{"id":565,"date":"2021-07-30T19:43:09","date_gmt":"2021-07-30T19:43:09","guid":{"rendered":"https:\/\/bpo.org\/archives\/classics-repertoire-1936-1937-copy\/"},"modified":"2021-07-30T19:44:34","modified_gmt":"2021-07-30T19:44:34","slug":"classics-repertoire-1964-1965","status":"publish","type":"page","link":"https:\/\/bpo.org\/archives\/classics-repertoire-1964-1965\/","title":{"rendered":"BPO Classics Repertoire 1964-1965"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_section][vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<strong>24, 27 October 1964<\/strong><br \/>\nBeethoven &#8211; Military Marches for Winds<br \/>\nBeethoven &#8211; Grosse Fugue for Strings<br \/>\nBeethoven &#8211; Symphony No.9 in D minor, op.125 &#8220;Chorale&#8221;<br \/>\nLukas Foss, conductor<br \/>\nTaeko Fujii, soprano<br \/>\nJoanna Simon, mezzo-soprano<br \/>\nRichard Paige, tenor<br \/>\nFrancis Hester, bass\/baritone<br \/>\nFestival Chorus SUCNY Fredonia,<br \/>\nHarriet Simons, director<\/p>\n<hr \/>\n<p><strong>1, 3 November 1964<\/strong><br \/>\nMozart &#8211; Cosi fan tutte: Overture<br \/>\nMozart &#8211; Violin Concerto No.6 in E-flat major, K.268<br \/>\nHindemith &#8211; Trauermusik<br \/>\nHindemith &#8211; Kammermusik No.3<br \/>\nWagner &#8211; Siegfried: Act III, final scene<br \/>\nLukas Foss, conductor<br \/>\nGladys Kuchta, soprano<br \/>\nRichard Cassilly, tenor<br \/>\nIsidor Saslav, violinist<br \/>\nJesse Levine, violist<br \/>\nHoward Colf, cellist<\/p>\n<hr \/>\n<p><strong>15, 17 November 1964<\/strong><br \/>\nSchubert &#8211; Symphony No.4 in C minor &#8220;Tragic&#8221;<br \/>\nChopin &#8211; Piano Concerto No.1 in E Minor, op.11<br \/>\nDebussy\/Ravel &#8211; Sarabande and Danse<br \/>\nde Falla &#8211; El Amor Brujo<br \/>\nLukas Foss, conductor<br \/>\nAlexander Brailowsky, pianist<\/p>\n<hr \/>\n<p><strong>22, 24 November 1964<\/strong><br \/>\nPergolesi\/Stravinsky &#8211; Pulcinella: Suite<br \/>\nMozart &#8211; Idomeneo (excerpts)<br \/>\nLukas Foss, conductor<br \/>\nLillian Garabedian, soprano<br \/>\nBethany Beardslee, soprano<br \/>\nLynn Owen, soprano<br \/>\nJacob Barkin, tenor<br \/>\nFrancis Hester, bass\/baritone<br \/>\nSUNYAB Chorus,<br \/>\nRobert D.Sacks, acting director<\/p>\n<hr \/>\n<p><strong>6, 8 December 1964<\/strong><br \/>\nFine &#8211; Serious Song<br \/>\nProkofiev &#8211; Lieutenant Kij\u00e9 Suite, op.60<br \/>\nBrahms &#8211; Violin Concerto in D major, op.77<br \/>\nLukas Foss, conductor<br \/>\nItzhak Perlman, violinist<\/p>\n<hr \/>\n<p><strong>13, 15 December 1964<\/strong><br \/>\nHaydn &#8211; Symphony No.104 in D major &#8220;London&#8221;<br \/>\nHandel\/Sch\u00f6nberg &#8211; Concerto for String Quartet and Orchestra (op.6, No.7)<br \/>\nSmith, William O. &#8211; Interplay (premiere)<br \/>\nRavel &#8211; La Valse<br \/>\nLukas Foss, conductor<br \/>\nLenox Quartet<br \/>\nModern Jazz Quartet<\/p>\n<hr \/>\n<p><strong>18 December 1964<\/strong><br \/>\nHandel &#8211; Messiah<br \/>\nLukas Foss, conductor<br \/>\nBethany Beardslee, soprano<br \/>\nLillian Garabedian, mezzo-soprano<br \/>\nStanley Kolk, tenor<br \/>\nWilliam Wolff, bass\/baritone<br \/>\nRivka Mandelkern, continuo<br \/>\nSUCNY Fredonia Chorus,<br \/>\nHarriet Simons, director<\/p>\n<hr \/>\n<p><strong>10, 12 January 1965<\/strong><br \/>\nBuxtehude\/Chavez &#8211; Chaconne<br \/>\nFoss &#8211; Time Cycle<br \/>\nWagner &#8211; G\u00f6tterd\u00e4merung: Prologue and Siegfried&#8217;s Rhine Journey<br \/>\nSibelius &#8211; Symphony No.5 in E-flat major, op.82<br \/>\nRichard Dufallo, conductor<br \/>\nAdele Addison, soprano<\/p>\n<hr \/>\n<p><strong>17, 19 January 1965<\/strong><br \/>\nSchumann &#8211; Manfred Overture<br \/>\nPaganini &#8211; Violin Concerto No.2 in B minor, op.7<br \/>\nBrahms &#8211; Symphony No.3 in F major, op.90<br \/>\nUlrich Meyer, conductor<br \/>\nRuggiero Ricci, violinist<\/p>\n<hr \/>\n<p><strong>31 January, 2 February 1965<\/strong><br \/>\nBach &#8211; Concerto for Two Violins in D minor<br \/>\nBach &#8211; Brandenburg Concerto No.5 in D major<br \/>\nWebern &#8211; Five Pieces<br \/>\nStravinsky &#8211; Symphony of Psalms<br \/>\nLukas