{"id":737,"date":"2021-08-05T14:36:41","date_gmt":"2021-08-05T14:36:41","guid":{"rendered":"https:\/\/bpo.org\/archives\/classics-repertoire-2018-2019-copy\/"},"modified":"2023-07-12T17:43:05","modified_gmt":"2023-07-12T17:43:05","slug":"classics-repertoire-2019-2020","status":"publish","type":"page","link":"https:\/\/bpo.org\/archives\/classics-repertoire-2019-2020\/","title":{"rendered":"BPO Classics Repertoire 2019-2020"},"content":{"rendered":"

[vc_section][vc_row][vc_column][vc_custom_heading source=”post_title” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]21 September 2019
\n<\/strong>
\nROSSINI <\/strong>\u00a0Overture to Semiramide<\/em>
\nSAINT-SAENS <\/strong>\u00a0Introduction and Rondo Capriccioso<\/em>
\nLISZT <\/strong>\u00a0Totentanz for Piano and Orchestra<\/em>
\nDVORAK <\/strong>\u00a0Symphony No.8 in G major, Op.88<\/em><\/p>\n

JoAnn Falletta, conductor<\/em>
\nTianwa Yang, violin<\/em>
\nWilliam Wolfram, piano<\/em><\/p>\n

\n

5, 6 October 2019
\n<\/strong>
\nFELDER <\/strong>\u00a0Die D\u00e4mmerungen<\/em>
\nKORNGOLD <\/strong>\u00a0Violin Concerto in D major, Op.35<\/em>
\nWEBER <\/strong>\u00a0Invitation to the Dance<\/em>
\nSTRAUSS, R. <\/strong>\u00a0Der Rosenkavalier: Suite, Op.59<\/em><\/p>\n

JoAnn Falletta, conductor<\/em>
\nJames Ehnes, violin<\/em><\/p>\n

\n

18, 19 October 2019
\n<\/strong>
\nELFMAN <\/b>\u00a0Violin Concerto “Eleven Eleven”<\/em>
\nSTRAUSS, R. <\/strong> \u00a0Tod und<\/em>\u00a0Verkl\u00e4rung, Op.24<\/em>
\nSTRAUSS, R. <\/strong>\u00a0Salome: Dance of Seven Veils, Op.54<\/em><\/p>\n

JoAnn Falletta, conductor<\/em>
\nSandy Cameron, violin<\/em><\/p>\n

\n

2, 3 November 2019
\n<\/strong>
\nMcTEE <\/strong>\u00a0Circuits<\/em>
\nGRIEG <\/strong>\u00a0Piano Concerto No.1 in A minor, Op.16<\/em>
\nELGAR <\/strong>\u00a0Symphony No.1 in A-flat major, Op.55<\/em><\/p>\n

Leonard Slatkin, conductor<\/em>
\nGeorge Li, piano<\/em><\/p>\n

\n

15, 16 November 2019
\n<\/strong>
\nWAGNER <\/strong>\u00a0Lohengrin: Prelude Act 1 \/\/ Prelude Act 3<\/em>
\nLISZT <\/strong>\u00a0Piano Concerto No.1 in E-flat major<\/em>
\nSIBELIUS <\/strong>\u00a0Symphony No.5 in E-flat major, Op.82<\/em><\/p>\n

Maximiano Vald\u00e9s, conductor<\/em>
\nDrew Petersen, piano<\/em><\/p>\n

\n

7, 8 December 2019
\n<\/strong>
\nROSSINI <\/strong>\u00a0La gazza ladra: Overture<\/em>
\nFUCHS <\/strong>\u00a0Rush: Concerto for E-flat Alto Saxophone<\/em>
\nGLAZUNOV\u00a0 <\/strong>Concerto for Alto Saxophone<\/em>
\nWALKER <\/strong>\u00a0Lyric for Strings<\/em>
\nMENDELSSOHN\u00a0 <\/strong>Symphony no.4 in A minor, “Italian”<\/em><\/p>\n

