{"id":679,"date":"2021-08-04T19:38:03","date_gmt":"2021-08-04T19:38:03","guid":{"rendered":"https:\/\/bpo.org\/archives\/classics-repertoire-1999-2000-copy\/"},"modified":"2024-06-24T15:46:05","modified_gmt":"2024-06-24T15:46:05","slug":"classics-repertoire-2000-2001","status":"publish","type":"page","link":"https:\/\/bpo.org\/archives\/classics-repertoire-2000-2001\/","title":{"rendered":"BPO Classics Repertoire 2000-2001"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_section][vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=&#8221;&#8221;]<strong>23, 24 September 2000<\/strong><br \/>\nRossini &#8211; Semiramide: Overture<br \/>\nVerdi &#8211; La Traviata: Deh miei bollenti spiriti<br \/>\nVerdi &#8211; La Traviata: Addio del passato<br \/>\nVerdi &#8211; La Traviata: Parigi, O cara<br \/>\nVerdi &#8211; La Traviata: Libiamo<br \/>\nVerdi &#8211; Nabucco: Va, pensiero<br \/>\nPuccini &#8211; La Boh\u00e8me: Finale, Act I<br \/>\nVerdi &#8211; Il Trovatore: Vedi! Le fosche<br \/>\nVerdi &#8211; Rigoletto: La donna E mobile<br \/>\nVerdi &#8211; Rigoletto: Caro nome<br \/>\nVerdi &#8211; Rigoletto: Signor ne principe<br \/>\nVerdi &#8211; Rigoletto: E il sol dell&#8217;anima<br \/>\nMascagni &#8211; Cavalleria Rusticana: Intermezzo<br \/>\nPuccini &#8211; Madama Butterfly: Un bel di<br \/>\nPuccini &#8211; Madama Butterfly: Addio, fiorito asil<br \/>\nPuccini &#8211; Madama Butterfly: Humming Chant<br \/>\nPuccini &#8211; Madama Butterfly: Vieni la sera<br \/>\nJoAnn Falletta, conductor<br \/>\nKaori Sato, soprano<br \/>\nRa\u00fal Melo, tenor<br \/>\nBuffalo Philharmonic Chorus,<br \/>\nThomas Swan, director<\/p>\n<hr \/>\n<p><strong>21 October 2000<\/strong><br \/>\nBeethoven &#8211; Symphony No.8 in F major, op.93<br \/>\nDebussy &#8211; Nocturnes: F\u00eates<br \/>\nRavel &#8211; La Valse<br \/>\nRachmaninoff &#8211; Piano Concerto No.2 in C minor, op.18<br \/>\nJoAnn Falletta, conductor<br \/>\nLouis Lortie, pianist<\/p>\n<hr \/>\n<p><strong>4, 5 November 2000<\/strong><br \/>\nCopland &#8211; Fanfare for the Common Man<br \/>\nCopland &#8211; Clarinet Concerto<br \/>\nBernstein &#8211; Chichester Psalms<br \/>\nCopland &#8211; Symphony No.3<br \/>\nArie Lipsky, conductor<br \/>\nJohn Fullam, clarinetist<br \/>\nJonathan Stecker, boy soprano<br \/>\nBuffalo Philharmonic Chorus,<br \/>\nDale Adelmann, acting director<\/p>\n<hr \/>\n<p><strong>18, 19 November 2000<\/strong><br \/>\nP\u00e4rt &#8211; If Bach Had Been a Beekeeper<br \/>\nBach &#8211; Violin Concerto No.1 in A minor<br \/>\nBach &#8211; Violin Concerto No.2 in E major<br \/>\nTchaikovsky &#8211; Symphony No.6 in B minor, op.74 &#8220;Pathetique&#8221;<br \/>\nJoAnn Falletta, conductor<br \/>\nNadja Salerno-Sonnenberg, violinist<\/p>\n<hr \/>\n<p><strong>2, 3 December 2000<\/strong><br \/>\nHandel &#8211; Messiah<br \/>\nJoAnn Falletta, conductor<br \/>\nAndrea Matthews, soprano<br \/>\nBarbara Rearick, alto<br \/>\nChristopher Pfund, tenor<br \/>\nKurt Loft Willett, bass<br \/>\nBuffalo Philharmonic Chorus,<br \/>\nDavid Bond, acting director<\/p>\n<hr \/>\n<p><strong>16, 17 December 2000<\/strong><br \/>\nBach &#8211; Brandenburg Concerto No.1 in F major<br \/>\nBach &#8211; Brandenburg Concerto No.4 in G major<br \/>\nBach &#8211; Brandenburg Concerto No.2 in F major<br \/>\nBach &#8211; Brandenburg Concerto No.3 in G major<br \/>\nBach &#8211; Brandenburg Concerto No.6 in B-flat major<br \/>\nBach &#8211; Brandenburg Concerto No.5 in D major<br \/>\nJoAnn Falletta, conductor<br \/>\nAnthony Newman, harpsichordist<\/p>\n<hr \/>\n<p><strong>12, 13 January 2001<\/strong><br \/>\nConverse &#8211; The Mystic Trumpeter<br \/>\nGrieg &#8211; Piano Concerto in A minor, op.16<br \/>\nZemlinsky &#8211; Die Seejungfrau (The Mermaid)<br \/>\nJoAnn Falletta, conductor<br \/>\nSantiago Rodriguez, pianist<\/p>\n<hr \/>\n<p><strong>27 January 2001<\/strong><br \/>\nMozart &#8211; Serenade No.6 in D major, K.239 &#8220;Serenata Notturna&#8221;<br \/>\nMozart &#8211; Piano Concerto No.20 in D minor, K.466<br \/>\nMozart &#8211; Symphony No.40 in G minor, K.550<br \/>\nPhilippe