{"id":683,"date":"2021-08-04T19:42:04","date_gmt":"2021-08-04T19:42:04","guid":{"rendered":"https:\/\/bpo.org\/archives\/classics-repertoire-2000-2001-copy\/"},"modified":"2024-06-24T18:53:07","modified_gmt":"2024-06-24T18:53:07","slug":"classics-repertoire-2001-2002","status":"publish","type":"page","link":"https:\/\/bpo.org\/archives\/classics-repertoire-2001-2002\/","title":{"rendered":"BPO Classics Repertoire 2001-2002"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_section][vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=&#8221;&#8221;]<strong>22, 23 September 2001<\/strong><br \/>\nBart\u00f3k &#8211; Miraculous Mandarin Suite<br \/>\nBeethoven &#8211; Symphony No.9 in D minor, op.125 &#8220;Chorale&#8221;<br \/>\nJoAnn Falletta, Conductor<br \/>\nRegina Zona, soprano<br \/>\nMelissa Thorburn, mezzo-soprano<br \/>\nGary Seydell, tenor<br \/>\nBrian Zunner, baritone<br \/>\nBuffalo Philharmonic Chorus,<br \/>\nDale Adelmann, director<\/p>\n<hr \/>\n<p><strong>6 October 2001<\/strong><br \/>\nTchaikovsky &#8211; Romeo and Juliet Fantasy Overture<br \/>\nStrauss, R. &#8211; Death and Transfiguration, op.24<br \/>\nTchaikovsky &#8211; Piano Concerto No.1 in B-flat minor, op.23<br \/>\nJoAnn Falletta, conductor<br \/>\nVan Cliburn, pianist<\/p>\n<hr \/>\n<p><strong>13, 14 October 2001<\/strong><br \/>\nSibelius &#8211; Karelia Overture<br \/>\nMozart &#8211; Piano Concerto No.27 in B-flat major, K.595<br \/>\nNielsen &#8211; Symphony No.4, op.29 &#8220;The Inextinguishable&#8221;<br \/>\nJoAnn Falletta, conductor<br \/>\nRichard Goode, pianist<\/p>\n<hr \/>\n<p><strong>27, 28 October 2001<\/strong><br \/>\nGriffes &#8211; White Peacock<br \/>\nRavel &#8211; Rapsodie espagnole<br \/>\nde Falla &#8211; The Three Cornered Hat: Suite No.2<br \/>\nElgar &#8211; Violin Concerto<br \/>\nJoAnn Falletta, conductor<br \/>\nMidori, violinist<\/p>\n<hr \/>\n<p><strong>17, 18 November 2001<\/strong><br \/>\nSchumann &#8211; Cello Concerto in A minor, op.129<br \/>\nIves &#8211; Symphony No.2<br \/>\nKenneth Schermerhorn, guest conductor<br \/>\nDenise Djokic, cellist<\/p>\n<hr \/>\n<p><strong>1, 2 December 2001<\/strong><br \/>\nGriffes &#8211; Bacchanale<br \/>\nMozart &#8211; Piano Concerto No.14 in E-flat major, K.449 &#8220;First Ployer&#8221;<br \/>\nStrauss, R. &#8211; Burleske for Piano and Orchestra<br \/>\nBrahms &#8211; Symphony No.4 in E minor, op.98<br \/>\nJoAnn Falletta, conductor<br \/>\nEmmanuel Ax, pianist<\/p>\n<hr \/>\n<p><strong>18, 19 January 2002<\/strong><br \/>\nD&#8217;Indy &#8211; Diptyque m\u00e9diterran\u00e9: Soleil matinal; Soleil vesp\u00e9ral<br \/>\nGriffes &#8211; Three Tone Pictures<br \/>\nGriffes &#8211; Poem for Flute and Orchestra<br \/>\nGriffes &#8211; Three Poems of Fiona McLeod<br \/>\nGriffes &#8211; The Pleasure Dome of Kubla Khan<br \/>\nBorodin &#8211; Polovtsian Dances<br \/>\nJoAnn Falletta, conductor<br \/>\nCarol Wincenc, Flutist<br \/>\nBarbara Quintiliani, soprano<br \/>\nBuffalo Philharmonic Chorus,<br \/>\nDale Adelmann, director<\/p>\n<hr \/>\n<p><strong>1, 2 February 2002<\/strong><br \/>\nBax &#8211; Tintagel<br \/>\nHagen &#8211; Concerto for the Left Hand<br \/>\nRachmaninoff &#8211; Symphony No.2 in E minor, op.27<br \/>\nJoAnn Falletta, conductor<br \/>\nGary Graffman, pianist<\/p>\n<hr \/>\n<p><strong>15, 16 February 2002<\/strong><br \/>\nDruckman &#8211; Demos<br \/>\nBarber &#8211; Violin Concerto<br \/>\nFranck &#8211; Symphony in D minor<br \/>\nRonald Zollman, guest conductor<br \/>\nCharles Haupt, violinist<\/p>\n<hr \/>\n<p><strong>1, 2 March 2002<\/strong><br \/>\nBeethoven &#8211; Piano Concerto No.2 in B-flat major, op.19<br \/>\nBruckner &#8211; Symphony No.7 in E major<br \/>\nYoav Talmi, guest conductor<br \/>\nChristopher O&#8217;Riley, pianist<\/p>\n<hr \/>\n<p><strong>15, 16 March 2002<\/strong><br \/>\nBeethoven &#8211; Leonore Overture No.3, op.72<br \/>\nBarber &#8211; Adagio for Strings<br \/>\nWagner &#8211; G\u00f6tterd\u00e4merung: Prologue and Siegfried&#8217;s Rhine Journey<br \/>\nPuccini &#8211; Capriccio Sinfonico<br \/>\nRespighi &#8211; Roman Festivals<br \/>\nJoAnn Falletta, conductor<\/p>\n<hr \/>\n<p><strong>13, 14 April 2002<\/strong><br \/>\nBizet &#8211; Carmen: ACT I: Pr\u00e9lude<br \/>\nBizet &#8211; Carmen: ACT I: Habanera: L&#8217;amour et un oiseau rebelle<br \/>\nBizet &#8211; Carmen: ACT I: Duet: Parle-moi de ma m\u00e8re!