{"id":728,"date":"2021-08-05T14:31:12","date_gmt":"2021-08-05T14:31:12","guid":{"rendered":"https:\/\/bpo.org\/archives\/classics-repertoire-2015-2016-copy\/"},"modified":"2024-06-24T19:55:19","modified_gmt":"2024-06-24T19:55:19","slug":"classics-repertoire-2016-2017","status":"publish","type":"page","link":"https:\/\/bpo.org\/archives\/classics-repertoire-2016-2017\/","title":{"rendered":"BPO Classics Repertoire 2016-2017"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_section][vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=&#8221;&#8221;]<strong>17 September 2016<\/strong><br \/>\nDe Falla &#8211; Suite No.2 from The Three-Cornered Hat<br \/>\nGranados &#8211; Goyesca: Intermezzo<br \/>\nRimsky-Korsakov &#8211; Capriccio Espagnol<br \/>\nBruch &#8211; Violin Concerto<br \/>\nJoAnn Falletta, conductor<br \/>\nVadim Gluzman, violin<\/p>\n<hr \/>\n<p><strong>1, 2, October 2016<\/strong><br \/>\nTchaikovsky &#8211; Sleeping Beauty Suite<br \/>\nTchaikovsky &#8211; Piano Concerto No.3 in E-flat major, Op.75<br \/>\nTchaikovsky &#8211; Symphony No.5 in E Minor, op.64<br \/>\nJoAnn Falletta, conductor<br \/>\nFabio Bidini, piano<\/p>\n<hr \/>\n<p><strong>15, 16 October 2016<\/strong><br \/>\nTchaikovsky &#8211; Eugene Onegin: Polonaise<br \/>\nTchaikovsky &#8211; Rococo Variations<br \/>\nTchaikovsky &#8211; Serenade for Strings<br \/>\nTchaikovsky &#8211; 1812 Overture<br \/>\nJoAnn Falletta, conductor<br \/>\nMark Kosower, cello<br \/>\nBuffalo Philharmonic Chorus<\/p>\n<hr \/>\n<p><strong>28, 29 October 2016<\/strong><br \/>\nLiszt &#8211; Les Pr\u00e9ludes, Symphonic Poem No.3<br \/>\nStewart Copeland &#8211; Tyrant&#8217;s Crush<br \/>\nShostakovich &#8211; Symphony No.9 in E-flat major, Op.70<br \/>\nMark Laycock, conductor<br \/>\nStewart Copeland, trap set<br \/>\nMatthew Bassett, timpani<br \/>\nMark Hodges, percussion<br \/>\nDinesh Joseph, percussion<br \/>\nRobert Cross, percussion<\/p>\n<hr \/>\n<p><strong>11, 12 November 2016<\/strong><br \/>\nEvju &#8211; Piano Concerto in B minor on Fragments by Grieg (Concerto sopra Grieg)<br \/>\nBruckner &#8211; Symphony No.4 in E-flat major, Romantic<br \/>\nJoAnn Falletta, conductor<br \/>\nCarl Petersson, piano<\/p>\n<hr \/>\n<p><strong>19, 20 November 2016<\/strong><br \/>\nBeethoven &#8211; Concerto in D major for Violin and Orchestra, Op.61<br \/>\nVaughan Williams &#8211; A London Symphony<br \/>\nJoAnn Falletta, conductor<br \/>\nTianwa Yang, violin<\/p>\n<hr \/>\n<p><strong>3, 4 December 2016<\/strong><br \/>\nBeethoven &#8211; Overture to The Creatures of Prometheus, Op.43<br \/>\nPenderecki &#8211; Concerto Doppio for Violin and Cello<br \/>\nDvorak &#8211; Symphony No.7 in D minor, Op.70<br \/>\nKrzysztof Penderecki, conductor<br \/>\nDennis Kim, violin<br \/>\nRoman Mekinulov, cello<\/p>\n<hr \/>\n<p><strong>9, 10 December 2016<\/strong><br \/>\nRimsky-Korsakov &#8211; Suite from Christmas Eve<br \/>\nEric Whitacre &#8211; Winter<br \/>\nRespighi &#8211; L&#8217;Adorazione dei Magi from Trittico Botticelliano<br \/>\nBach, J.S. &#8211; Weihnachtsoratorium, BWV 248 [Christmas Oratorio]<br \/>\nBass &#8211; Festival Magnificat<br \/>\nRutter &#8211; I Saw Three Ships<br \/>\nRutter &#8211; Mary&#8217;s Lullaby<br \/>\nAdam\/Rutter &#8211; O Holy Night<br \/>\nHandel\/Rutter &#8211; Joy to the World<br \/>\nTchaikovsky &#8211; Nutcracker: Act I Finale to Act 1<br \/>\nHandel &#8211; Messiah: Hallelujah Chorus<br \/>\nStefan Sanders, conductor<br \/>\nNaryan Padmanabha, sitar<br \/>\nBuffalo Philharmonic Chorus<br \/>\nAdam Luebke, music director<br \/>\nEmily Helenbrook, soprano<br \/>\nMitchell Hutchings, baritone<br \/>\nAyden Herreid, boy soprano<\/p>\n<hr \/>\n<p><strong>January 20, 21, 22, 2017<\/strong><br \/>\nPeter Shaffer &#8211; Amadeus<br \/>\nIrish Classical Theater<\/p>\n<hr \/>\n<p><strong>4, 5 February 2017<\/strong><br \/>\nMichael Colgrass &#8211; As Quiet As<br \/>\nMathieu &#8211; Concerto No.3 in C minor for Piano and Orchestra<br \/>\nCopland &#8211; Suite from Appalachian Spring<br \/>\nGershwin &#8211; An American in Paris<br \/>\nJoAnn Falletta, conductor<br \/>\nAlain Lef\u00e8vre, piano<\/p>\n<hr \/>\n<p><strong>18, 19 February 2017<\/strong><br \/>\nKod\u00e1ly &#8211; Dances