{"id":481,"date":"2021-07-29T19:23:07","date_gmt":"2021-07-29T19:23:07","guid":{"rendered":"https:\/\/bpo.org\/archives\/classics-repertoire-1940-1941-copy\/"},"modified":"2021-07-29T19:26:52","modified_gmt":"2021-07-29T19:26:52","slug":"classics-repertoire-1941-1942","status":"publish","type":"page","link":"https:\/\/bpo.org\/archives\/classics-repertoire-1941-1942\/","title":{"rendered":"BPO Classics Repertoire 1941-1942"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_section][vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<strong>18 November 1941<\/strong><span style=\"color: #333399;\"><br \/>\n<\/span>Beethoven &#8211; <i>Leonore Overture No.3, op.72<\/i><br \/>\nStrauss, R. &#8211; <i>Death and Transfiguration, op.24<\/i><br \/>\nFranck &#8211; <i>Symphony in D minor<\/i><br \/>\nFranco Autori, conductor[\/vc_column_text][vc_separator][vc_column_text]<strong>2 December 1941<\/strong><span style=\"color: #333399;\"><br \/>\n<\/span>Britten &#8211; <i>Simple Symphony<\/i><br \/>\nHindemith &#8211; <i>Mathis der Maler<\/i><br \/>\nHaydn &#8211; <i>Cello Concerto in D major<\/i><br \/>\nStrauss, R. &#8211; <i>Der Rosenkavalier: Waltzes<\/i><br \/>\nFranco Autori, conductor<br \/>\nJoseph Schuster, cellist[\/vc_column_text][vc_separator][vc_column_text]<strong>16 December 1941<\/strong><br \/>\nBach\/Autori &#8211; <i>Toccata and Fugue in D minor<\/i><br \/>\nTchaikovsky &#8211; <i>Piano Concerto No.1 in B-flat minor, op.23<\/i><br \/>\nFernandez &#8211; <i>Batuque<\/i><br \/>\nDelius &#8211; <i>A Walk to the Paradise Garden<\/i><br \/>\nStravinsky &#8211; <i>Firebird Suite<\/i><br \/>\nFranco Autori, conductor<br \/>\nLeonard Shure, pianist[\/vc_column_text][vc_separator][vc_column_text]<strong>6 January 1942<\/strong><span style=\"color: #333399;\"><br \/>\n<\/span>Bach, C.P.E. &#8211; <i>Symphony No.3 in C major<\/i><br \/>\nBarber &#8211; <i>Symphony in One Movement<\/i><br \/>\nRimsky-Korsakoff &#8211; <i>Sheherazade, op.35<\/i><br \/>\nFranco Autori, conductor[\/vc_column_text][vc_separator][vc_column_text]<strong>20 January 1942<\/strong><span style=\"color: #333399;\"><br \/>\n<\/span>Boyce &#8211; <i>Symphony No.1 in B-flat<\/i><br \/>\nGlazunov &#8211; <i>Violin Concerto in A minor, op.82<\/i><br \/>\nBernard Rogers &#8211; <i>The Supper at Emmaus<\/i><br \/>\nBrahms &#8211; <i>Symphony No.1 in C minor, op.68<\/i><br \/>\nMishel Piastro, violinist<br \/>\nFranco Autori, conductor[\/vc_column_text][vc_separator][vc_column_text]<strong>3 February 1942<\/strong><br \/>\nWagner &#8211; <i>Lohengrin: Prelude to Act III<\/i><br \/>\nWagner &#8211; <i>Parsifal: Good Friday Music<\/i><br \/>\nWagner &#8211; <i>Die Walk\u00fcre: Wotan&#8217;s Farewell and Magic Fire Music<\/i><br \/>\nWagner &#8211; <i>Tristan and Isolde: Prelude and Love-Death<\/i><br \/>\nWagner &#8211; <i>Die Meistersinger: Overture<\/i><br \/>\nWagner &#8211; <i>Die Meistersinger: Cathedral Chorus<\/i><br \/>\nWagner &#8211; <i>Die Meistersinger: Prelude to Act III<\/i><br \/>\nWagner &#8211; <i>Die Meistersinger: Hans Sach&#8217;s Monologue: Whan! Whan!