{"id":575,"date":"2021-07-30T19:51:25","date_gmt":"2021-07-30T19:51:25","guid":{"rendered":"https:\/\/bpo.org\/archives\/classics-repertoire-1937-38-copy\/"},"modified":"2022-10-18T16:04:13","modified_gmt":"2022-10-18T16:04:13","slug":"classics-repertoire-1967-1968","status":"publish","type":"page","link":"https:\/\/bpo.org\/archives\/classics-repertoire-1967-1968\/","title":{"rendered":"BPO Classics Repertoire 1967-1968"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_section][vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<strong>24 September 1967<\/strong><br \/>\nThorne &#8211; Lyric Variations for Orchestra<br \/>\nPersichetti &#8211; Symphony No.7, op.80 &#8220;The Liturgic&#8221;<br \/>\nIves &#8211; From the Steeples and the Mountains<br \/>\nIves &#8211; The Gong on the Hook and Ladder<br \/>\nIves &#8211; Calcium Light Night<br \/>\nIves &#8211; General William Booth Enters Into Heaven<br \/>\nIves &#8211; Lincoln, the Great Commoner<br \/>\nLukas Foss, conductor<br \/>\nVincent Persichetti, composer, conductor<br \/>\nLaurence Bogue, baritone<br \/>\nSUCNY-Fredonia Chamber Singers<br \/>\nAnthony Barresi, director<\/p>\n<hr \/>\n<p><strong>1 October 1967<\/strong><br \/>\nWieloszynski &#8211; Variations for Orchestra<br \/>\nPersichetti &#8211; Symphony No.5 for Strings, op.61<br \/>\nFoss &#8211; Phorion<br \/>\nSubotnick &#8211; Lamination for Orchestra and Electronic Sounds<br \/>\nWuorinen &#8211; Concerto for Piano and Orchestra<br \/>\nLukas Foss, conductor<br \/>\nMorton Subotnick, composer, conductor<br \/>\nCharles Wuorinen, composer, pianist<\/p>\n<hr \/>\n<p><strong>21, 24 October 1967<\/strong><br \/>\nBach\/Sch\u00f6nberg &#8211; Saint Ann Prelude and Fugue<br \/>\nBach &#8211; Piano Concerto No.1 in D minor<br \/>\nWagner &#8211; Wesendonck Songs<br \/>\nWagner &#8211; G\u00f6tterd\u00e4merung: Immolation Scene<br \/>\nLukas Foss, conductor<br \/>\nEileen Farrell, soprano<\/p>\n<hr \/>\n<p><strong>29, 31 October 1967<\/strong><br \/>\nVivaldi &#8211; Piccolo Concerto in C major<br \/>\nHaydn &#8211; Sinfonia Concertante in B-flat major, op.84<br \/>\nBart\u00f3k &#8211; Viola Concerto<br \/>\nTchaikovsky &#8211; Francesca da Rimini Fantasia, op.32<br \/>\nLukas Foss, conductor<br \/>\nDavid Cowley, cellist<br \/>\nNelson Dayton, bassoonist<br \/>\nJesse Levine, violist<br \/>\nRodney Pierce, oboist<br \/>\nAlbert Pratz, violinist<br \/>\nLaurence Trott, piccoloist<\/p>\n<hr \/>\n<p><strong>12, 14 November 1967<\/strong><br \/>\nBeethoven &#8211; Fidelio: Overture<br \/>\nBeethoven &#8211; Symphony No.6 in F major, op.68 &#8220;Pastorale&#8221;<br \/>\nBeethoven &#8211; Piano Concerto No.3 in C minor, op.37<br \/>\nLukas Foss, conductor<br \/>\nByron Janis, pianist<\/p>\n<hr \/>\n<p><strong>19, 21 November 1967<\/strong><br \/>\nDebussy &#8211; The Martyrdom of St.Sebastian (excerpts)<br \/>\nLalo &#8211; Cello Concerto in D minor<br \/>\nSaint-Sa\u00ebns &#8211; Symphony No.3 in C minor &#8220;Organ&#8221;<br \/>\nLukas Foss, conductor<br \/>\nPierre Fournier, cellist<br \/>\nSquire Haskin, organist<\/p>\n<hr \/>\n<p><strong>3, 5 December 1967<\/strong><br \/>\nMozart &#8211; Masonic Funeral Music, K.477<br \/>\nMozart &#8211; Piano Concerto No.9 in E-flat major, K.271 &#8220;Jeunehomme&#8221;<br \/>\nMozart &#8211; Requiem, K.626<br \/>\nLukas Foss, conductor<br \/>\nCharles Rosen, pianist<br \/>\nHelen Boatwright, soprano<br \/>\nMerete Bekkelund, mezzo-soprano<br \/>\nWarren Hoffer, tenor<br \/>\nLaurence Bogue, baritone<br \/>\nFredonia College Choir,<br \/>\nRichard Shiel, director<br \/>\nNB: To commemorate the exact 175th anniversary of the death of<br \/>\nWolfgang Amadeus Mozart, maestro Foss limited the performance of the<br \/>\nRequiem on December 5th<br \/>\nto the first seven parts, concluding with the Lacrimosa.