Marosszek<br \/>\nKod\u00e1ly &#8211; Variations on a Hungarian Folk Song, &#8220;Peacock Variations&#8221;<br \/>\nBrahms &#8211; Ein Deutsches Requiem Op.45<br \/>\nJoAnn Falletta, conductor<br \/>\nDeborah Selig, soprano<br \/>\nDarren Stokes, bass<br \/>\nBuffalo Philharmonic Chorus<br \/>\nAdam Luebke, music director<\/p>\n<hr \/>\n<p><strong>10, 11 March 2017<\/strong><br \/>\nDukas &#8211; Fanfare to La P\u00e9ri<br \/>\nPoulenc &#8211; Concerto in G minor for Organ, Strings, and Timpani<br \/>\nBach, J.S. &#8211; Passacaglia and Fugue in C minor, BWV 582<br \/>\nSaint-Saens &#8211; Symphony No.3 in C minor, Op.78, Organ Symphony<br \/>\nJoAnn Falletta, conductor<br \/>\nCameron Carpenter, organ<\/p>\n<hr \/>\n<p><strong>25, 26 March 2017<\/strong><br \/>\nMendelssohn &#8211; Hebrides Overture, Op.26, Fingal&#8217;s Cave<br \/>\nBach, J.S. &#8211; Piano Concerto No.3 in D major, BWV 1054<br \/>\nBach, J.S. &#8211; Piano Concerto No.1 in D minor, BWV 1052<br \/>\nMendelssohn &#8211; Symphony No.5 in D major, Op.107, Reformation<br \/>\nStefan Sanders, conductor<br \/>\nAngela Hewitt, conductor and pianist<\/p>\n<hr \/>\n<p><strong>8, 9 April 2017<\/strong><br \/>\nHonegger &#8211; Pastorale d&#8217;\u00e9t\u00e9<br \/>\nSaint-Saens &#8211; Violin Concerto No.3 in B minor, Op.61<br \/>\nBeethoven &#8211; Symphony No.6 in F major, Op.68, Pastoral<br \/>\nJohn Axelrod, conductor<br \/>\nBenjamin Beilman, violin<\/p>\n<hr \/>\n<p><strong>21, 22 April 2017<\/strong><br \/>\nBeethoven &#8211; The Consecration of the House Overture, Op.124<br \/>\nPhilip Rothman &#8211; Starsplitter<br \/>\nBeethoven &#8211; Piano Concerto No.3 in C minor, Op.37<br \/>\nKodaly &#8211; Concerto for Orchestra<br \/>\nKodaly &#8211; Dances of Gal\u00e1nta<br \/>\nJoAnn Falletta, conductor<br \/>\nNatasha Paremski, piano<\/p>\n<hr \/>\n<p><strong>6, 7 May 2017<\/strong><br \/>\nWagner &#8211; Das Rheingold: Entrance of the Gods into Valhala<br \/>\nWagner &#8211; Die Walk\u00fcre: The Ride of the Valkyries<br \/>\nWagner &#8211; Die Walk\u00fcre: Wotan&#8217;s Farewell and Magic Fire Music\u201d<br \/>\nWagner &#8211; Siegfried: Forest Murmurs<br \/>\nWagner &#8211; G\u00f6tterd\u00e4mmerung: Siegfried&#8217;s Rhine Journey<br \/>\nWagner &#8211; G\u00f6tterd\u00e4mmerung: Siegfried&#8217;s Death and Funeral Music\u201d<br \/>\nWagner &#8211; G\u00f6tterd\u00e4mmerung: Brunnhilde&#8217;s Immolation Scene<br \/>\nJoAnn Falleta, conductor<br \/>\nDouglas Zschiegner, narrator<\/p>\n<hr \/>\n<p><strong>12, 13 May 2017<\/strong><br \/>\nWeber &#8211; Der Freisch\u00fctz: Overture<br \/>\nIreland &#8211; Piano Concerto in E-flat major<br \/>\nSibelius &#8211; Symphony No.2 in D major, Op.43<br \/>\nChristopher Wilkins, conductor<br \/>\nMark Bebbington, piano<\/p>\n<hr \/>\n<p><strong>4 June 2017<\/strong><br \/>\nPeter Maxwell Davies &#8211; An Orkney Wedding, with Sunrise<br \/>\nElgar &#8211; In the South<br \/>\nWalton &#8211; Belshazzar&#8217;s Feast<br \/>\nJoAnn Falletta, conductor<br \/>\nKevin Deas, baritone<br \/>\nBuffalo Philharmonic Chorus[\/vc_column_text][\/vc_column][\/vc_row][\/vc_section]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_section][vc_row][vc_column][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=&#8221;&#8221;]17 September 2016 De Falla &#8211; Suite No.2 from The Three-Cornered Hat Granados &#8211; Goyesca: Intermezzo<a class=\"excerpt-read-more\" href=\"https:\/\/bpo.org\/archives\/classics-repertoire-2016-2017\/\" title=\"ReadBPO Classics Repertoire 2016-2017\">&#8230; Read more &raquo;<\/a><\/p>\n","protected":false},"author":169,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-728","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/728","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/users\/169"}],"replies":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/comments?post=728"}],"version-history":[{"count":3,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/728\/revisions"}],"predecessor-version":[{"id":3774,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/728\/revisions\/3774"}],"wp:attachment":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/media?parent=728"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}