{"id":530,"date":"2021-07-30T18:50:28","date_gmt":"2021-07-30T18:50:28","guid":{"rendered":"https:\/\/bpo.org\/archives\/classics-repertoire-1935-1936-copy\/"},"modified":"2021-07-30T18:52:20","modified_gmt":"2021-07-30T18:52:20","slug":"classics-repertoire-1952-1953","status":"publish","type":"page","link":"https:\/\/bpo.org\/archives\/classics-repertoire-1952-1953\/","title":{"rendered":"BPO Classics Repertoire 1952-1953"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_section][vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<strong>15, 16 November 1952<\/strong><br \/>\nBeethoven &#8211; Symphony No.7 in A major, op.92<br \/>\nCopland &#8211; Clarinet Concerto<br \/>\nWeber &#8211; Concertino for Clarinet<br \/>\nTchaikovsky &#8211; Romeo and Juliet Fantasy Overture<br \/>\nIzler Solomon, conductor in residence<br \/>\nBenny Goodman, clarinetist<\/p>\n<hr \/>\n<p><strong>30 November, 2 December 1952<\/strong><br \/>\nWeber &#8211; Euryanthe: Overture<br \/>\nBarber &#8211; Symphony in One Movement, op.26<br \/>\nMozart &#8211; Symphony No.35 in D major, K.385 &#8220;Haffner&#8221;<br \/>\nBruch &#8211; Violin Concerto No.1 in G minor, op.26<br \/>\nMilton Katims, guest conductor<br \/>\nYehudi Menuhin, violinist<\/p>\n<hr \/>\n<p><strong>14, 16 December 1952<\/strong><br \/>\nRossini &#8211; Italian in Algiers: Overture<br \/>\nGould &#8211; Spirituals for String Choir and Orchestra<br \/>\nChopin &#8211; Piano Concerto No.2 in F minor, op.21<br \/>\nBrahms &#8211; Symphony No.1 in C minor, op.68<br \/>\nMilton Katims, guest conductor<br \/>\nEugene Istomin, pianist<\/p>\n<hr \/>\n<p><strong>11, 12 January 1953<\/strong><br \/>\nMozart &#8211; The Marriage of Figaro<br \/>\nJoseph Rosenstock, guest conductor<br \/>\nDonald Gramm, baritone, Count Almaviva<br \/>\nEllen Faull, soprano, Countess Almaviva<br \/>\nAdelaide Bishop, soprano, Susanna<br \/>\nRalph Herbert, baritone, Figaro<br \/>\nEdith Evans, soprano, Cherubino<br \/>\nDorothy Bristol Harp, soprano, Marcellina<br \/>\nHerbert Beattie, bass, Don Bartolo<br \/>\nLuigi Vellucci, tenor, Don Basilio<br \/>\nDonald Ritter, tenor, Don Curzio<br \/>\nVincent Mattina, bass, Antonio<br \/>\nMarylee Meyers, soprano, Barbarina<br \/>\nD&#8217;Youville College Women&#8217;s Chorus,<br \/>\nGertrude Lutzi, director<br \/>\nCanisius College Men&#8217;s Chorus,<br \/>\nRobert Schultz, director<\/p>\n<hr \/>\n<p><strong>18, 20 January 1953<\/strong><br \/>\nBach\/Stokowski &#8211; Toccata and Fugue in D minor<br \/>\nBrahms &#8211; Symphony No.2 in D major, op.73<br \/>\nDebussy &#8211; Trois Nocturnes<br \/>\nWagner &#8211; Tristan and Isolde: Prelude and Love-Death<br \/>\nLeopold Stokowski, guest conductor<\/p>\n<hr \/>\n<p><strong>1, 3 February 1953<\/strong><br \/>\nSmetana &#8211; The Bartered Bride: Overture<br \/>\nBeethoven &#8211; Symphony No.5 in C minor, op.67<br \/>\nRachmaninoff &#8211; Piano Concerto No.3 in D minor, op.30<br \/>\nde Falla &#8211; The Three Cornered Hat: Three Dances<br \/>\nJoseph Rosenstock, guest conductor<br \/>\nWilliam Kapell, pianist<\/p>\n<hr \/>\n<p><strong>15, 17 February 1953<\/strong><br \/>\nMozart &#8211; Symphony No.41 in C major, K.551 &#8220;Jupiter&#8221;<br \/>\nMozart &#8211; The Marriage of Figaro: Non so piu cosa son<br \/>\nMozart &#8211; The Marriage of Figaro: Voi che sapete<br \/>\nGluck &#8211; Orfeo ed Euridice: Che faro senza, Euridice<br \/>\nSchubert &#8211; Symphony No.7 in C major<br \/>\nJosef Krips, guest conductor<br \/>\nRise Stevens, mezzo-soprano<\/p>\n<hr \/>\n<p><strong>1, 3 March 1953<\/strong><br \/>\nHaydn &#8211; Symphony No.94 in G major &#8220;Surprise&#8221;<br \/>\nMartinu &#8211; Concerto for String Quartet and Orchestra<br \/>\nBach &#8211; Concerto for Two Violins in D minor<br \/>\nBeethoven &#8211; Symphony No.8 in F major, op.93<br \/>\nJosef Krips, guest conductor<br \/>\nBudapest Quartet<\/p>\n<hr \/>\n<p><strong>15, 17 March 1953<\/strong><br \/>\nProkofiev &#8211; Classical Symphony in D major, op.25<br \/>\nGershwin &#8211; Piano Concerto in F major<br \/>\nTchaikovsky &#8211; Symphony No.6 in B minor, op.74 &#8220;Pathetique&#8221;<br \/>\nIzler Solomon, conductor in residence<br \/>\nOscar Levant, pianist<\/p>\n<hr \/>\n<p><strong>26 March 1953<\/strong><br \/>\nVerdi &#8211; Requiem<br \/>\nWilliam Steinberg, conductor<br \/>\nFrances Reed, soprano<br \/>\nMargaret Mayer, mezzo-soprano<br \/>\nJohn McCollum, tenor<br \/>\nNicola Moscona, bass-baritone<br \/>\nBuffalo Schola Cantorum,<br \/>\nCameron Baird, director<\/p>\n<hr \/>\n<p><strong>29, 31 March 1953<\/strong><br \/>\nMonteverdi\/Malipiero &#8211; Madrigali<br \/>\nVerdi &#8211; Ave Maria<br \/>\nGluck &#8211; Iphigenie en Tauride<br \/>\nDello Joio &#8211; New York Profiles<br \/>\nBrahms &#8211; Symphony No.4 in E minor, op.98<br \/>\nIzler Solomon, conductor in residence<br \/>\nWinifred Cecil, soprano[\/vc_column_text][\/vc_column][\/vc_row][\/vc_section]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_section][vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]15, 16 November 1952 Beethoven &#8211; Symphony No.7 in A major, op.92 Copland &#8211; Clarinet Concerto Weber<a class=\"excerpt-read-more\" href=\"https:\/\/bpo.org\/archives\/classics-repertoire-1952-1953\/\" title=\"ReadBPO Classics Repertoire 1952-1953\">&#8230; Read more &raquo;<\/a><\/p>\n","protected":false},"author":169,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-530","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/530","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/users\/169"}],"replies":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/comments?post=530"}],"version-history":[{"count":2,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/530\/revisions"}],"predecessor-version":[{"id":532,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/530\/revisions\/532"}],"wp:attachment":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/media?parent=530"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}