{"id":653,"date":"2021-08-04T18:55:12","date_gmt":"2021-08-04T18:55:12","guid":{"rendered":"https:\/\/bpo.org\/archives\/classics-repertoire-1990-1991-copy\/"},"modified":"2024-04-04T21:22:13","modified_gmt":"2024-04-04T21:22:13","slug":"classics-repertoire-1991-1992","status":"publish","type":"page","link":"https:\/\/bpo.org\/archives\/classics-repertoire-1991-1992\/","title":{"rendered":"BPO Classics Repertoire 1991-1992"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_section][vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<strong>27, 29 September 1991<\/strong><br \/>\nMozart &#8211; The Magic Flute<br \/>\nMaximiano Valdes, conductor<br \/>\nCyndia Sieden, soprano<br \/>\nJulie Newell, soprano<br \/>\nMyron Myers, bass<br \/>\nDon Bernardini, tenor<br \/>\nScott Cheffer, baritone<br \/>\nPatricia Barbalato, soprano<br \/>\nThomas Delahunt, tenor<br \/>\nDarhon Rees-Rohrbacher, soprano<br \/>\nBeth Barrow-Titus, soprano<br \/>\nAnne Hartley Pfohl, mezzo-soprano<br \/>\nMyron Myers, narrator<br \/>\nGreater Buffalo Opera Company,<br \/>\nGary Burgess, director<\/p>\n<hr \/>\n<p><strong>5, 6 October 1991<\/strong><br \/>\nMozart &#8211; Serenade No.8 in D major, K.286<br \/>\nMozart &#8211; Piano Concerto No.24 in C minor, K.491<br \/>\nSibelius &#8211; Symphony No.5 in E-flat major, op.82<br \/>\nMaximiano Valdes, conductor<br \/>\nPaul Ferington, guest conductor<br \/>\nAlicia de Larrocha, pianist<\/p>\n<hr \/>\n<p><strong>19, 20 October 1991<\/strong><br \/>\nMozart &#8211; Symphony No.35 in D major, K.385 &#8220;Haffner&#8221;<br \/>\nRavel &#8211; Piano Concerto in G major<br \/>\nDebussy &#8211; Images<br \/>\nMaximiano Valdes, conductor<br \/>\nPascal Rog\u00e9, pianist<\/p>\n<hr \/>\n<p><strong>2, 3 November 1991<\/strong><br \/>\nBruckner &#8211; Symphony No.8 in C minor<br \/>\nHermann Michael, guest conductor<\/p>\n<hr \/>\n<p><strong>16, 17 November 1991<\/strong><br \/>\nBeethoven &#8211; Coriolanus Overture, op.62<br \/>\nMaxwell Davies &#8211; Strathclyde Concerto for Horn and Trumpet<br \/>\nBeethoven &#8211; Symphony No.4 in B-flat major, op.60<br \/>\nPeter Maxwell Davies, guest conductor<br \/>\nRoy Waas, hornist<br \/>\nDavid Kuehn, trumpeter<\/p>\n<hr \/>\n<p><strong>7, 8 December 1991<\/strong><br \/>\nMozart &#8211; Masonic Funeral Music, K.477<br \/>\nMozart &#8211; Sinfonia Concertante for Violin and Viola, K.364<br \/>\nMozart &#8211; Requiem, K.626<br \/>\nMaximiano Valdes, conductor<br \/>\nCharles Haupt, violinist<br \/>\nJesse Levine, violist<br \/>\nJulie Newell, soprano<br \/>\nKaren Brunssen, mezzo-soprano<br \/>\nDon Bernardini, tenor<br \/>\nJohn Ostendorf, baritone<br \/>\nBuffalo Schola Cantorum,<br \/>\nThomas Swan, director<\/p>\n<hr \/>\n<p><strong>20, 21 December 1991<\/strong><br \/>\nHandel &#8211; Messiah<br \/>\nArie Lipsky, conductor<br \/>\nJulie Newell, soprano<br \/>\nGwendolyn Lentz, mezzo-soprano<br \/>\nGary Burgess, tenor<br \/>\nBrian Zunner, bass<br \/>\nHoly Trinity Lutheran Choir<br \/>\nJaems Bigham, director<\/p>\n<hr \/>\n<p><strong>11, 12 January 1992<\/strong><br \/>\nAdams &#8211; The Chairman Dances<br \/>\nMozart &#8211; Flute Concerto No.1 in G major, K.313<br \/>\nDebussy &#8211; Prelude to the Afternoon of a Faun<br \/>\nBarber &#8211; Symphony No.2, op.19<br \/>\nMarin Alsop, guest conductor<br \/>\nCarol Wincenc, flutist<\/p>\n<hr \/>\n<p><strong>1, 2 February 1992<\/strong><br \/>\nFelder &#8211; Six Poems from Neruda&#8217;s &#8220;Alturas&#8230;&#8221;<br \/>\nMozart &#8211; Piano Concerto No.27 in B-flat major, K.595<br \/>\nHanson &#8211; Symphony No.2 &#8220;Romantic&#8221;<br \/>\nMaximiano Valdes, conductor<br \/>\nIngrid Haebler, pianist<\/p>\n<hr \/>\n<p><strong>7, 8 February 1992<\/strong><br \/>\nHoffman &#8211; Music in Blue and Green<br \/>\nHaydn &#8211; Cello Concerto in D major<br \/>\nSchumann &#8211; Symphony No.2 in C major, op.61<br \/>\nMaximiano Valdes, conductor<br \/>\nRaphael Wallfisch, cellist<\/p>\n<hr \/>\n<p><strong>15, 16 February 1992<\/strong><br \/>\nHaydn &#8211; Symphony No.45 in F-sharp minor &#8220;Farewell&#8221;<br \/>\nBrahms &#8211; Liebesliederwaltzer, op.52<br \/>\nBrahms &#8211; Violin Concerto in D major, op.77<br \/>\nMaximiano Valdes, conductor<br \/>\nGyorgy Pauk, violinist<br \/>\nBuffalo Schola Cantorum,<br \/>\nThomas Swan, director<\/p>\n<hr \/>\n<p><strong>29 February, 1 March 1992<\/strong><br \/>\nStravinsky &#8211; Pulcinella Suite<br \/>\nGinastera &#8211; Cello Concerto No.2, op.50<br \/>\nBeethoven &#8211; Symphony No.8 in F major, op.93<br \/>\nMaximiano Valdes, conductor<br \/>\nAurora Natola-Ginastera, cellist<\/p>\n<hr \/>\n<p><strong>13, 14 March 1992<\/strong><br \/>\nTakemitsu &#8211; Requiem for Strings<br \/>\nBart\u00f3k &#8211; Piano Concerto No.3<br \/>\nVaughan Williams &#8211; Symphony No.2 &#8220;London&#8221;<br \/>\nKazuyoshi Akiyama, guest conductor<br \/>\nClaudia Hoca, pianist<\/p>\n<hr \/>\n<p><strong>28, 29 March 1992<\/strong><br \/>\nRespighi &#8211; Fountains of Rome<br \/>\nBellini &#8211; Oboe Concerto in E-flat major<br \/>\nMarcello &#8211; Oboe Concerto in C minor<br \/>\nVerdi &#8211; Four Sacred Pieces<br \/>\nMaximiano Valdes, conductor<br \/>\nJohn Ferrillo, oboist<br \/>\nBuffalo Schola Cantorum,<br \/>\nThomas Swan, director<\/p>\n<hr \/>\n<p><strong>11, 12 April 1992<\/strong><br \/>\nWeber &#8211; Der Freisch\u00fctz: Overture<br \/>\nMahler &#8211; Kindertotenlieder<br \/>\nTchaikovsky &#8211; Symphony No.4 in F minor, op.36<br \/>\nMuhai Tang, guest conductor<br \/>\nTatiana Troyanos, soprano<\/p>\n<hr \/>\n<p><strong>2, 3 May 1992<\/strong><br \/>\nLiadov &#8211; Baba Yaga, op.56<br \/>\nLiadov &#8211; The Enchanted Lake, op.62<br \/>\nLiadov &#8211; Kikimora, op.63<br \/>\nShostakovich &#8211; Cello Concerto No.2, op.126<br \/>\nHindemith &#8211; Mathis der Maler<br \/>\nHans Graf, guest conductor<br \/>\nGustav Rivinius, cellist<\/p>\n<hr \/>\n<p><strong>16, 17 May 1992<\/strong><br \/>\nStravinsky &#8211; Fireworks, op.4<br \/>\nSibelius &#8211; Violin Concerto in D minor, op.47<br \/>\nStrauss, R. &#8211; Der Rosenkavalier Suite<br \/>\nMaximiano Valdes, conductor<br \/>\nElmar Oliveira, violinist[\/vc_column_text][\/vc_column][\/vc_row][\/vc_section]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_section][vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]27, 29 September 1991 Mozart &#8211; The Magic Flute Maximiano Valdes, conductor Cyndia Sieden, soprano Julie Newell,<a class=\"excerpt-read-more\" href=\"https:\/\/bpo.org\/archives\/classics-repertoire-1991-1992\/\" title=\"ReadBPO Classics Repertoire 1991-1992\">&#8230; Read more &raquo;<\/a><\/p>\n","protected":false},"author":169,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-653","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/653","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/users\/169"}],"replies":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/comments?post=653"}],"version-history":[{"count":3,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/653\/revisions"}],"predecessor-version":[{"id":3743,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/653\/revisions\/3743"}],"wp:attachment":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/media?parent=653"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}