<br \/>\nBizet &#8211; Carmen: ACT I: Seguidilla, Pr\u00e8s des remparts de S\u00e9ville<br \/>\nBizet &#8211; Carmen: ACT II: Chanson Tor\u00e9ador: Votre toast, je peux vous le rendre<br \/>\nBizet &#8211; Carmen: Entr&#8217;acte II<br \/>\nBizet &#8211; Carmen: ACT II: Chanson Boh\u00e8me: Les triangles des sistres<br \/>\nBizet &#8211; Carmen: ACT III: Aria: Je dis que rien ne m&#8217;\u00e9pouvante<br \/>\nBizet &#8211; Carmen: Entr&#8217;acte IV<br \/>\nBizet &#8211; Carmen: ACT IV: Duet and Final Chorus: C&#8217;est toi&#8230;L&#8217;on m&#8217;avait averti<br \/>\nGounod &#8211; Faust: Act III: Siebel&#8217;s Aria: Faites-lui mes aveux<br \/>\nGounod &#8211; Faust: Act IV: M\u00e9phistoph\u00e9l\u00e8&#8217;s S\u00e9r\u00e9nade: Vous qui faites l&#8217;endormie<br \/>\nGounod &#8211; Faust: Act V: Final Trio: Va t&#8217;en, le jour va luire<br \/>\nOffenbach &#8211; Tales of Hoffman: ACT III: Barcarolle: O belle nuit, O nuit d&#8217;amour<br \/>\nOffenbach &#8211; Tales of Hoffman: ACT I: Il etait une fois, \u00e0 la cour d&#8217;Eisenach<br \/>\nOffenbach &#8211; Tales of Hoffman: ACT IV: Romance: Elle a fui, la tourtrelle<br \/>\nOffenbach &#8211; Tales of Hoffman: ACT IV: Trio: Tu ne chantera plus?<br \/>\nOffenbach &#8211; Tales of Hoffman: ACT III: Septet: H\u00e9las! Je vais encore la suivre<br \/>\nJulius Rudel, conductor<br \/>\nJonita Lattimore, soprano<br \/>\nJessica Grigg, mezzo-soprano<br \/>\nJon Garrison, tenor<br \/>\nLes Young, bass<br \/>\nBuffalo Philharmonic Chorus,<br \/>\nDale Adelmann, director<\/p>\n<hr \/>\n<p><strong>27, 28 April 2002<\/strong><br \/>\nKodaly &#8211; Dances of Galanta<br \/>\nCorigliano &#8211; The Red Violin<br \/>\nGershwin &#8211; Porgy and Bess (excerpts)<br \/>\nDvorak &#8211; Symphony No.6 in D major, op.60<br \/>\nJoAnn Falletta, conductor<br \/>\nCharles Wetherbee, violinist<\/p>\n<hr \/>\n<p><strong>4, 5 May 2002<\/strong><br \/>\nProkofiev &#8211; Romeo and Juliet<br \/>\nJoAnn Falletta, conductor<br \/>\nBerkshire Shakespeare Company<\/p>\n<hr \/>\n<p><strong>8, 9 June 2002<\/strong><br \/>\nMahler &#8211; Symphony No.3 in D minor<br \/>\nJoAnn Falletta, conductor<br \/>\nClaudine Carlson, mezzo-soprano<br \/>\nBuffalo Philharmonic Chorus<br \/>\nSt. Paul&#8217;s Cathedral Choir<br \/>\nDale Adelmann, director[\/vc_column_text][\/vc_column][\/vc_row][\/vc_section]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_section][vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=&#8221;&#8221;]22, 23 September 2001 Bart\u00f3k &#8211; Miraculous Mandarin Suite Beethoven &#8211; Symphony No.9 in D minor,<a class=\"excerpt-read-more\" href=\"https:\/\/bpo.org\/archives\/classics-repertoire-2001-2002\/\" title=\"ReadBPO Classics Repertoire 2001-2002\">&#8230; Read more &raquo;<\/a><\/p>\n","protected":false},"author":169,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-683","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/683","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/users\/169"}],"replies":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/comments?post=683"}],"version-history":[{"count":3,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/683\/revisions"}],"predecessor-version":[{"id":3761,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/683\/revisions\/3761"}],"wp:attachment":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/media?parent=683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}