The Star Spangled Banner<br \/>\n<\/em><strong>LAVALLEE\/arr. Chapman \u00a0<\/strong><em>O Canada<br \/>\n<\/em><strong>DARON HAGEN \u00a0<\/strong><em>Bandanna<\/em> Overture<br \/>\n<strong>RAVEL \u00a0<\/strong>Piano Concerto in G major<strong><br \/>\n<\/strong><strong>BEETHOVEN \u00a0<\/strong>Symphony No. 5 in C minor<\/p>\n<p style=\"font-weight: 400\">JoAnn Falletta, <em>conductor<br \/>\n<\/em>Fabio Bidini,<em> piano<\/em><\/p>\n<hr \/>\n<p style=\"font-weight: 400\"><strong>9, 10 October 2021<\/strong><\/p>\n<p style=\"font-weight: 400\"><strong>SAINT-SA<\/strong><strong>\u00cb<\/strong><strong>NS \u00a0<\/strong>Piano Concerto No. 2 in G minor<strong><br \/>\n<\/strong><strong>MAHLER \u00a0<\/strong>Symphony No. 4 in G major<\/p>\n<p style=\"font-weight: 400\">JoAnn Falletta, <em>conductor<br \/>\n<\/em>Sara Buechner, <em>piano<br \/>\n<\/em>Maeve H\u00f6glund, <em>soprano<\/em><\/p>\n<hr \/>\n<p style=\"font-weight: 400\"><strong>23, 24 October 2021<\/strong><\/p>\n<p style=\"font-weight: 400\"><strong>PIAZZOLLA \u00a0<\/strong><em>Tangazo<\/em><strong><em><br \/>\n<\/em><\/strong><strong>MENDELSSOHN \u00a0<\/strong>Symphony No. 4, \u201cItalian\u201d<strong><br \/>\n<\/strong><strong>BRAHMS \u00a0<\/strong>Violin Concerto<\/p>\n<p style=\"font-weight: 400\">JoAnn Falletta, <em>conductor<br \/>\n<\/em>Nikki Chooi, <em>violin<\/em><\/p>\n<hr \/>\n<p style=\"font-weight: 400\"><strong>5, 6 November 2021<\/strong><\/p>\n<p style=\"font-weight: 400\"><strong>PROKOFIEV \u00a0<\/strong>Symphony No.1 in D major (<em>Classical<\/em>)<strong><br \/>\n<\/strong><strong>STRAVINSKY \u00a0<\/strong><em>Pulcinella Suite<\/em><strong><em><br \/>\n<\/em><\/strong><strong>GRIEG \u00a0<\/strong>Concerto for Piano and Orchestra in A minor<\/p>\n<p style=\"font-weight: 400\">JoAnn Falletta, <em>conductor<br \/>\n<\/em>Joyce Yang, <em>piano<\/em><\/p>\n<hr \/>\n<p style=\"font-weight: 400\"><strong>20, 21 November 2021<\/strong><\/p>\n<p style=\"font-weight: 400\"><strong>GABRIELA LENA FRANK \u00a0<\/strong><em>Three Latin American Dances<\/em><strong><em><br \/>\n<\/em><\/strong><strong>BARBER \u00a0<\/strong>Violin Concerto<strong><br \/>\n<\/strong><strong>DVO\u0158\u00c1K \u00a0<\/strong>Suite in A major, Op. 98b, \u201cAmerican\u201d<strong><br \/>\n<\/strong><strong>GERSHWIN \u00a0<\/strong>An American in Paris<\/p>\n<p style=\"font-weight: 400\">Keith Lockhart, <em>conductor<br \/>\n<\/em>Philippe Quint, <em>violin<\/em><\/p>\n<hr \/>\n<p style=\"font-weight: 400\"><strong>10, 11 December 2021<\/strong><\/p>\n<p style=\"font-weight: 400\"><strong>RIMSKY-KORSAKOV \u00a0<\/strong>Polonaise from <em>Christmas Eve<\/em><strong><em><br \/>\n<\/em><\/strong><strong>TCHAIKOVSKY \u00a0<\/strong>Act II Pas de Deux from <em>The Nutcracker,<\/em> Op. 71<strong><br \/>\n<\/strong><strong>TCHAIKOVSKY \u00a0<\/strong>Valse Finale et Apotheosis from <em>The Nutcracker,<\/em> Op. 71<strong><br \/>\n<\/strong><strong>BIZET \u00a0<\/strong>Farandole from <em>L\u2019Arl\u00e9sienne<\/em>, Suite No. 2<strong><br \/>\n<\/strong><strong>ADAM\/Arthur Luck \u00a0<\/strong>O Holy Night<strong><br \/>\n<\/strong><strong>J.S. BACH \u00a0<\/strong>Brandenburg Concerto No. 4 in G major, BWV 1049<strong><br \/>\n<\/strong><strong>arr. Sean