{"id":734,"date":"2021-08-05T14:35:02","date_gmt":"2021-08-05T14:35:02","guid":{"rendered":"https:\/\/bpo.org\/archives\/classics-repertoire-2017-2018-copy\/"},"modified":"2024-06-27T19:40:39","modified_gmt":"2024-06-27T19:40:39","slug":"classics-repertoire-2018-2019","status":"publish","type":"page","link":"https:\/\/bpo.org\/archives\/classics-repertoire-2018-2019\/","title":{"rendered":"BPO Classics Repertoire 2018-2019"},"content":{"rendered":"

[vc_section][vc_row][vc_column][vc_custom_heading source=”post_title” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]2018 September 15<\/strong><\/p>\n

BEETHOVEN<\/b>\u00a0 Symphony No.9 in D minor, “Choral”, Op.125<\/em>
\nMAHLER <\/strong>\u00a0Des Knaben Wunderhorn<\/em>
\nCOPLAND <\/b>\u00a0Old American Songs<\/em><\/p>\n

JoAnn Falletta, conductor<\/em>
\nThomas Hampson, baritone<\/em><\/p>\n

\n

2018 September 29, 30<\/strong><\/p>\n

TSONTAKIS\u00a0<\/strong> May the River be Unbroken<\/em>
\nTCHAIKOVSKY\u00a0<\/strong> Piano Concerto No.1 in B-flat minor, Op.23<\/em>
\nPROKOFIEV\u00a0<\/strong> Symphony No.5 in B-flat major, Op.100<\/em><\/p>\n

JoAnn Falletta, conductor<\/em>
\nHye Jin Kim, piano<\/em><\/p>\n

\n

2018 October 12, 13<\/strong><\/p>\n

PATERSON\u00a0<\/strong> Dark Mountains<\/em>
\nBARBER\u00a0<\/strong> Violin Concerto, Op.14<\/em>
\nRACHMANINOFF\u00a0<\/strong> Symphony No.3 in A minor, Op.44<\/em><\/p>\n

JoAnn Falletta, conductor<\/em>
\nPaul Huang, violin<\/em><\/p>\n

\n

2018 October 27, 28<\/strong><\/p>\n

NOWOWIEJSKI\u00a0<\/strong> Quo Vadis: “Praetorian March”<\/em>
\nPADEREWSKI\u00a0<\/strong> Piano Concerto in A minor, Op.17<\/em>
\nTCHAIKOVSKY\u00a0<\/strong> Symphony No.3, “Polish”, Op.29<\/em><\/p>\n

Piotr Su\u0142kowski, conductor<\/em>
\n\u0141ukasz Krupi\u0144ski, piano<\/em><\/p>\n

\n

2018 November 10, 11<\/strong><\/p>\n

DVORAK <\/b>\u00a0Carnival Overture, Op.92<\/em>
\nPAGANINI\u00a0<\/strong> Violin Concerto No.1 in D major, Op.6<\/em>
\nDVORAK <\/b>\u00a0Symphony No.6 in D major, Op.60<\/em><\/p>\n

Hans Graf, conductor<\/em>
\nFrancisco Fullana, violin<\/em><\/p>\n

\n

2018 November 16, 17<\/strong><\/p>\n

TOWER\u00a0<\/strong> For the Uncommon Woman<\/em>
\nTOWER\u00a0<\/strong> Tambor<\/em>
\nMUSSORGSKY-RAVEL<\/strong>\u00a0 Pictures at an Exhibition<\/em>
\nMILLS \/ arr. Mallamud<\/strong>\u00a0 Concerto for Rock Band, Violin and String Orchestra<\/em><\/p>\n

JoAnn Falletta, conductor<\/em>
\nBobby McDuffie, violin<\/em>
\nMike Mills, bass and keyboard<\/em><\/p>\n

\n

2018 December 1, 2<\/strong><\/p>\n

BEETHOVEN\u00a0<\/strong> Piano Concerto No.3 in C minor, Op.37<\/em>
\nSCHUBERT\u00a0<\/strong> Symphony No.9 in C major, “The Great”, D.944<\/em><\/p>\n