<br \/>\nMozart died after writing the series of sixteen ascending chords<br \/>\nin the chorus. At that point, the concert hall was darkened to reveal a photo-facsimile<br \/>\nprojected onto a large screen, taken from Mozart&#8217;s own manuscript of those precious<br \/>\nfinal measures. The chorus then sang Ave Verum Corpus In Memoriam.<\/p>\n<hr \/>\n<p><strong>10, 12 December 1967<\/strong><br \/>\nWebern &#8211; Orchestral Variations, op.30<br \/>\nBruch &#8211; Violin Concerto in G minor, op.26<br \/>\nMahler &#8211; Das Lied von der Erde (Song of the Earth)<br \/>\nLukas Foss, conductor<br \/>\nAlbert Pratz, violinist<br \/>\nFlorence Kopleff, contralto<br \/>\nJon Crain, tenor<\/p>\n<hr \/>\n<p><strong>15 December 1967<\/strong><br \/>\nHandel &#8211; Messiah<br \/>\nUlrich Meyer, conductor<br \/>\nJeanette Walters, soprano<br \/>\nFlorence Kopleff, mezzo-soprano<br \/>\nJon Crain, tenor<br \/>\nSquire Haskin, continuo<br \/>\nKenneth Smith, bass\/baritone<br \/>\nBuffalo Schola Cantorum,<br \/>\nRobert S.Beckwith, director<br \/>\nSUNYAB Women&#8217;s Chorus,<br \/>\nPeter Van Dyke, director<br \/>\nSUNYAB Men&#8217;s Glee Club,<br \/>\nFederic Ford, director<\/p>\n<hr \/>\n<p><strong>14, 16 January 1968<\/strong><br \/>\nPoulenc &#8211; Concerto for Two Pianos in D minor<br \/>\nFortner &#8211; Triplum<br \/>\nTchaikovsky &#8211; Symphony No.6 in B minor, op.74 &#8220;Pathetique&#8221;<br \/>\nLukas Foss, conductor<br \/>\nAlfons Kontarsky, pianist<br \/>\nAloys Kontarsky, pianist<br \/>\nRobert Jordan, pianist<\/p>\n<hr \/>\n<p><strong>21, 23 January 1968<\/strong><br \/>\nSibelius &#8211; Four Legends from the Kalevala, op.22<br \/>\nBrahms &#8211; Violin Concerto in D major, op.77<br \/>\nLukas Foss, conductor<br \/>\nNathan Milstein, violinist<\/p>\n<hr \/>\n<p><strong>4, 6 February 1968<\/strong><br \/>\nImbrie &#8211; Legend<br \/>\nChopin &#8211; Piano Concerto No.2 in F minor, op.21<br \/>\nBrahms &#8211; Symphony No.2 in D major, op.73<br \/>\nRonald Stoffel, conductor<br \/>\nWitold Ma\u0142cu\u017cy\u0144ski, pianist<\/p>\n<hr \/>\n<p><strong>11, 13 February 1968<\/strong><br \/>\nNono &#8211; Epitaph for Federico Garcia Lorca<br \/>\nProkofiev &#8211; Violin Concerto No.1 in D Major, op.19<br \/>\nStrauss, R. &#8211; Also Sprach Zarathustra<br \/>\nMelvin Strauss, conductor<br \/>\nJacob Berg, flutist<br \/>\nChristian Ferras, violinist<\/p>\n<hr \/>\n<p><strong>25, 27 February 1968<\/strong><br \/>\nRossini &#8211; The Barber of Seville<br \/>\nMelvin Strauss, director<br \/>\nSuze Leal, soprano<br \/>\nWarren Hoffer, tenor<br \/>\nWilliam Wagner, bass<br \/>\nLaurence Bogue, baritone<br \/>\nHeinz Rehfuss, bass<\/p>\n<hr \/>\n<p><strong>10, 12 March 1968<\/strong><br \/>\nXenakis &#8211; Akrata<br \/>\nXenakis &#8211; Pithoprakta<br \/>\nFoss &#8211; Baroque Variations<br \/>\nPenderecki &#8211; Capriccio for Violin (10 March)<br \/>\nCage &#8211; Concerto for Prepared Piano and Orchestra (12 March)<br \/>\nPenderecki &#8211; De Natura Sonoris<br \/>\nLukas