{"id":460,"date":"2021-07-29T18:34:11","date_gmt":"2021-07-29T18:34:11","guid":{"rendered":"https:\/\/bpo.org\/archives\/classics-repertoire-1935-1936-copy\/"},"modified":"2022-10-14T14:56:33","modified_gmt":"2022-10-14T14:56:33","slug":"classics-repertoire-1936-1937","status":"publish","type":"page","link":"https:\/\/bpo.org\/archives\/classics-repertoire-1936-1937\/","title":{"rendered":"BPO Classics Repertoire 1936-1937"},"content":{"rendered":"

[vc_section][vc_row][vc_column][vc_custom_heading source=”post_title” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes”][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]5 November 1936
\n<\/strong>
\nBACH\/WOOD <\/strong>\u00a0Toccata and Fugue in D minor<\/i>
\nTCHAIKOVSKY <\/strong>\u00a0Violin Concerto in D major, op.35<\/i>
\nDEBUSSY <\/strong>\u00a0Two Nocturnes<\/i>
\nLALO <\/strong>\u00a0Symphonie espagnole, op.21<\/i>
\nWEINBERGER <\/strong>\u00a0Polka and Fugue from Schwanda<\/i><\/p>\n

Lajos Shuk, conductor<\/em>
\nMischa Elman, violin<\/em>[\/vc_column_text][vc_separator][vc_column_text]8 November 1936 (Federal Music Project – WPA)
\n<\/strong>
\nBEETHOVEN <\/strong>\u00a0Leonore Overture No.3, op.72<\/i>
\nBRAHMS\u00a0 <\/strong>Symphony No.4 in E minor, op.98<\/i>
\nDEBUSSY\u00a0 <\/strong>Two Nocturnes<\/i>
\nWAGNER\u00a0 <\/strong>Tannh\u00e4user: Overture
\n<\/i>
\nFranco Autori, conductor<\/em>[\/vc_column_text][vc_separator][vc_column_text]15 November 1936 (Federal Music Project – WPA)
\n<\/strong>
\nBRAHMS <\/strong>\u00a0Academic Festival Overture, op.80<\/i>
\nBEETHOVEN <\/strong>\u00a0Symphony No.4 in B-flat major, op.60<\/i>
\nGRIEG <\/strong>\u00a0Holberg Suite<\/i>
\nSTRAUSS, R.<\/strong> \u00a0Death and Transfiguration, op.24
\n<\/i>
\nFranco Autori, conductor<\/em>[\/vc_column_text][vc_separator][vc_column_text]22 November 1936 (Federal Music Project – WPA)
\n<\/strong>
\nBACH <\/strong>\u00a0Suite No.3 in D major<\/i>
\nMOZART <\/strong>\u00a0Symphony No.35 in D major, K.385 “Haffner”<\/i>
\nGRIFFES\u00a0 <\/strong>Two Sketches on Indian Themes<\/i>
\nWAGNER<\/strong> \u00a0Die Meistersinger (excerpts)<\/i><\/p>\n

Franco Autori, conductor<\/em>[\/vc_column_text][vc_separator][vc_column_text]6 December 1936 (Federal Music Project – WPA)
\n<\/strong>
\nMOZART<\/strong> \u00a0The Marriage of Figaro: Overture<\/i>
\nMOZART <\/strong>\u00a0The Marriage of Figaro: Non so piu<\/i>
\nWAGNER\u00a0 <\/strong>Tannh\u00e4user: Dich, teure Halle<\/i>
\nWAGNER <\/strong>\u00a0G\u00f6tterd\u00e4mmerung: Siegfried’s Rhine Journey<\/i>
\nWAGNER <\/strong>\u00a0Tristan and Isolde: Prelude and Love-Death<\/i>
\nVERDI <\/strong>\u00a0La Traviata: Prelude to Act III<\/i>
\nVERDI <\/strong>\u00a0Il Trovatore: Tacea la notte placida<\/i>
\nVERDI <\/strong>\u00a0I Vespri Siciliani: Overture<\/i><\/p>\n

