{"id":534,"date":"2021-07-30T18:53:50","date_gmt":"2021-07-30T18:53:50","guid":{"rendered":"https:\/\/bpo.org\/archives\/classics-repertoire-1935-1936-copy\/"},"modified":"2022-10-14T17:07:16","modified_gmt":"2022-10-14T17:07:16","slug":"classics-repertoire-1953-1954","status":"publish","type":"page","link":"https:\/\/bpo.org\/archives\/classics-repertoire-1953-1954\/","title":{"rendered":"BPO Classics Repertoire 1953-1954"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_section][vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<strong>15, 17 November 1953<\/strong><br \/>\nMozart &#8211; Symphony No.39 in E-flat major, K.543<br \/>\nMendelssohn &#8211; Violin Concerto in E minor, op.64<br \/>\nStrauss, R. &#8211; Don Juan, op.20<br \/>\nSchumann &#8211; Symphony No.4 in D minor, op.120<br \/>\nOtto Klemperer, guest conductor<br \/>\nMichael Rabin, violinist<\/p>\n<hr \/>\n<p><strong>29 November, 1 December 1953<\/strong><br \/>\nVerdi &#8211; La Forza del Destino: Overture<br \/>\nBach &#8211; Concerto for Four Pianos<br \/>\nBerlioz &#8211; Symphonie fantastique, op.14<br \/>\nEfrem Kurtz, guest conductor<br \/>\nBuffalo Philharmonic Piano Quartet<br \/>\nAda Kopetz, pianist<br \/>\nMoreland Kortkamp, pianist<br \/>\nEmmet Vokes, pianist<br \/>\nHerbert Rogers, pianist<\/p>\n<hr \/>\n<p><strong>13, 15 December 1953<\/strong><br \/>\nHaydn &#8211; Symphony No.88 in G major<br \/>\nStravinsky &#8211; Firebird Suite<br \/>\nRachmaninoff &#8211; Piano Concerto No.2 in C minor, op.18<br \/>\nEfrem Kurtz, guest conductor<br \/>\nTheodore Lettvin, pianist<\/p>\n<hr \/>\n<p><strong>3 January 1954<\/strong><br \/>\nGould &#8211; Interplay (ballet)<br \/>\nTchaikovsky &#8211; Swan Lake (excerpts: ballet)<br \/>\nCopland &#8211; Billy the Kid (ballet)<br \/>\nChopin &#8211; Les Sylphides (ballet)<br \/>\nBanfield &#8211; The Combat (ballet)<br \/>\nTchaikovsky &#8211; Black Swan pas de deux (ballet)<br \/>\nBernstein &#8211; Fancy Free (ballet)<br \/>\nThe Ballet Theater<br \/>\nJoseph Levine, music director<br \/>\nAlicia Alonso, ballerina<br \/>\nIgor Youskevitch, danseur<br \/>\nJohn Kriza, danseur<br \/>\nMelissa Hayden, ballerina<\/p>\n<hr \/>\n<p><strong>17, 19 January 1954<\/strong><br \/>\nPuccini &#8211; La Boh\u00e8me<br \/>\nJoseph Rosenstock, conductor<br \/>\nLaurel Hurley, soprano<br \/>\nAdelaide Bishop, soprano<br \/>\nDavis Cunningham, tenor<br \/>\nVirgil Hale, tenor<br \/>\nHugh Thomson, baritone<br \/>\nNorbert Winkler, baritone<br \/>\nHerbert Beattie, bass<br \/>\nEarl Obermeyer, bass<br \/>\nSamuel Herr, bass<br \/>\nCyrus Hamlin, bass<\/p>\n<hr \/>\n<p><strong>31 January, 2 February 1954<\/strong><br \/>\nDukas &#8211; The Sorcerer&#8217;s Apprentice<br \/>\nTchaikovsky &#8211; Piano Concerto No.1 in B-flat minor, op.23<br \/>\nProkofiev &#8211; The Stone Flower: Wedding Suite<br \/>\nTchaikovsky\/Kostelanetz &#8211; Queen of Spades Suite<br \/>\nEnesco &#8211; Roumanian Rhapsody No.1 in A major, op.11<br \/>\nAndre Kostelanetz, guest conductor<br \/>\nPaul Badura-Skoda, pianist<\/p>\n<hr \/>\n<p><strong>14, 16 February 1954<\/strong><br \/>\nRossini &#8211; Semiramide: Overture<br \/>\nProkofiev &#8211; Symphony No.7 in C-sharp minor, op.131<br \/>\nBrahms &#8211; Variations on a Theme by Haydn, op.56a<br \/>\nIbert &#8211; Escales (Ports of Call)<br \/>\nMilton Katims, conductor<\/p>\n<hr \/>\n<p><strong>28 February, 2 March 1954<\/strong><br \/>\nBeethoven &#8211; Leonore Overture No.3, op.72<br \/>\nBeethoven &#8211; Symphony No.7 in A major, op.92<br \/>\nBeethoven &#8211; Violin Concerto in D major, op.61<br \/>\nJosef Krips, conductor<br \/>\nJascha Heifetz, violinist<\/p>\n<hr \/>\n<p><strong>7 March 1954<\/strong><br \/>\nBeethoven &#8211; Symphony No.2 in D major, op.36<br \/>\nBeethoven &#8211; Concerto for Violin, Cello and Piano, op.56<br \/>\nBeethoven &#8211; Symphony No.5 in C minor, op.67<br \/>\nJosef Krips, conductor<br \/>\nAlexander Schneider, violinist<br \/>\nPaul Tortelier, cellist<br \/>\nMieczys\u0142aw Horszowski, pianist<\/p>\n<hr \/>\n<p><strong>14, 16 March 1954<\/strong><br \/>\nBeethoven &#8211; Symphony No.4 in B-flat major, op.60<br \/>\nBeethoven &#8211; Piano Concerto No.4 in G major, op.58<br \/>\nBeethoven &#8211; Symphony No.3 in E-flat major, op.55 &#8220;Eroica&#8221;<br \/>\nJosef Krips, conductor<br \/>\nInes Carrillo, pianist<\/p>\n<hr \/>\n<p><strong>28, 30 March 1954<\/strong><br \/>\nBeethoven &#8211; Symphony No.8 in F major, op.93<br \/>\nBeethoven &#8211; Piano Concerto No.3 in C minor, op.37 (28 March)<br \/>\nBeethoven &#8211; Piano Concerto No.5 in E-flat major, op.73 &#8220;Emperor&#8221; (30 March)<br \/>\nBeethoven &#8211; Symphony No.6 in F major, op.68 &#8220;Pastorale&#8221;<br \/>\nJosef Krips, conductor<br \/>\nArtur Rubinstein, pianist<\/p>\n<hr \/>\n<p><strong>4 April 1954<\/strong><br \/>\nBeethoven &#8211; Symphony No.1 in C major, op.21<br \/>\nBeethoven &#8211; Symphony No.9 in D minor, op.125 &#8220;Chorale&#8221;<br \/>\nJosef Krips, conductor<br \/>\nHans Vigeland, chorus master<br \/>\nGertrude Lutzi, soprano<br \/>\nMargaret Snow Roy, alto<br \/>\nJohn McCollum, tenor<br \/>\nLorenzo Alvary, bass[\/vc_column_text][\/vc_column][\/vc_row][\/vc_section]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_section][vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]15, 17 November 1953 Mozart &#8211; Symphony No.39 in E-flat major, K.543 Mendelssohn &#8211; Violin Concerto in<a class=\"excerpt-read-more\" href=\"https:\/\/bpo.org\/archives\/classics-repertoire-1953-1954\/\" title=\"ReadBPO Classics Repertoire 1953-1954\">&#8230; Read more &raquo;<\/a><\/p>\n","protected":false},"author":169,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-534","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/534","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/users\/169"}],"replies":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/comments?post=534"}],"version-history":[{"count":3,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/534\/revisions"}],"predecessor-version":[{"id":3423,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/534\/revisions\/3423"}],"wp:attachment":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/media?parent=534"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}