{"id":537,"date":"2021-07-30T18:55:56","date_gmt":"2021-07-30T18:55:56","guid":{"rendered":"https:\/\/bpo.org\/archives\/classics-repertoire-1937-38-copy\/"},"modified":"2022-10-18T17:30:09","modified_gmt":"2022-10-18T17:30:09","slug":"classics-repertoire-1954-1955","status":"publish","type":"page","link":"https:\/\/bpo.org\/archives\/classics-repertoire-1954-1955\/","title":{"rendered":"BPO Classics Repertoire 1954-1955"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_section][vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<strong>22, 24 October 1954<\/strong><br \/>\nVerdi &#8211; La Traviata<br \/>\nJosef Krips, conductor<br \/>\nLaurel Hurley, soprano<br \/>\nJaniece Epke, mezzo-soprano<br \/>\nVivian Girard, soprano<br \/>\nGiulio Gari, tenor<br \/>\nJohn Zavitz, tenor<br \/>\nFrank Marschiello, tenor<br \/>\nCornell MacNiel, baritone<br \/>\nFrank D&#8217;Angelo, baritone<br \/>\nCyrus Hamlin, bass<br \/>\nHunt Sidway, bass<br \/>\nPaul Golden, bass<br \/>\nJohn Russo, bass<br \/>\nChorus<\/p>\n<hr \/>\n<p><strong>29, 30 October 1954<\/strong><br \/>\nTchaikovsky &#8211; Designs with Strings (Trio in A minor, 2nd Movement) (ballet)<br \/>\nNorth &#8211; Streetcar Named Desire (ballet)<br \/>\nGould &#8211; Interplay (ballet)<br \/>\nTchaikovsky &#8211; Swan Lake (ballet excerpts)<br \/>\nChausson &#8211; Jardin aux Lilas (ballet)<br \/>\nCopland &#8211; Rodeo (ballet)<br \/>\nJoseph Levine, conductor<br \/>\nDimitri Romanoff, regisseur<br \/>\nIgor Youskevitch, danseur<br \/>\nNora Kaye, ballerina<br \/>\nJohn Kriza, danseur<br \/>\nRuth Ann Koesun, ballerina<br \/>\nEric Braun, danseur<br \/>\nLupe Serrano, ballerina<br \/>\nErik Bruhn, danseur<\/p>\n<hr \/>\n<p><strong>6, 7 November 1954<\/strong><br \/>\nWeber &#8211; Euryanthe: Overture<br \/>\nMozart &#8211; The Marriage of Figaro: Deh vieni non tardar<br \/>\nMozart &#8211; Cosi fan tutte: Per pieta<br \/>\nStrauss, R. &#8211; Morgen<br \/>\nStrauss, R. &#8211; St\u00e4ndchen<br \/>\nStrauss, R. &#8211; Til Eulenspiegel&#8217;s Merry Pranks<br \/>\nJosef Krips, conductor<br \/>\nIrmgard Seefried, soprano<\/p>\n<hr \/>\n<p><strong>21, 22 November 1954<\/strong><br \/>\nVaughan Williams &#8211; Fantasia on a Theme by Thomas Tallis<br \/>\nVaughan Williams &#8211; Sancta Civitas (The Holy City)<br \/>\nSchubert &#8211; Symphony No.9 in C major &#8220;The Great&#8221;<br \/>\nJosef Krips, conductor<br \/>\nBuffalo Schola Cantorum (augmented)<br \/>\nCameron Baird, director<br \/>\nReed Jerome, director<br \/>\nHans Vigeland, director<br \/>\nSelected Choir, SUCNY Fredonia,<br \/>\nGeorge Dunn, director<br \/>\nSt.Mary of Sorrows and Catholic Polyphonic Choirs,<br \/>\nRobert Schulz, director<\/p>\n<hr \/>\n<p><strong>12, 14 December 1954<\/strong><br \/>\nBeethoven &#8211; Piano Concerto No.4 in G major, op.58<br \/>\nBruckner &#8211; Symphony No.8 in C minor<br \/>\nJosef Krips, conductor<br \/>\nJorge Bolet, pianist<\/p>\n<hr \/>\n<p><strong>2, 4 January 1955<\/strong><br \/>\nStrauss, J.Jr. &#8211; Die Fledermaus<br \/>\nJoseph Rosenstock, conductor<br \/>\nPhyllis Curtin, soprano<br \/>\nLaurel Hurley, soprano<br \/>\nVera Brynner, soprano<br \/>\nBarbara Saxby, mezzo-soprano<br \/>\nRalph Herbert, tenor<br \/>\nLloyd Thomas Leech, tenor<br \/>\nEarl Obermeyer, tenor<br \/>\nWilliam Shriner, baritone<br \/>\nArthur Newman, baritone<br \/>\nStu Sample, narrator<br \/>\nPhilharmonic Opera Chorus,<br \/>\nVernon Christman, chorus master<br \/>\nPhilharmonic Corps de Ballet,<br \/>\nRoy Marquart, Jack Sheridan, choreographers<\/p>\n<hr \/>\n<p><strong>16, 18 January 1955<\/strong><br \/>\nBrahms &#8211; Academic Festival Overture, op.80<br \/>\nBrahms &#8211; Piano Concerto No.2 in B-flat major, op.83<br \/>\nBrahms &#8211; Symphony No.1 in C minor, op.68<br \/>\nJosef Krips, conductor<br \/>\nClaudio Arrau, pianist<\/p>\n<hr \/>\n<p><strong>30 January, 1 February 1955<\/strong><br \/>\nBrahms &#8211; Variations on a Theme by Haydn, op.56a<br \/>\nBrahms &#8211; Violin Concerto in D major, op.77<br \/>\nBrahms &#8211; Symphony No.4 in E minor, op.98<br \/>\nJosef Krips, conductor<br \/>\nIsaac Stern, violinist<\/p>\n<hr \/>\n<p><strong>13, 15 February 1955<\/strong><br \/>\nBrahms &#8211; Tragic Overture, op.81<br \/>\nBrahms &#8211; Concerto for Violin and Cello in A minor, op.102<br \/>\nBrahms &#8211; Symphony No.2 in D major, op.73<br \/>\nJosef Krips, conductor<br \/>\nMax Miller, violinist<br \/>\nAnalee Camp, cellist<\/p>\n<hr \/>\n<p><strong>27 February, 1 March 1955<\/strong><br \/>\nMozart &#8211; Symphony No.35 in D major, K.385 &#8220;Haffner&#8221;<br \/>\nMozart &#8211; Piano Concerto No.22 in E-flat major, K.482<br \/>\nStrauss, R. &#8211; Don Juan, op.20<br \/>\nWagner &#8211; Tannh\u00e4user: Overture<br \/>\nJosef Krips, conductor<br \/>\nJose Iturbi, pianist<\/p>\n<hr \/>\n<p><strong>13, 15 March 1955<\/strong><br \/>\nRossini &#8211; William Tell: Overture<br \/>\nSchumann &#8211; Piano Concerto in A minor, op.54<br \/>\nWalton &#8211; First Symphony<br \/>\nJosef Krips, conductor<br \/>\nVan Cliburn, pianist<\/p>\n<hr \/>\n<p><strong>27, 29 March 1955<\/strong><br \/>\nWagner &#8211; Parsifal: Prelude and Good Friday Music<br \/>\nMahler &#8211; Kindertotenlieder<br \/>\nBeethoven &#8211; Symphony No.3 in E-flat major, op.55 &#8220;Eroica&#8221;<br \/>\nJosef Krips, conductor<br \/>\nNell Rankin, mezzo-soprano[\/vc_column_text][\/vc_column][\/vc_row][\/vc_section]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_section][vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]22, 24 October 1954 Verdi &#8211; La Traviata Josef Krips, conductor Laurel Hurley, soprano Janiece Epke, mezzo-soprano<a class=\"excerpt-read-more\" href=\"https:\/\/bpo.org\/archives\/classics-repertoire-1954-1955\/\" title=\"ReadBPO Classics Repertoire 1954-1955\">&#8230; Read more &raquo;<\/a><\/p>\n","protected":false},"author":169,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-537","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/537","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/users\/169"}],"replies":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/comments?post=537"}],"version-history":[{"count":4,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/537\/revisions"}],"predecessor-version":[{"id":3454,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/537\/revisions\/3454"}],"wp:attachment":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/media?parent=537"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}