Franco Autori, conductor<\/em>
\nPaola Autori, soprano<\/em>[\/vc_column_text][vc_separator][vc_column_text]12 December 1936
\n<\/strong>
\nBEETHOVEN\u00a0 <\/strong>Symphony No.3 in E-flat major, op.55 “Eroica”<\/i>
\nGLUCK <\/strong>\u00a0Orfeo ed Euridice: Che faro senza Euridice<\/i>
\nBAUM <\/strong>\u00a0Passacaglia and Fugue in C major<\/i>
\nMOSOLOV <\/strong>\u00a0The Iron Foundry (Symphony of Machines)<\/i>
\nDONIZETTI <\/strong>\u00a0La Favorita: O Mio Fernando<\/i>
\nSTRAUSS, R. <\/strong>\u00a0Don Juan, op.20<\/i><\/p>\n

Lajos Shuk, conductor<\/em>
\nAnna Kaskas, contralto<\/em>[\/vc_column_text][vc_separator][vc_column_text]13 December 1936 (Federal Music Project – WPA)<\/strong>
\n<\/span>
\nRIMSKY-KORSAKOV<\/strong> \u00a0Russian Easter Overture<\/i>
\nRACHMANINOFF <\/strong>\u00a0Piano Concerto No.2 in C minor, op.18<\/i>
\nTCHAIKOVSKY <\/strong>\u00a0Symphony No.4 in F minor, op.36<\/i><\/p>\n

