{"id":672,"date":"2021-08-04T19:25:36","date_gmt":"2021-08-04T19:25:36","guid":{"rendered":"https:\/\/bpo.org\/archives\/classics-repertoire-1996-1997-copy\/"},"modified":"2024-04-04T21:28:52","modified_gmt":"2024-04-04T21:28:52","slug":"classics-repertoire-1997-1998","status":"publish","type":"page","link":"https:\/\/bpo.org\/archives\/classics-repertoire-1997-1998\/","title":{"rendered":"BPO Classics Repertoire 1997-1998"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_section][vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<strong>20, 21 September 1997<\/strong><br \/>\nMozart &#8211; Symphony No.20 in D major, K.133<br \/>\nPuccini &#8211; La Fanciulla del West: Minnie, dalla mia casa<br \/>\nPuccini &#8211; Il Tabarro: Nulla, silenzio<br \/>\nPuccini &#8211; Tosca: Va, Tosca<br \/>\nVerdi &#8211; Don Carlo: Io morro<br \/>\nVerdi &#8211; Falstaff: Monologue<br \/>\nVerdi &#8211; Otello: Credo<br \/>\nProkofiev &#8211; Romeo and Juliet (excerpts)<br \/>\nMaximiano Valdes, conductor<br \/>\nSherrill Milnes, baritone<\/p>\n<hr \/>\n<p><strong>4, 5 October 1997<\/strong><br \/>\nGinastera &#8211; Variaciones Concertantes<br \/>\nTakemitsu &#8211; Concerto for Guitar and Oboe d&#8217;Amore<br \/>\nRodrigo &#8211; Concierto de Aranjuez<br \/>\nde Falla &#8211; El Amor Brujo<br \/>\nMaximiano Valdes, conductor<br \/>\nManuel Barrueco, guitar<\/p>\n<hr \/>\n<p><strong>25, 26 October 1997<\/strong><br \/>\nBernstein &#8211; On the Town: Three Dance Episodes<br \/>\nSchumann &#8211; Piano Concerto in A minor, op.54<br \/>\nProkofiev &#8211; Symphony No.5 in B-flat major, op.100<br \/>\nMichael Stern, guest conductor<br \/>\nBarry Douglas, pianist<\/p>\n<hr \/>\n<p><strong>15, 16 November 1997<\/strong><br \/>\nHanson &#8211; Symphony No.2 &#8220;Romantic&#8221;<br \/>\nVaughan Williams &#8211; Concerto for Oboe and Strings<br \/>\nGriffes &#8211; The Pleasure Dome of Kubla Khan<br \/>\nElgar &#8211; Enigma Variations, op.36<br \/>\nHobart Earle, guest conductor<br \/>\nPierre Roy, oboist<\/p>\n<hr \/>\n<p><strong>22, 23 November 1997<\/strong><br \/>\nRothman &#8211; Overture for our City<br \/>\nNielsen &#8211; Flute Concerto<br \/>\nSibelius &#8211; Pohjola&#8217;s Daughter, op.49<br \/>\nSibelius &#8211; Symphony No.3 in C major, op.52<br \/>\nMichael Christie, guest conductor<br \/>\nChristine Bailey, flute<\/p>\n<hr \/>\n<p><strong>17, 18 January 1998<\/strong><br \/>\nBach\/Elgar &#8211; Fantasia and Fugue in C minor<br \/>\nWalton &#8211; Viola Concerto<br \/>\nSibelius &#8211; Symphony No.1 in E minor, op.39<br \/>\nChristopher Seaman, guest conductor<br \/>\nNokuthula Ngwenyama, violist<\/p>\n<hr \/>\n<p><strong>7, 8 February 1998<\/strong><br \/>\nWagner &#8211; Tristan and Isolde: Prelude and Liebestod<br \/>\nMozart &#8211; Exultate, jubilate, K.165<br \/>\nDvorak &#8211; Rusalka: Hymn to the Moon<br \/>\nRachmaninoff &#8211; Symphonic Dances, op.45<br \/>\nJoAnn Falletta, guest conductor<br \/>\nBenita Valente, soprano<\/p>\n<hr \/>\n<p><strong>21, 22 February 1998<\/strong><br \/>\nMilhaud &#8211; Creation of the World<br \/>\nSaint-Sa\u00ebns &#8211; Violin Concerto No.3 in B minor, op.61<br \/>\nProkofiev &#8211; Symphony No.6 in E-flat minor, op.111<br \/>\nMaximiano Valdes, conductor<br \/>\nElmar Oliveira, violinist<\/p>\n<hr \/>\n<p><strong>7, 8 March 1998<\/strong><br \/>\nStravinsky &#8211; Fireworks, op.4<br \/>\nTchaikovsky &#8211; Piano Concerto No.2 in G major, op.44<br \/>\nDvorak &#8211; The Wood Dove, op.110<br \/>\nJanacek &#8211; Tarus Bulba<br \/>\nCarlos Kalmar, guest conductor<br \/>\nClaudia Hoca, pianist<\/p>\n<hr \/>\n<p><strong>21, 22 March 1998<\/strong><br \/>\nWagner &#8211; Die Meistersinger: Overture<br \/>\nSandstrom &#8211; Trumpet Concerto No.2<br \/>\nSchumann &#8211; Symphony No.2 in C major, op.61<br \/>\nGeorge Pehlivanian, guest conductor<br \/>\nH\u00e5kan Hardenberger, trumpeter<\/p>\n<hr \/>\n<p><strong>4, 5 April 1998<\/strong><br \/>\nMozart &#8211; Symphony No.35 in D major, K.385 &#8220;Haffner&#8221;<br \/>\nTchaikovsky &#8211; Variations on a Rococo Theme, op.33<br \/>\nStrauss, R. &#8211; Don Quixote<br \/>\nJames Paul, guest conductor<br \/>\nLynn Harrell, cellist<\/p>\n<hr \/>\n<p><strong>25, 26 April 1998<\/strong><br \/>\nLocklair &#8211; Hues for Orchestra<br \/>\nRachmaninoff &#8211; Piano Concerto No.2 in C minor, op.18<br \/>\nBrahms &#8211; Symphony No.2 in D major, op.73<br \/>\nUriel Segal, guest conductor<br \/>\nTzimon Barto, pianist<\/p>\n<hr \/>\n<p><strong>9, 10 May 1998<\/strong><br \/>\nFoss &#8211; Baroque Variations<br \/>\nVivaldi &#8211; Concerto in C major, T.105<br \/>\nTelemann &#8211; Suite for Recorder and Strings in A minor<br \/>\nMozart &#8211; The Great Mass in C Major K.427<br \/>\nMaximiano Valdes, conductor<br \/>\nMichala Petri, recorder<\/p>\n<hr \/>\n<p><strong>30, 31 May 1998<\/strong><br \/>\nBrahms &#8211; Concerto for Violin and Cello in A minor, op.102<br \/>\nMahler &#8211; Symphony No.5 in C-sharp minor<br \/>\nMaximiano Valdes, conductor<br \/>\nArie Lipsky, cellist<br \/>\nCharles Haupt, violinist[\/vc_column_text][\/vc_column][\/vc_row][\/vc_section]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_section][vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]20, 21 September 1997 Mozart &#8211; Symphony No.20 in D major, K.133 Puccini &#8211; La Fanciulla del<a class=\"excerpt-read-more\" href=\"https:\/\/bpo.org\/archives\/classics-repertoire-1997-1998\/\" title=\"ReadBPO Classics Repertoire 1997-1998\">&#8230; Read more &raquo;<\/a><\/p>\n","protected":false},"author":169,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-672","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/672","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/users\/169"}],"replies":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/comments?post=672"}],"version-history":[{"count":3,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/672\/revisions"}],"predecessor-version":[{"id":3747,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/672\/revisions\/3747"}],"wp:attachment":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/media?parent=672"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}