{"id":669,"date":"2021-08-04T19:23:12","date_gmt":"2021-08-04T19:23:12","guid":{"rendered":"https:\/\/bpo.org\/archives\/classics-repertoire-1995-1996-copy\/"},"modified":"2024-04-04T21:26:16","modified_gmt":"2024-04-04T21:26:16","slug":"classics-repertoire-1996-1997","status":"publish","type":"page","link":"https:\/\/bpo.org\/archives\/classics-repertoire-1996-1997\/","title":{"rendered":"BPO Classics Repertoire 1996-1997"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_section][vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<strong>21, 22 September 1996<\/strong><br \/>\nVerdi &#8211; Te Deum<br \/>\nCopland &#8211; Lincoln Portrait<br \/>\nBeethoven &#8211; Symphony No.3 in E-flat major, op.55 &#8220;Eroica&#8221;<br \/>\nMaximiano Valdes, conductor<br \/>\nJames Harris, narrator<br \/>\nAnthony M. Masiello, narrator<br \/>\nBuffalo Philharmonic Chorus,<br \/>\nThomas Swan, director<\/p>\n<hr \/>\n<p><strong>2 October 1996<\/strong><br \/>\nTchaikovsky &#8211; Symphony No.5 in E minor, op.64<br \/>\nTchaikovsky &#8211; Violin Concerto in D major, op.35<br \/>\nMaximiano Valdes, conductor<br \/>\nMaxim Vengerov, violinist<\/p>\n<hr \/>\n<p><strong>5, 6 October 1996<\/strong><br \/>\nBeethoven &#8211; Egmont Overture, op.84<br \/>\nBrahms &#8211; Piano Concerto No.1 in D minor, op.15<br \/>\nMahler &#8211; Symphony No.1 in D major<br \/>\nMaximiano Valdes, conductor<br \/>\nLouis Lortie, pianist<\/p>\n<hr \/>\n<p><strong>19, 20 October 1996<\/strong><br \/>\nBart\u00f3k &#8211; Miraculous Mandarin<br \/>\nBach &#8211; Violin Concerto No.1 in A minor<br \/>\nBeethoven &#8211; Symphony No.5 in C minor, op.67<br \/>\nMaximiano Valdes, conductor<br \/>\nCharles Haupt, violinist<\/p>\n<hr \/>\n<p><strong>2, 3 November 1996<\/strong><br \/>\nBarber &#8211; Medea&#8217;s Dance of Vengeance, op.23a<br \/>\nTchaikovsky &#8211; Piano Concerto No.1 in B-flat minor, op.23<br \/>\nBach &#8211; Brandenburg Concerto No.2 in F major<br \/>\nShostakovich &#8211; Symphony No.9, op.70<br \/>\nArie Lipsky, conductor<br \/>\nDavid Golub, pianist<br \/>\nChristine Bailey, flutist<br \/>\nPierre Roy, oboist<br \/>\nDuane Saetveit, hornist<br \/>\nCharles Haupt, violinist<br \/>\nClaudia Hoca, pianist<\/p>\n<hr \/>\n<p><strong>16, 17 November 1996<\/strong><br \/>\nHovhaness &#8211; Symphony No.2 &#8220;Mysterious Mountain&#8221;<br \/>\nProkofiev &#8211; Violin Concerto No.1 in D Major, op.19<br \/>\nBeethoven &#8211; Symphony No.6 in F major, op.68 &#8220;Pastorale&#8221;<br \/>\nHermann Michael, guest conductor<br \/>\nMark Kaplan, violinist<\/p>\n<hr \/>\n<p><strong>14, 15 December 1996<\/strong><br \/>\nHandel &#8211; Messiah<br \/>\nMaximiano Valdes, conductor<br \/>\nJulie Newell, soprano<br \/>\nMargaret Kuhl, mezzo-soprano<br \/>\nBrad Diamond, tenor<br \/>\nBrian Zunner, baritone<br \/>\nBuffalo Philharmonic Chorus,<br \/>\nThomas Swan, director<\/p>\n<hr \/>\n<p><strong>18, 19 January 1997<\/strong><br \/>\nWagner &#8211; Siegfried: Act II, Forest Murmurs<br \/>\nWagner &#8211; G\u00f6tterd\u00e4merung: Prologue<br \/>\nWagner &#8211; G\u00f6tterd\u00e4merung: Siegfried&#8217;s Rhine Journey<br \/>\nWagner &#8211; Wesendonck Songs<br \/>\nWagner &#8211; Die Walk\u00fcre: Act III, Ride of the Valkyries<br \/>\nWagner &#8211; Die Walk\u00fcre: Act III, Magic Fire Music<br \/>\nWagner &#8211; G\u00f6tterd\u00e4merung: Act III, Siegfried&#8217;s Funeral March<br \/>\nWagner &#8211; G\u00f6tterd\u00e4merung: Act III, Immolation Scene<br \/>\nMaximiano Valdes, conductor<br \/>\nEdith Wiens, soprano<\/p>\n<hr \/>\n<p><strong>8, 9 February 1997<\/strong><br \/>\nCorigliano &#8211; Elegy<br \/>\nBart\u00f3k &#8211; Viola Concerto<br \/>\nRachmaninoff &#8211; Symphony No.2 in E minor, op.27<br \/>\nDavid Loebel, conductor<br \/>\nRoberto Diaz, viola<\/p>\n<hr \/>\n<p><strong>8, 9 March 1997<\/strong><br \/>\nBarber &#8211; The School for Scandal Overture<br \/>\nBeethoven &#8211; Symphony No.1 in C major, op.21<br \/>\nDvorak &#8211; Cello Concerto in B minor, op.104<br \/>\nChristopher Wilkins, guest conductor<br \/>\nGustav Rivinius, cellist<\/p>\n<hr \/>\n<p><strong>22, 23 March 1997<\/strong><br \/>\nBach &#8211; St. Matthew Passion<br \/>\nMaximiano Valdes, conductor<br \/>\nOllie Watts Davis, soprano<br \/>\nMargaret Kuhl, mezzo-soprano<br \/>\nWilliam Watson, tenor<br \/>\nSteven Tharp, tenor<br \/>\nGary Relyea, bass\/baritone<br \/>\nCharles Austin, bass<br \/>\nBuffalo Philharmonic Chorus,<br \/>\nThomas Swan, director<br \/>\nSt. Paul&#8217;s Cathedral Choir,<br \/>\nDale Adelman, director<\/p>\n<hr \/>\n<p><strong>5, 6 April 1997<\/strong><br \/>\nKernis &#8211; Invisible Mosaic<br \/>\nChausson &#8211; Po\u00e8me de l&#8217;amour et de la mer, op.19<br \/>\nRimsky-Korsakoff &#8211; May Night Overture<br \/>\nDebussy &#8211; La Mer<br \/>\nMaximiano Valdes, conductor<br \/>\nClaudine Carlson, mezzo-soprano<\/p>\n<hr \/>\n<p><strong>12 April 1997<\/strong><br \/>\nMozart &#8211; Cosi fan tutte<br \/>\nMaximiano Valdes, conductor<br \/>\nJulia Kierstein, soprano<br \/>\nMarguerite Krull, mezzo-soprano<br \/>\nJayne West, soprano<br \/>\nSteven Tharp, tenor<br \/>\nVernon Hartman, baritone<br \/>\nBrian Zunner, baritone<br \/>\nBuffalo Philharmonic Chorus,<br \/>\nThomas Swan, director<\/p>\n<hr \/>\n<p><strong>3, 4 May 1997<\/strong><br \/>\nRevueltas &#8211; Night of the Mayas<br \/>\nRavel &#8211; Piano Concerto for the Left Hand<br \/>\nBerlioz &#8211; Symphonie fantastique, op.14<br \/>\nMaximiano Valdes, conductor<br \/>\nLeon Fleisher, pianist<\/p>\n<hr \/>\n<p><strong>17, 18 May 1997<\/strong><br \/>\nBeethoven &#8211; Symphony No.9 in D minor, op.125 &#8220;Chorale&#8221;<br \/>\nMaximiano Valdes, conductor<br \/>\nBuffalo Philharmonic Chorus,<br \/>\nThomas Swan, director[\/vc_column_text][\/vc_column][\/vc_row][\/vc_section]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_section][vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]21, 22 September 1996 Verdi &#8211; Te Deum Copland &#8211; Lincoln Portrait Beethoven &#8211; Symphony No.3 in<a class=\"excerpt-read-more\" href=\"https:\/\/bpo.org\/archives\/classics-repertoire-1996-1997\/\" title=\"ReadBPO Classics Repertoire 1996-1997\">&#8230; Read more &raquo;<\/a><\/p>\n","protected":false},"author":169,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-669","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/669","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/users\/169"}],"replies":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/comments?post=669"}],"version-history":[{"count":3,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/669\/revisions"}],"predecessor-version":[{"id":3746,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/669\/revisions\/3746"}],"wp:attachment":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/media?parent=669"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}