Franco Autori, conductor<\/em>[\/vc_column_text][vc_separator][vc_column_text]20 December 1936 (Federal Music Project – WPA)
\n<\/strong>
\n<\/span>CHADWICK <\/strong>\u00a0Melpomene Overture<\/i>
\nMcBRIDE <\/strong>\u00a0Mexican Rhapsody<\/i>
\nPORTER, Q. <\/strong>\u00a0Poem and Dance<\/i>
\nPOWELL <\/strong>\u00a0Three Virginian Country Dances, op.30<\/i>
\nMacDOWELL<\/strong> – Indian Suite No.2, op.48
\n<\/i>
\nFranco Autori, conductor[\/vc_column_text][vc_separator][vc_column_text]7 January 1937
\n<\/strong>
\nWAGNER<\/strong> \u00a0Tannh\u00e4user: Bacchanale (Venusbergermusik)<\/i>
\nBRUCKNER <\/strong>\u00a0Symphony No.3 in D minor<\/i>
\nBEETHOVEN <\/strong>\u00a0Piano Concerto No.3 in C minor, op.37<\/i>
\nTCHAIKOVSKY <\/strong>\u00a0Romeo and Juliet Fantasy Overture
\n<\/i>
\nLajos Shuk, conductor<\/em>
\nAmy Corey Pomeroy, piano<\/em>[\/vc_column_text][vc_separator][vc_column_text]10 January 1937 (Federal Music Project – WPA)
\n<\/strong>
\nGLUCK <\/strong>\u00a0Iphigenia in Aulis: Overture<\/i>
\nBACH <\/strong>\u00a0Concerto for Two Pianos in C minor<\/i>
\nSTRAUSS, R.<\/strong> \u00a0Don Juan, op.20<\/i>
\nBEETHOVEN <\/strong>\u00a0Symphony No.5 in C minor, op.67
\n<\/i>
\nFranco Autori, conductor<\/em>
\nEtta Coles, piano<\/em>
\nNaomi Yanova, piano<\/em>[\/vc_column_text][vc_separator][vc_column_text]17 January 1937 (Federal Music Project – WPA)
\n<\/strong>
\nSCHUBERT\u00a0 <\/b>Symphony No.8 in B minor “Unfinished”<\/i>
\nMOZART <\/b>\u00a0Sinfonia Concertante for Violin and Viola, K.364<\/i>
\nFOOTE <\/b>\u00a0Suite for Strings, op.63<\/i>
\nRIMSKY-KORSAKOV <\/strong>\u00a0Capriccio Espagnol, op.34
\n<\/i>
\nFranco Autori, conductor<\/em>
\nJan Wolanek, violin<\/em>
\nFerdinand Ressel, viola<\/em>[\/vc_column_text][vc_separator][vc_column_text]24 January 1937 (Federal Music Project – WPA)
\n<\/strong>
\nBEETHOVEN <\/strong>\u00a0Egmont Overture, op.84<\/i>
\nMENDELSSOHN <\/strong>\u00a0Symphony No.4 in A major, op.90 “Italian”<\/i>
\nLISZT <\/strong>\u00a0Piano Concerto No.1 in E-flat major<\/i>
\nWEBER <\/strong>\u00a0Oberon: Overture
\n<\/i>
\nJohn Ingram, conductor<\/em>
\nGeorge MacNabb, piano<\/em>[\/vc_column_text][vc_separator][vc_column_text]12 February 1937
\n<\/strong>
\nWEBER <\/strong>\u00a0Der Freisch\u00fctz: Overture<\/i>
\nSIBELIUS <\/strong>\u00a0The Swan of Tuonela<\/i>
\nSIBELIUS <\/strong>\u00a0Symphony No.1 in E minor, op.39<\/i>
\nDOHN\u00c1NYI <\/b><\/strong>\u00a0Suite in Four Movements in F-sharp minor, op.19<\/i>
\nSTRAUSS, R. <\/strong>\u00a0Der Rosenkavalier: Waltzes
\n<\/i>
\nLajos Shuk, conductor<\/em>
\nAntonio Grimaldi, English horn<\/em>[\/vc_column_text][vc_separator][vc_column_text]23 February 1937 (Federal Music Project – WPA)
\n<\/strong>
\nGIORNI <\/strong>\u00a0Passacaglia<\/i>
\nMOZART <\/strong>\u00a0Don Giovanni: Il mio tesoro<\/i>
\nWAGNER <\/strong>\u00a0Die Walk\u00fcre: Siegmund’s Love Song<\/i>
\nWAGNER <\/strong>\u00a0G\u00f6tterd\u00e4merung: Funeral March<\/i>
\nWAGNER <\/strong>\u00a0Die Walk\u00fcre: Ride of the Valkyries<\/i>
\nBEETHOVEN <\/strong>\u00a0Symphony No.1 in C major, op.21
\n<\/i>
\nFranco Autori, conductor<\/em>
\nJohn Priebe, tenor<\/em>[\/vc_column_text][vc_separator][vc_column_text]11 March 1937
\n<\/strong>
\nMOZART <\/strong>\u00a0La Clemenza di Tito: Overture<\/i>
\nREGER <\/strong>\u00a0Variations and Fugue on a Theme by Mozart<\/i>
\nMAHLER <\/strong>\u00a0Adagietto from Symphony No.5<\/i>
\nENESCO <\/strong>\u00a0Romanian Rhapsody No.1 in A major, op.11<\/i>