<\/i><br \/>\nWagner &#8211; <i>Die Meistersinger: Dance of the Apprentices<\/i><br \/>\nWagner &#8211; <i>Die Meistersinger: Entrance of the Mastersingers<\/i><br \/>\nWagner &#8211; <i>Die Meistersinger: Homage to Hans Sachs<\/i><br \/>\nWagner &#8211; <i>Die Meistersinger: Hans Sach&#8217;s Exhortation and Finale<\/i><br \/>\nFranco Autori, conductor<br \/>\nDavid Blair McClosky, baritone<br \/>\nBuffalo Philharmonic Chorus[\/vc_column_text][vc_separator][vc_column_text]<strong>17 February 1942<\/strong><span style=\"color: #333399;\"><br \/>\n<\/span>Mozart &#8211; <i>The Marriage of Figaro: Overture<\/i><br \/>\nBeethoven &#8211; <i>Violin Concerto in D major, op.61<\/i><br \/>\nDebussy &#8211; <i>Two Nocturnes<\/i><br \/>\nDebussy &#8211; <i>Prelude to the Afternoon of a Faun<\/i><br \/>\nWagner &#8211; <i>Tannh\u00e4user: Overture<\/i><br \/>\nFranco Autori, conductor<br \/>\nJoseph Szigeti, violinist[\/vc_column_text][vc_separator][vc_column_text]<strong>3 March 1942<\/strong><span style=\"color: #333399;\"><br \/>\n<\/span>Rimsky-Korsakoff &#8211; <i>Russian Easter Overture<\/i><br \/>\nProkofiev &#8211; <i>Peter and the Wolf<\/i><br \/>\nShostakovich &#8211; <i>Symphony No.5 in D minor, op.47<\/i><br \/>\nFranco Autori, conductor<br \/>\nStanley D.Travis, narrator[\/vc_column_text][vc_separator][vc_column_text]<strong>17 March 1942<\/strong><span style=\"color: #333399;\"><br \/>\n<\/span>Haydn &#8211; <i>Symphony No.7 in C major &#8220;Le midi&#8221;<\/i><br \/>\nBrahms &#8211; <i>Variations on a Theme by Haydn, op.56a<\/i><br \/>\nGrainger &#8211; <i>Irish Tune from County Derry<\/i><br \/>\nBarber &#8211; <i>Essay for Orchestra<\/i><br \/>\nBeethoven &#8211; <i>Symphony No.7 in A minor, op.92<\/i><br \/>\nFranco Autori, conductor[\/vc_column_text][vc_separator][vc_column_text]<strong>31 March 1942<\/strong><span style=\"color: #333399;\"><br \/>\n<\/span>Gluck &#8211; <i>Iphigenia in Aulis: Overture<\/i><br \/>\nBrahms &#8211; <i>Piano Concerto No.1 in D minor, op.15<\/i><br \/>\nVaughan Williams &#8211; <i>Fantasia on A Theme by Thomas Tallis<\/i><br \/>\nRimsky-Korsakoff &#8211; <i>Capriccio Espagnol, op.34<\/i><br \/>\nFranco Autori, conductor<br \/>\nRudolf Serkin, pianist[\/vc_column_text][\/vc_column][\/vc_row][\/vc_section]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_section][vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]18 November 1941 Beethoven &#8211; Leonore Overture No.3, op.72 Strauss, R. &#8211; Death and Transfiguration, op.24 Franck<a class=\"excerpt-read-more\" href=\"https:\/\/bpo.org\/archives\/classics-repertoire-1941-1942\/\" title=\"ReadBPO Classics Repertoire 1941-1942\">&#8230; Read more &raquo;<\/a><\/p>\n","protected":false},"author":169,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-481","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/481","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/users\/169"}],"replies":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/comments?post=481"}],"version-history":[{"count":2,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/481\/revisions"}],"predecessor-version":[{"id":483,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/481\/revisions\/483"}],"wp:attachment":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/media?parent=481"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}