Foss, conductor, piano<br \/>\nRivka Mandelkern, violin<br \/>\nHarry Taub, violin<br \/>\nJacob Berg, flute<br \/>\nIsidor Saslav, violin<br \/>\nBuffalo Schola Cantorum,<br \/>\nRobert Schulz, director<br \/>\nChrist the King Men&#8217;s Choir,<br \/>\nRaymond Fabinak, director<br \/>\nMother of Divine Grace Men&#8217;s Choir,<br \/>\nRaymond Fabinak, director<br \/>\nKenmore Presbyterian Senior Choir,<br \/>\nPeter Van Dyck, director<br \/>\nTrinity Episcopal Senior Choir,<br \/>\nJohn Hofmann, director<br \/>\nSt.Mary of Sorrows Choir,<br \/>\nRobert Schulz, director<\/p>\n<hr \/>\n<p><strong>7, 9 February 1965<\/strong><br \/>\nDebussy &#8211; King Lear<br \/>\nMilhaud &#8211; Cello Concerto No.1<br \/>\nFaur\u00e9 &#8211; Elegie<br \/>\nBerlioz &#8211; Romeo and Juliet (excerpts)<br \/>\nLukas Foss, conductor<br \/>\nJanos Starker, cellist<\/p>\n<hr \/>\n<p><strong>21, 23 February 1965<\/strong><br \/>\nCopland &#8211; Fanfare for the Common Man<br \/>\nCopland &#8211; Clarinet Concerto<br \/>\nIves\/Schuman &#8211; Variations on &#8220;America&#8221;<br \/>\nSmit &#8211; Symphony No.2<br \/>\nTchaikovsky &#8211; Symphony No.4 in F minor, op.36<br \/>\nLukas Foss, conductor<br \/>\nRichard Dufallo, clarinetist<br \/>\nLeo Smit, composer, conductor<\/p>\n<hr \/>\n<p><strong>28 February 1965<\/strong><br \/>\nVar\u00e8se &#8211; Deserts<br \/>\nPenderecki &#8211; Tren<br \/>\nFeldman &#8211; The Swallows of Salangan<br \/>\nCage &#8211; Concerto for Piano and Orchestra<br \/>\nKilar &#8211; Riff<br \/>\nLukas Foss, conductor<br \/>\nJohn Cage, composer, conductor<br \/>\nDavid Tudor, pianist<br \/>\nEmmanuel Temple Chorus,<br \/>\nFred D.Willis, director<\/p>\n<hr \/>\n<p><strong>2 March 1965<\/strong><br \/>\nVar\u00e8se &#8211; Deserts<br \/>\nBoulez &#8211; Improvisations sur Mallarm\u00e9<br \/>\nPenderecki &#8211; Tren<br \/>\nKagel &#8211; Diaphonie<br \/>\nKilar &#8211; Riff<br \/>\nLukas Foss, conductor<br \/>\nMauricio Kagel, conductor<br \/>\nSylvia Brigham-Dimiziani, soprano<br \/>\nCenter for the Creative and Performing Arts<br \/>\nCrane Collegiate Singers<br \/>\nBrock McElheran, director<\/p>\n<hr \/>\n<p><strong>14, 16 March 1965<\/strong><br \/>\nVerdi &#8211; Requiem<br \/>\nLukas Foss, conductor<br \/>\nElinor Ross, soprano<br \/>\nShirley Verrett, mezzo-soprano<br \/>\nNicholas DiVirgilio, tenor<br \/>\nAra Berberian, bass<br \/>\nSUCNY Fredonia Chorus,<br \/>\nHarriet Simons, director<\/p>\n<hr \/>\n<p><strong>21, 23 March 1965<\/strong><br \/>\nBeethoven &#8211; Symphony No.5 in C minor, op.67<br \/>\nBeethoven &#8211; Piano Concerto No.5 in E-flat major, op.73 &#8220;Emperor&#8221;<br \/>\nLukas Foss, conductor<br \/>\nRudolf Serkin, pianist<\/p>\n<hr \/>\n<p><strong>1 May 1965<\/strong><br \/>\nDahl &#8211; Aria Sinfonica<br \/>\nShapero &#8211; Partita in C for Piano and Small Orchestra<br \/>\nShapey &#8211; Ontogeny<br \/>\nIngolf Dahl, composer, conductor<br \/>\nHarold Shapero, composer, conductor<br \/>\nRalph Shapey, composer, conductor<br \/>\nJoel Spiegelman, pianist[\/vc_column_text][\/vc_column][\/vc_row][\/vc_section]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_section][vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]24, 27 October 1964 Beethoven &#8211; Military Marches for Winds Beethoven &#8211; Grosse Fugue for Strings Beethoven<a class=\"excerpt-read-more\" href=\"https:\/\/bpo.org\/archives\/classics-repertoire-1964-1965\/\" title=\"ReadBPO Classics Repertoire 1964-1965\">&#8230; Read more &raquo;<\/a><\/p>\n","protected":false},"author":169,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-565","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/565","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/users\/169"}],"replies":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/comments?post=565"}],"version-history":[{"count":2,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/565\/revisions"}],"predecessor-version":[{"id":567,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/565\/revisions\/567"}],"wp:attachment":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/media?parent=565"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}