Entremont, pianist, conductor<\/p>\n<hr \/>\n<p><strong>2, 3 February 2001<\/strong><br \/>\nConverse &#8211; Endymion&#8217;s Narrative<br \/>\nMozart &#8211; Sinfonia Concertante for Violin and Viola, K.364<br \/>\nBach &#8211; Concerto for Two Violins in D minor<br \/>\nIbert &#8211; Escales (Ports of Call)<br \/>\nJoAnn Falletta, conductor<br \/>\nPamela Frank, violinist<br \/>\nAlexander Simionescu, violist, violinist<\/p>\n<hr \/>\n<p><strong>16, 17 February 2001<\/strong><br \/>\nConverse &#8211; Flivver Tenor Million<br \/>\nElgar &#8211; Cello Concerto in E minor, op.85<br \/>\nMartucci &#8211; Notturno in G-flat major<br \/>\nRespighi &#8211; Church Windows<br \/>\nJoAnn Falletta, conductor<br \/>\nCarter Brey, cellist<\/p>\n<hr \/>\n<p><strong>2, 3, 4 March 2001<\/strong><br \/>\nBarber &#8211; The School for Scandal Overture<br \/>\nRodrigo &#8211; Concierto de Aranjuez<br \/>\nVivaldi &#8211; Concerto for Two Guitars in G major, T.104<br \/>\nBart\u00f3k &#8211; Concerto for Orchestra<br \/>\nJoAnn Falletta, conductor<br \/>\nAngel Romero, guitarist<\/p>\n<hr \/>\n<p><strong>17 March 2001<\/strong><br \/>\nStravinsky &#8211; Petrouchka Suite<br \/>\nTchaikovsky &#8211; Symphony No.4 in F minor, op.36<br \/>\nMichael Tilson Thomas, conductor<\/p>\n<hr \/>\n<p><strong>31 March, 1 April 2001<\/strong><br \/>\nBantock &#8211; Two Heroic Ballads: Kishmul&#8217;s Galley<br \/>\nSchwantner &#8211; Percussion Concerto<br \/>\nMaxwell Davies &#8211; An Orkney Wedding with Sunrise<br \/>\nSchumann &#8211; Symphony No.3 in E-flat major, op.97 &#8220;Rhenish&#8221;<br \/>\nJoAnn Falletta, conductor<br \/>\nEvelyn Glennie, percussionist<\/p>\n<hr \/>\n<p><strong>21, 22 April 2001<\/strong><br \/>\nHaydn &#8211; Cello Concerto in C major<br \/>\nShostakovich &#8211; Cello Concerto No.1 in E-flat major, op.107<br \/>\nRavel &#8211; Pavane pour une infante d\u00e9funte<br \/>\nBizet &#8211; Symphony No.1 in C major<br \/>\nJaime Laredo, guest conductor<br \/>\nSharon Robinson, cellist<\/p>\n<hr \/>\n<p><strong>5, 6 May 2001<\/strong><br \/>\nNicolai &#8211; The Merry Wives of Windsor: Overture<br \/>\nSibelius &#8211; Symphony No.5 in E-flat major, op.82<br \/>\nBrahms &#8211; Piano Concerto No.2 in B-flat major, op.83<br \/>\nJoAnn Falletta, conductor<br \/>\nMisha Dichter, pianist<\/p>\n<hr \/>\n<p><strong>19, 20 May 2001<\/strong><br \/>\nMozart &#8211; Symphony No.41 in C major, K.551 &#8220;Jupiter&#8221;<br \/>\nHolst &#8211; The Planets<br \/>\nSergiu Comissiona, guest conductor<br \/>\nWomen of the Buffalo Philharmonic Chorus<\/p>\n<hr \/>\n<p><strong>8, 9 June 2001<\/strong><br \/>\nMozart &#8211; Violin Concerto No.3 in G major, K.216<br \/>\nMahler &#8211; Symphony No.2 in C minor &#8220;Resurrection&#8221;<br \/>\nJoAnn Falletta, conductor<br \/>\nCharles Haupt, violinist<br \/>\nBarbara Quintiliani, soprano<br \/>\nAnne-Lise Berntsen, alto<br \/>\nBuffalo Philharmonic Chorus,<br \/>\nThomas Swan, director[\/vc_column_text][\/vc_column][\/vc_row][\/vc_section]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_section][vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=&#8221;&#8221;]23, 24 September 2000 Rossini &#8211; Semiramide: Overture Verdi &#8211; La Traviata: Deh miei bollenti spiriti<a class=\"excerpt-read-more\" href=\"https:\/\/bpo.org\/archives\/classics-repertoire-2000-2001\/\" title=\"ReadBPO Classics Repertoire 2000-2001\">&#8230; Read more &raquo;<\/a><\/p>\n","protected":false},"author":169,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-679","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/679","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/users\/169"}],"replies":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/comments?post=679"}],"version-history":[{"count":3,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/679\/revisions"}],"predecessor-version":[{"id":3759,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/679\/revisions\/3759"}],"wp:attachment":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/media?parent=679"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}