O\u2019Loughlin \u00a0<\/strong><em>Christmas Canticles<\/em><strong><em><br \/>\n<\/em><\/strong><strong>GLAZUNOV \u00a0<\/strong>Winter from <em>The Seasons<\/em><strong><em><br \/>\n<\/em><\/strong><strong>HUMPERDINCK \u00a0<\/strong>Evening Prayer from <em>Hansel and Gretel<\/em><strong><em><br \/>\n<\/em><\/strong><strong>HANDEL \u00a0<\/strong>I Know That My Redeemer Liveth from <em>The Messiah<\/em><strong><em><br \/>\n<\/em><\/strong><strong>ANDERSON \u00a0<\/strong>A Christmas Festival (Sing-along)<strong><br \/>\n<\/strong>Joy to the World<br \/>\nDeck the Halls<br \/>\nGood King Wenceslas<br \/>\nHark the Herald Angels Sing<br \/>\nSilent Night<br \/>\nJingle Bells<br \/>\nAdeste Fidelis<\/p>\n<p style=\"font-weight: 400\"><strong>ANDERSON <\/strong>\u00a0Sleigh Ride<\/p>\n<p style=\"font-weight: 400\">JoAnn Falletta, <em>conductor<br \/>\n<\/em>Sirgourney Cook, <em>soprano<br \/>\n<\/em>Nikki Chooi, <em>violin<br \/>\n<\/em>Christine Bailey Davis, <em>flute<br \/>\n<\/em>Linda Greene, <em>flute<\/em><\/p>\n<hr \/>\n<p style=\"font-weight: 400\"><strong>14, 15 January 2022<br \/>\n<\/strong>***program canceled due to pandemic<\/p>\n<p style=\"font-weight: 400\"><strong>MICHAEL TILSON-THOMAS <\/strong>\u00a0\u201cFrom the Diary of Anne Frank\u201d<strong><br \/>\n<\/strong><strong>DVO\u0158\u00c1K \u00a0<\/strong>Symphony No. 9, \u201cFrom the New World\u201d<\/p>\n<p style=\"font-weight: 400\">Teddy Abrams, <em>conductor<br \/>\n<\/em>Cantor Penny Myers, <em>narrator<\/em><\/p>\n<hr \/>\n<p style=\"font-weight: 400\"><strong>22, 23 January 2022<\/strong><\/p>\n<p style=\"font-weight: 400\"><strong>MOZART \u00a0<\/strong>Overture to <em>Le nozze di Figaro,<\/em> K. 492<strong><br \/>\n<\/strong><strong>MOZART \u00a0<\/strong>Concerto in A major for Clarinet and Orchestra, K. 622<br \/>\nI. Allegro<br \/>\nII. Adagio<br \/>\nIII. Rondo: Allegro<\/p>\n<p style=\"font-weight: 400\"><strong>MOZART \u00a0<\/strong>Symphony No. 35 in D major, K. 385, \u201cHaffner\u201d<br \/>\nI. Allegro con spirito<br \/>\nII. [Andante]<br \/>\nIII. Menuetto<br \/>\nIV. Presto<\/p>\n<p style=\"font-weight: 400\"><strong>TCHAIKOVSKY \u00a0<\/strong>Suite No. 4 in G major, Op. 61, \u201cMozartiana\u201d<br \/>\nI. Gigue<br \/>\nII. Minuet<br \/>\nIII. Prayer, after a transcription by Liszt<br \/>\nIV. Theme and Variations<\/p>\n<p style=\"font-weight: 400\">JoAnn Falletta, <em>conductor<br \/>\n<\/em>William Amsel, <em>principal clarinet<\/em><\/p>\n<hr \/>\n<p style=\"font-weight: 400\"><strong>4, 5 February 2022<\/strong><\/p>\n<p style=\"font-weight: 400\"><strong>JESSIE MONTGOMERY \u00a0<\/strong><em>Coincident Dances<\/em><strong><em><br \/>\n<\/em><\/strong><strong>RACHMANINOFF \u00a0<\/strong>Rhapsody on a Theme of Paganini<strong><br \/>\n<\/strong><strong>BEETHOVEN \u00a0<\/strong>Symphony No. 7 in A major<\/p>\n<p style=\"font-weight: 400\">David Alan Miller, <em>conductor<br \/>\n<\/em>George Li, <em>piano<\/em><\/p>\n<hr \/>\n<p style=\"font-weight: 400\"><strong>18, 19 February 2022<\/strong><\/p>\n<p style=\"font-weight: 400\"><strong>ELGAR \u00a0<\/strong>Nimrod from <em>Enigma Variations<\/em><strong><em><br \/>\n<\/em><\/strong><strong>ENESCU \u00a0<\/strong>Rumanian Rhapsody No. 1<strong><br \/>\n<\/strong><strong>ADOLPHUS HAILSTORK \u00a0<\/strong>Piano Concerto<strong><br \/>\n<\/strong><strong>TCHAIKOVSKY \u00a0<\/strong>Symphony No. 4 in F minor<\/p>\n<p style=\"font-weight: 400\">JoAnn Falletta, <em>conductor<br \/>\n<\/em>Stewart Goodyear, <em>piano<\/em><\/p>\n<hr \/>\n<p style=\"font-weight: 400\"><strong>4, 5 March 2022<\/strong><\/p>\n<p style=\"font-weight: 400\"><strong>GLINKA \u00a0<\/strong>Overture to <em>Ruslan and Ludmila<\/em><strong><em><br \/>\n<\/em><\/strong><strong>PROKOFIEV \u00a0<\/strong>Piano Concerto No. 3 in C major<strong><br \/>\n<\/strong><strong>SCRIABIN \u00a0<\/strong>Symphony No. 2 in C minor<\/p>\n<p style=\"font-weight: 400\">JoAnn Falletta, <em>conductor<br \/>\n<\/em>Alexander Malofeev, <em>piano<\/em><\/p>\n<hr \/>\n<p style=\"font-weight: 400\"><strong>19, 20 March 2022<\/strong><\/p>\n<p style=\"font-weight: 400\"><strong>KENNETH FUCHS \u00a0<\/strong><em>Point of Tranquility<\/em><strong><em><br \/>\n<\/em><\/strong><strong>TCHAIKOVSKY <\/strong>\u00a0Violin Concerto in D major<strong><br \/>\n<\/strong><strong>ZEMLINSKY \u00a0<\/strong><em>The Mermaid<\/em><\/p>\n<p style=\"font-weight: 400\">JoAnn Falletta, <em>conductor<br \/>\n<\/em>Augustin Hadelich, <em>violin<\/em><\/p>\n<hr \/>\n<p style=\"font-weight: 400\"><strong>1, 2 April 2022<\/strong><\/p>\n<p style=\"font-weight: 400\"><strong>CARLOS SIMON \u00a0<\/strong>The Block<strong><br \/>\n<\/strong><strong>SCHUMANN \u00a0<\/strong>Cello Concerto in A minor<strong><br \/>\n<\/strong><strong>FRANCK \u00a0<\/strong>Symphony in D minor<\/p>\n<p style=\"font-weight: 400\">Elizabeth Schulze, <em>conductor<br \/>\n<\/em>Oliver Herbert, <em>cello<\/em><\/p>\n<hr \/>\n<p style=\"font-weight: 400\"><strong>8, 9 April 2022<\/strong><\/p>\n<p style=\"font-weight: 400\"><strong>JONATHAN BAILEY HOLLAND \u00a0<\/strong><em>Motor City Remix<\/em><strong><em><br \/>\n<\/em><\/strong><strong>MENDELSSOHN <\/strong>\u00a0Piano Concerto No. 1 in G minor<strong><br \/>\n<\/strong><strong>MENDELSSOHN <\/strong>\u00a0Symphony No. 3, \u201cScottish\u201d<\/p>\n<p style=\"font-weight: 400\">William Eddins, <em>conductor<br \/>\n<\/em>Drew Petersen, <em>piano<\/em><\/p>\n<hr \/>\n<p style=\"font-weight: 400\"><strong>23, 24 April 2022<\/strong><\/p>\n<p style=\"font-weight: 400\"><strong>RUSSELL PLATT \u00a0<\/strong>Symphony in Three Movements (For Clyfford Still) (2019-20)<br \/>\nI. 1957-D-No.1 (Feroce)<br \/>\nII. September 1955 (Chaconne: Con moto, fessibile)<br \/>\nIII. 1954\/April 1962 (Finale: Adagio\u2014Allegro, un poco presto)<\/p>\n<p style=\"font-weight: 400\"><strong>BRAHMS \u00a0<\/strong>A German Requiem<\/p>\n<p style=\"font-weight: 400\">JoAnn Falletta, <em>conductor<br \/>\n<\/em>Nicole Cabell, <em>soprano<br \/>\n<\/em>Evan Hughes, <em>baritone<br \/>\n<\/em>Crane School of Music Chorus<br \/>\nBuffalo Philharmonic Chorus<\/p>\n<hr \/>\n<p style=\"font-weight: 400\"><strong>7, 8 May 2022<\/strong><\/p>\n<p style=\"font-weight: 400\"><strong>KOD\u00c1LY\u00a0 <\/strong><em>Summer Evening<\/em><strong><em><br \/>\n<\/em><\/strong><strong>BLOCH \u00a0<\/strong><em>Schelomo<\/em>, Hebraic Rhapsody for Cello and Orchestra<strong><br \/>\n<\/strong><strong>ELGAR \u00a0<\/strong>Enigma Variations<\/p>\n<p