Rossen Milanov, conductor<\/em>
\nSara Davis Buechner, piano<\/em><\/p>\n

\n

2018 December 7, 8<\/strong><\/p>\n

RIMSKY-KORSAKOV<\/strong>\u00a0 Christmas Eve: Polonaise<\/em>
\nWALDTEUFEL\u00a0<\/strong> Skaters’ Waltz<\/em>
\nTCHAIKOVSKY\u00a0<\/strong> Nutcracker, Op.71a\u00a0 (March , Trepak , Waltz of the Flowers)<\/em>
\nRESPIGHI\u00a0<\/strong> Trittico Botticelliano, II. L’Adorazione dei Magi<\/em>
\nVIVALDI\u00a0<\/strong> “L’inverno”, Concerto No.4 from The Four Seasons, R.297<\/em>
\nHELY-HUTCHINSON<\/strong>\u00a0 A Carol Symphony: Adeste Fideles<\/em>
\nBACH\u00a0<\/strong> Christmas Oratorio: Jauchzet, frohlocket<\/em>
\nLUTOS\u0141AWSKI\u00a0 <\/strong>Twenty Polish Christmas Carols: 1, 2, 3, 7, 11<\/em>
\nWARLOCK\/LANE<\/strong>\u00a0 Bethlehem Down<\/em>
\nPROKOFIEV\u00a0<\/strong> Lieutenant Kij\u00e9, Op. 60: Troika<\/em>
\nHANDEL\u00a0<\/strong> Messiah: Hallelujah Chorus<\/em>
\nANDERSON\u00a0<\/strong> A Christmas Festival<\/em><\/p>\n

JoAnn Falletta, conductor<\/em><\/p>\n

\n

2019 January 26, 27<\/strong><\/p>\n

MOZART\u00a0<\/strong> The lmpresario: Overture, K.486<\/em>
\nMOZART\u00a0<\/strong> Sinfonia concertante in E-flat major, K.297b<\/em>
\nMOZART\u00a0<\/strong> Symphony No.40 in G minor, K.550<\/em><\/p>\n

JoAnn Falletta, conductor<\/em>
\nHenry Ward, oboe<\/em>
\nWilliam Amsel, clarinet<\/em>
\nJacek Muzyk, horn<\/em>
\nGlenn Einschlag, bassoon<\/em><\/p>\n

\n

2019 February 2, 3<\/strong><\/p>\n

LI HUANZHI<\/strong>\u00a0 Spring Festival Overture<\/em>
\nCHEN & HE<\/strong>\u00a0 Butterfly Lovers Concerto<\/em>
\nSTRAVINSKY\u00a0<\/strong> Le chant du rossignol (Song of a Nightingale)<\/em>
\nBORODIN\u00a0<\/strong> Steppes of Central Asia<\/em><\/p>\n

Ken Lam, conductor<\/em>
\nXu Ke, erhu<\/em><\/p>\n

\n

2019 February 15, 16<\/strong><\/p>\n

SCRIABIN\u00a0<\/strong> Poem of Ecstasy, Op.54 (Symphony No.4)<\/em>
\nHOLST\u00a0<\/strong> The Planets<\/em><\/p>\n

JoAnn Falletta, conductor<\/em>
\nWomen’s Choir of Buffalo
\nKathleen Bassett, director<\/em><\/p>\n

\n

2019 March 2, 3<\/strong><\/p>\n

TAILLEFERRE\u00a0<\/strong> Overture<\/em>
\nSCHMITT\u00a0<\/strong> Musique sur l’eau, Op.33<\/em>
\nSCHMITT\u00a0<\/strong> The Tragedie of Salome, Op.50<\/em>
\nBRAHMS\u00a0<\/strong> Violin Concerto in D major, Op.77<\/em><\/p>\n

