{"id":490,"date":"2021-07-29T19:42:26","date_gmt":"2021-07-29T19:42:26","guid":{"rendered":"https:\/\/bpo.org\/archives\/classics-repertoire-1943-1944-copy\/"},"modified":"2021-07-29T19:46:19","modified_gmt":"2021-07-29T19:46:19","slug":"classics-repertoire-1944-1945","status":"publish","type":"page","link":"https:\/\/bpo.org\/archives\/classics-repertoire-1944-1945\/","title":{"rendered":"BPO Classics Repertoire 1944-1945"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_section][vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<strong>14 November 1944<\/strong><br \/>\nGeminiani\/Marinuzzi &#8211; <i>Andante for Strings, Harp and Organ<\/i><br \/>\nBrahms &#8211; <i>Violin Concerto in D major, op.77<\/i><br \/>\nSibelius &#8211; <i>Symphony No.2 in D major, op.43<\/i><br \/>\nFranco Autori, conductor<br \/>\nMischa Mischakoff, violinist[\/vc_column_text][vc_separator][vc_column_text]<strong>28 November 1944<\/strong><br \/>\nBeethoven &#8211; <i>Symphony No.1 in C major, op.21<\/i><br \/>\nStradella &#8211; <i>Il Floridoro: Per Pieta<\/i><br \/>\nRossini &#8211; <i>Cenerentola: Rondo<\/i><br \/>\nDuparc &#8211; <i>L&#8217;invitation au voyage<\/i><br \/>\nTchaikovsky &#8211; <i>Jeanne D&#8217;Arc: Adieu forets<\/i><br \/>\nRimsky-Korsakoff &#8211; <i>The Snowmaiden: Song of Lel<\/i><br \/>\nHindemith &#8211; <i>Mathis der Maler<\/i><br \/>\nFranco Autori, conductor<br \/>\nJennie Tourel, mezzo-soprano[\/vc_column_text][vc_separator][vc_column_text]<strong>13 December 1944<\/strong><br \/>\nRespighi &#8211; <i>Ancient Airs and Dances<\/i><br \/>\nKhachaturian &#8211; <i>Piano Concerto<\/i><br \/>\nBeethoven &#8211; <i>Symphony No.7 in A major, op.92<\/i><br \/>\nFranco Autori, conductor<br \/>\nWilliam Kapell, pianist[\/vc_column_text][vc_separator][vc_column_text]<strong>19 December 1944<\/strong><br \/>\nHaydn &#8211; <i>Symphony No.7 in C major &#8220;Le midi&#8221;<\/i><br \/>\nHandel &#8211; <i>Messiah<\/i><br \/>\nFranco Autori, conductor<br \/>\nJean Carlton, soprano<br \/>\nPauline Pierce, contralto<br \/>\nWilliam Wyatt, tenor<br \/>\nGean Greenwell, bass[\/vc_column_text][vc_separator][vc_column_text]<strong>9 January 1945<\/strong><br \/>\nWeber &#8211; <i>Euryanthe: Overture<\/i><br \/>\nHaussermann &#8211; <i>Concerto for Voice and Orchestra, op.25<\/i><br \/>\nBrahms &#8211; <i>Symphony No.2 in D major, op.73<\/i><br \/>\nFranco Autori, conductor<br \/>\nMargot Rebeil, soprano[\/vc_column_text][vc_separator][vc_column_text]<strong>23 January 1945<\/strong><br \/>\nBacevicius &#8211; <i>Symphony No.1, op.2<\/i><br \/>\nMozart &#8211; <i>Violin Concerto No.4 in D major, K.218<\/i><br \/>\nMendelssohn &#8211; <i>Violin Concerto in E minor, op.64<\/i><br \/>\nStrauss, R. &#8211; <i>Der Rosenkavalier: Waltzes<\/i><br \/>\nFranco Autori, conductor<br \/>\nMischa Elman, violinist[\/vc_column_text][vc_separator][vc_column_text]<strong>6 February 1945<\/strong><br \/>\nMozart &#8211; <i>The Marriage of Figaro: Overture<\/i><br \/>\nCowell &#8211; <i>Ancient Desert Drone<\/i><br \/>\nRachmaninoff &#8211; <i>Piano Concerto No.2 in C minor, op.18<\/i><br \/>\nBrahms &#8211; <i>Symphony No.4 in E minor, op.98<\/i><br \/>\nFranco Autori, conductor<br \/>\nJesus Maria Sanroma, pianist[\/vc_column_text][vc_separator][vc_column_text]<strong>20 February 1945<\/strong><br \/>\nBeethoven &#8211; <i>Egmont Overture, op.84<\/i><br \/>\nBrahms &#8211; <i>Violin and Cello Concerto in A minor, op.102<\/i><br \/>\nCornelissen &#8211; <i>Lilac Bush in Bloom<\/i><br \/>\nWagner &#8211; <i>Die Meistersinger: Prelude and Cathedral Chorus<\/i><br \/>\nWagner &#8211; <i>Tannh\u00e4user: March<\/i><br \/>\nFranco Autori, conductor<br \/>\nOscar Shumsky, violinist<br \/>\nBernard Greenhouse, cellist[\/vc_column_text][vc_separator][vc_column_text]<strong>6 March 1945<\/strong><br \/>\nMozart &#8211; <i>Eine Kleine Nachtmusik, K.525<\/i><br \/>\nElwell &#8211; <i>Introduction and Allegro<\/i><br \/>\nColeridge-Taylor &#8211; <i>Hiawatha: Onaway, Awake! Beloved<\/i><br \/>\nWagner &#8211; <i>Die Walk\u00fcre: Siegmund&#8217;s Love Song<\/i><br \/>\nStrauss, R. &#8211; <i>Traum durch die D\u00e4mmerung<\/i><br \/>\nStrauss, R. &#8211; <i>Zueignung<\/i><br \/>\nStrauss, R. &#8211; <i>Morgen<\/i><br \/>\nStrauss, R. &#8211; <i>Heimliche Aufforderung<\/i><br \/>\nStrauss, R. &#8211; <i>Death and Transfiguration, op.24<\/i><br \/>\nFranco Autori, conductor<br \/>\nDonald Dame, tenor[\/vc_column_text][vc_separator][vc_column_text]<strong>20 March 1945<\/strong><br \/>\nRimsky-Korsakoff &#8211; <i>Russian Easter Overture<\/i><br \/>\nMozart &#8211; <i>Violin Concerto No.3 in G major, K.216<\/i><br \/>\nCopland &#8211; <i>Lincoln Portrait<\/i><br \/>\nStravinsky &#8211; <i>Firebird Suite<\/i><br \/>\nFranco Autori, conductor<br \/>\nCarl Sandburg, narrator<br \/>\nAriana Bronstein, violinist[\/vc_column_text][\/vc_column][\/vc_row][\/vc_section]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_section][vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]14 November 1944 Geminiani\/Marinuzzi &#8211; Andante for Strings, Harp and Organ Brahms &#8211; Violin Concerto in D<a class=\"excerpt-read-more\" href=\"https:\/\/bpo.org\/archives\/classics-repertoire-1944-1945\/\" title=\"ReadBPO Classics Repertoire 1944-1945\">&#8230; Read more &raquo;<\/a><\/p>\n","protected":false},"author":169,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-490","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/490","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/users\/169"}],"replies":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/comments?post=490"}],"version-history":[{"count":2,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/490\/revisions"}],"predecessor-version":[{"id":492,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/490\/revisions\/492"}],"wp:attachment":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/media?parent=490"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}