style=\"font-weight: 400\">JoAnn Falletta, <em>conductor<br \/>\n<\/em>Roman Mekinulov, <em>cello<\/em><\/p>\n<hr \/>\n<p style=\"font-weight: 400\"><strong>13, 14 May 2022<\/strong><\/p>\n<p style=\"font-weight: 400\"><strong>KOD\u00c1LY \u00a0<\/strong>Symphony in C major<strong><br \/>\n<\/strong><strong>DAVID LUDWIG \u00a0<\/strong>Concerto for Violin and Orchestra<strong><br \/>\n<\/strong><strong>RACHMANINOFF \u00a0<\/strong><em>Symphonic Dances<\/em><\/p>\n<p style=\"font-weight: 400\">JoAnn Falletta, <em>conductor<br \/>\n<\/em>Bella Hristova, <em>violin<\/em><\/p>\n<hr \/>\n<p style=\"font-weight: 400\"><strong>11, June 2022<\/strong><\/p>\n<p style=\"font-weight: 400\"><strong>WANG JIE \u00a0<\/strong><em>The Winter that United Us<\/em><strong><em><br \/>\n<\/em><\/strong><strong>STRAUSS <\/strong><em>Four Last Songs<br \/>\n<\/em>I. Fr\u00fchling<br \/>\nII. September<br \/>\nIII. Bein Schlafengehen<br \/>\nIV. Im Abendrot<\/p>\n<p style=\"font-weight: 400\"><strong>DEBUSSY \u00a0<\/strong>Clair de lune from <em>Suite Bergamasque<\/em><strong><em><br \/>\n<\/em><\/strong><strong>MARIA SCHNEIDER \u00a0<\/strong>Selections from <em>Winter Morning Walks<br \/>\n<\/em>Walking by Flashlight<br \/>\nOur Finch Feeder<br \/>\nMy Wife and I Walk the Cold Road<\/p>\n<p style=\"font-weight: 400\"><strong>LEONCAVALLO \u00a0<\/strong>\u201cMusette svaria sulla bocca viva\u201d from <em>La <\/em><em>Boh\u00e8me<br \/>\n<\/em><strong>CIL\u00c8A \u00a0<\/strong>\u201cIo son l\u2019umile ancella\u201d from <em>Adrianna Lecouvreur<br \/>\n<\/em><strong>MASCAGNI \u00a0<\/strong>Intermezzo from <em>Cavalleria rusticana<br \/>\n<\/em><strong>WILSON \u00a0<\/strong>\u201cTill There Was You\u201d from <em>The Music Man<\/em><strong><em><br \/>\n<\/em><\/strong><strong>BENJ PASEK &amp; JUSTIN PAUL \u00a0<\/strong>\u201cSo Big, So Small\u201d from <em>Dear Evan Hansen<\/em><strong><em><br \/>\n<\/em><\/strong><strong>ANDREW LIPPA \u00a0<\/strong><em>The Diva<\/em><\/p>\n<p style=\"font-weight: 400\">JoAnn Falletta, <em>conductor<br \/>\n<\/em>Ren\u00e9e Fleming, <em>soprano<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][\/vc_section]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_section][vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=&#8221;&#8221;] 24, 25 September 2021 SMITH\/Skrowaczewski \u00a0The Star Spangled Banner LAVALLEE\/arr. Chapman \u00a0O Canada DARON HAGEN<a class=\"excerpt-read-more\" href=\"https:\/\/bpo.org\/archives\/classics-repertoire-2021-2022\/\" title=\"ReadBPO Classics Repertoire 2021-2022\">&#8230; Read more &raquo;<\/a><\/p>\n","protected":false},"author":169,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2007","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/2007","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/users\/169"}],"replies":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/comments?post=2007"}],"version-history":[{"count":6,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/2007\/revisions"}],"predecessor-version":[{"id":3777,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/2007\/revisions\/3777"}],"wp:attachment":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/media?parent=2007"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}