JoAnn Falletta, conductor<\/em>
\nSarah Chang, violin<\/em>
\nSusan Platts, mezzo-soprano<\/em>
\nWomen’s Choir of Buffalo
\nKathleen Bassett, d<\/em>irector<\/em><\/p>\n

\n

2019 March 8, 9<\/strong><\/p>\n

SCHUBERT\u00a0<\/strong> Symphony No.8 “Unfinished”<\/em>
\nCOPLAND\u00a0<\/strong> Clarinet Concerto<\/em>
\nSCHUMANN\u00a0<\/strong> Symphony No.2 in C major, Op.61<\/em><\/p>\n

Leon Botstein, conductor<\/em>
\nAnthony McGill, clarinet<\/em><\/p>\n

\n

2019 March 23, 24<\/strong><\/p>\n

BORODIN\u00a0<\/strong> Overture to Prince Igor<\/em>
\nBRAHMS\u00a0<\/strong> Piano Concerto No.2 in B-flat major, Op.83<\/em>
\nPROKOFIEV\u00a0<\/strong> Romeo and Juliet (<\/em>selections)<\/p>\n

JoAnn Falletta, conductor<\/em>
\nFabio Bidini, piano<\/em><\/p>\n

\n

2019 April 13, 14<\/strong><\/p>\n

DANIELPOUR\u00a0 The Passion of Yeshua<\/em><\/p>\n

JoAnn Falletta, conductor<\/em>
\nMatthew Worth, Talmuda
\nKenneth Overton, Yeshua
\nHila Plitmann, Miriam Magdala
\nJ’Nai Bridges, Miryam, mother of Yeshua
\nTimothy Fallon, Kefa\/Pilate
\nJams Bass, Kayafa \/ Director
\nUCLA Chamber Singers
\nJames Bass, director<\/em>
\nBuffalo Philarmonic Chorus
\nAdam Luebke, director<\/em><\/p>\n

\n

2019 April 26, 27<\/strong><\/p>\n

DVORAK <\/b>\u00a0A Hero’s Song, Op.111<\/em>
\nKHACHATURIAN\u00a0<\/strong> Piano Concerto<\/em>
\nSMETANA\u00a0<\/strong> From My Life<\/em><\/p>\n

Charles Olivieri-Munroe, conductor<\/em>
\nTanya Gabrielian, pianist<\/em><\/p>\n

\n

2019 May 11, 12<\/strong><\/p>\n

FALLA<\/strong>\u00a0 El amor brujo: Ritual Fire Dance<\/em>
\nMOZART\u00a0<\/strong> Piano Concerto No.21<\/em>
\nBEETHOVEN\u00a0<\/strong> Symphony No.3, “Eroica”<\/em><\/p>\n

JoAnn Falletta, conductor<\/em>
\nAdam Golka, piano<\/em><\/p>\n

\n

2019 June 1, 2<\/strong><\/p>\n

BIZET <\/b>\u00a0Carmen<\/em><\/p>\n

JoAnn Falletta, conductor<\/em>
\nTamara Gura, Carmen
\nKyle van Schoonhoven, Don Jose
\nAlexandra Deshorties, Micaella
\nMichael J. Hawk, Escamillo
\nValerian Ruminski
\nLucia Helgren
\nAmanda Lynn Bottoms
\nJames Judd
\nJames Wright
\nBrandon Mecklenburg[\/vc_column_text][\/vc_column][\/vc_row][\/vc_section]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_section][vc_row][vc_column][vc_custom_heading source=”post_title” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]2018 September 15 BEETHOVEN\u00a0 Symphony No.9 in D minor, “Choral”, Op.125 MAHLER \u00a0Des Knaben Wunderhorn COPLAND… Read more »<\/a><\/p>\n","protected":false},"author":169,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-734","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/734","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/users\/169"}],"replies":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/comments?post=734"}],"version-history":[{"count":5,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/734\/revisions"}],"predecessor-version":[{"id":3776,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/734\/revisions\/3776"}],"wp:attachment":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/media?parent=734"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}