\nBEETHOVEN <\/strong>\u00a0Piano Concerto No.5 in E-flat major op.73 “Emperor”<\/i>
\nSTRAUSS, J. JR. <\/strong>\u00a0Emperor Waltzes
\n<\/i>
\nLajos Shuk, conductor<\/em>
\nHarold Bauer, piano<\/em>[\/vc_column_text][vc_separator][vc_column_text]17 March 1937 (Federal Music Project – WPA)
\n<\/strong>
\nFRESCOBALDI\/AUTORI <\/strong>\u00a0Bergamasca<\/i>
\nDEBUSSY <\/strong>\u00a0Petite Suite<\/i>
\nWAGNER <\/strong>\u00a0Lohengrin: Prelude to Act I<\/i>
\nWAGNER <\/strong>\u00a0Lohengrin: Prelude to Act III<\/i>
\nSIBELIUS <\/strong>\u00a0Symphony No.2 in D major, op.43
\n<\/i>
\nFranco Autori, conductor<\/em>[\/vc_column_text][vc_separator][vc_column_text]29 March 1937 (Federal Music Project – WPA)
\n<\/strong>
\nBACH\/OLMSTEAD <\/strong>\u00a0Nun Komm’ der Heiden Heiland<\/i>
\nBACH\/OLMSTEAD <\/strong>\u00a0Fantasia in C minor<\/i>
\nMOZART <\/strong>\u00a0Piano Concerto No.22 in E-flat major, K.482<\/i>
\nRAVEL <\/strong>\u00a0Pavane pour une infante d\u00e9funte
\n<\/i>
\nFranco Autori, conductor<\/em>
\nGuy Maier, piano<\/em>[\/vc_column_text][vc_separator][vc_column_text]14 April 1937 (Federal Music Project – WPA)
\n<\/strong>
\nBACH\/REGER <\/strong>\u00a0Chorale Prelude: O Mensch, bewein dein Sunde Grosz<\/i>
\nMASON <\/strong>\u00a0Symphony No.2 in A major, op.30<\/i>
\nRAVEL <\/strong>\u00a0Bolero<\/i>
\nBERLIOZ<\/strong> \u00a0Roman Carnival Overture, op.9
\n<\/i>
\nFranco Autori, conductor<\/em>[\/vc_column_text][vc_separator][vc_column_text]23 April 1937 (Federal Music Project – WPA)
\n<\/strong>
\nHAYDN <\/strong>\u00a0Symphony No.7 in C major<\/i>
\nHINDEMITH <\/strong>\u00a0Der Schwanendreher<\/i>
\nHINDEMITH <\/strong>\u00a0Mathis der Maler
\n<\/i>
\nFranco Autori, conductor<\/em>
\nPaul Hindemith, conductor and viola<\/em>[\/vc_column_text][vc_separator][vc_column_text]5 May 1937 (Federal Music Project – WPA)
\n<\/strong>
\nBEETHOVEN <\/b>\u00a0Egmont Overture, op.84<\/i>
\nMacDOWELL <\/strong>\u00a0Piano Concerto No.2 in D minor, op.23<\/i>
\nTHOMPSON\u00a0 <\/strong>Symphony No.2
\n<\/i>
\nFranco Autori, conductor<\/em>
\nEdith Di Bartolo, piano<\/em>[\/vc_column_text][vc_separator][vc_column_text]19 May 1937 (Federal Music Project – WPA)<\/strong><\/p>\n

MOZART <\/strong>\u00a0Eine Kleine Nachtmusik, K.525<\/i>
\nDEBUSSY <\/strong>\u00a0Rhapsody for Saxophone and Orchestra<\/i>
\nAUTORI <\/strong>\u00a0Three Negro Spirituals<\/i>
\nTAYLOR <\/strong>\u00a0Circus Days
\n<\/i>
\nFranco Autori, conductor<\/em>
\nArnold Cornelissen, saxophone<\/em>[\/vc_column_text][\/vc_column][\/vc_row][\/vc_section]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_section][vc_row][vc_column][vc_custom_heading source=”post_title” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes”][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]5 November 1936 BACH\/WOOD \u00a0Toccata and Fugue in D minor TCHAIKOVSKY \u00a0Violin Concerto in D major, op.35… Read more »<\/a><\/p>\n","protected":false},"author":169,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-460","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/460","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/users\/169"}],"replies":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/comments?post=460"}],"version-history":[{"count":8,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/460\/revisions"}],"predecessor-version":[{"id":3418,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/460\/revisions\/3418"}],"wp:attachment":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/media?parent=460"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}