Foss, conductor<br \/>\nPaul Zukofsky, violinist<br \/>\nYuji Takahashi, pianist<\/p>\n<hr \/>\n<p><strong>17, 19 March 1968<\/strong><br \/>\nHandel &#8211; Concerto Grosso No.2 in F major, op.6<br \/>\nSchuller &#8211; Five Bagatelles<br \/>\nVieuxtemps &#8211; Violin Concerto No.5 in A minor, op.37<br \/>\nMendelssohn &#8211; Symphony No.5 in D major, op.107 &#8220;Reformation&#8221;<br \/>\nLukas Foss, conductor<br \/>\nKyung-Wha Chung, violinist<\/p>\n<hr \/>\n<p><strong>24, 26 March 1968<\/strong><br \/>\nChavez &#8211; Sinfonia India<br \/>\nGinastera &#8211; Concerto per Corde<br \/>\nRachmaninoff &#8211; Piano Concerto No.2 in C minor, op.18<br \/>\nLukas Foss, conductor<br \/>\nVan Cliburn, pianist<\/p>\n<hr \/>\n<p><strong>31 March, 2 April 1968<\/strong><br \/>\nLabunski &#8211; Canto di Aspirazione<br \/>\nMozart &#8211; Symphony No.35 in D major, K.385 &#8220;Haffner&#8221;<br \/>\nStravinsky &#8211; Persephone<br \/>\nLukas Foss, conductor<br \/>\nVera Zorina, narrator<br \/>\nWarren Hoffer, tenor<br \/>\nFestival Chorus SUCNY Fredonia,<br \/>\nHarriet Simons, director<\/p>\n<hr \/>\n<p><strong>7, 9 April 1968<\/strong><br \/>\nRavel &#8211; Alborada del gracioso<br \/>\nRavel &#8211; Pavane pour une infante d\u00e9funte<br \/>\nHusa &#8211; Symphony No.1<br \/>\nJanacek &#8211; Glagolitic Masss<br \/>\nKarel Husa, guest conductor<br \/>\nBethany Beardslee, soprano<br \/>\nMerete Bekkelund, mezzo-soprano<br \/>\nRichard Paige, tenor<br \/>\nLaurence Bogue, baritone<br \/>\nHans Vigeland, Organist<br \/>\nCornell University Glee Club and Chorus<br \/>\nThomas Sokol, director<\/p>\n<hr \/>\n<p><strong>21, 23 April 1968<\/strong><br \/>\nBarber &#8211; Overture to the School for Scandal<br \/>\nFaur\u00e9 &#8211; Pelleas and Melisande Suite, op.80<br \/>\nCopland &#8211; Dance Symphony<br \/>\nBerlioz &#8211; The Trojans: Royal Hunt and Storm<br \/>\nCopland &#8211; Connotations for Orchestra<br \/>\nAaron Copland, guest conductor<\/p>\n<hr \/>\n<p><strong>4, 7 May 1968<\/strong><br \/>\nVerdi &#8211; Requiem<br \/>\nLukas Foss, conductor<br \/>\nVeronica Tyler, soprano<br \/>\nSuze Leal, soprano<br \/>\nWarren Hoffer, tenor<br \/>\nLaurence Bogue, baritone<br \/>\nFestival Chorus SUCNY Fredonia,<br \/>\nHarriet Simons, director[\/vc_column_text][\/vc_column][\/vc_row][\/vc_section]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_section][vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]24 September 1967 Thorne &#8211; Lyric Variations for Orchestra Persichetti &#8211; Symphony No.7, op.80 &#8220;The Liturgic&#8221; Ives<a class=\"excerpt-read-more\" href=\"https:\/\/bpo.org\/archives\/classics-repertoire-1967-1968\/\" title=\"ReadBPO Classics Repertoire 1967-1968\">&#8230; Read more &raquo;<\/a><\/p>\n","protected":false},"author":169,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-575","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/575","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/users\/169"}],"replies":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/comments?post=575"}],"version-history":[{"count":4,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/575\/revisions"}],"predecessor-version":[{"id":3448,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/575\/revisions\/3448"}],"wp:attachment":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/media?parent=575"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}