Thomas Wilkins, conductor<\/em>
\nTimothy McAllister, saxophone<\/em><\/p>\n

\n

13, 14 December 2019
\n<\/strong>
\nBASS<\/b>\u00a0 Fanfare: Joy to the World<\/em>
\nVAUGHAN WILLIAMS <\/strong>\u00a0Fantasia on Greensleeves<\/em>
\nCORELLI <\/strong>\u00a0Concerto Grosso, Opus 6, No. 8, “Christmas Concerto”<\/em>
\nYON<\/strong>\u00a0 Gesu Bambino<\/em>
\nADAM <\/b>\u00a0O Holy Night<\/em>
\nKELLY <\/strong>\u00a0Of Nights And Lights<\/em>
\nBACH <\/strong>\u00a0Christmas Oratorio: “Jauchzet, frohlocket!”<\/em>
\nBIZET <\/strong>\u00a0L’Arl\u00e9sienne, Suite No.2: Farandole<\/em>
\nTCHAIKOVSKY <\/strong>\u00a0Symphony No. 1, Op.13 “Winter Dreams”: Movement 1<\/em>
\nKORNGOLD <\/strong>\u00a0Der Schneeman (The Snowman): Prelude and Serenade<\/em>
\nMASSENET <\/strong>\u00a0Thais: “Meditation”<\/em>
\nTCHAIKOVSKY\u00a0 <\/strong>Excerpts from The Nutcracker, Op. 71:<\/em>
\nPas de Deux; Valse Finale; Apotheosis<\/em>
\nHANDEL <\/strong>\u00a0Messiah: Hallelujah Chorus<\/em>
\nANDERSON <\/strong>\u00a0A Christmas Festival<\/em><\/p>\n

JoAnn Falletta, conductor<\/em>
\nNikki Chooi, violin<\/em>
\nRachel Mikol, soprano<\/em>
\nBuffalo Philharmonic Chorus
\nAdam Luebke, director<\/em><\/p>\n

\n

17, 18, 19 January 2020
\n<\/strong>
\nMENDELSSOHN <\/strong>\u00a0Midsummer Night’s Dream<\/em>
\nOverture, Op.21<\/em>
\nIncidental Music, Op.61<\/em><\/p>\n

JoAnn Falletta, conductor<\/em>
\nIrish Classical Theatre Company
\nFortunato Pezzimenti, director<\/em>
\nKaren D’Angelo, soprano<\/em>
\nMaria Parker, mezzo-soprano<\/em><\/p>\n

\n

25, 26 January 2020
\n<\/strong>
\nHAYDN <\/strong>\u00a0Cello Concerto C major<\/em>
\nMOZART <\/strong>\u00a0Requiem in D minor<\/em><\/p>\n

JoAnn Falletta, conductor<\/em>
\nDrew Cone, cello<\/em>
\nMary Hangley, soprano<\/em>
\nAmanda Lynn Bottoms, mezzo-soprano<\/em>
\nGene Stenger, tenor<\/em>
\nJames Wright, bass<\/em>
\nBuffalo Philharmonic Chorus
\nAdam Luebke, director<\/em><\/p>\n

\n

8, 9 February 2020
\n<\/strong>
\nBENDIX-BALGLEY <\/strong>\u00a0Fiddle Fantazye: Klezmer Concerto<\/em>
\nMAHLER <\/strong>\u00a0Symphony No. 10: I. Adagio<\/em>
\nBERNSTEIN <\/strong>\u00a0Chichester Psalms<\/em><\/p>\n

JoAnn Falletta, conductor<\/em>
\nNoah Bendix-Balgley, violin<\/em>
\nAryeh Nussbaum Cohen, countertenor<\/em>
\nBuffalo Philharmonic Chorus
\nAdam Luebke, director<\/em><\/p>\n

\n

22, 23 February 2020
\n<\/strong>
\nHINDEMITH <\/strong>\u00a0Symphonic Metamorphosis<\/em>
\nHIGDON <\/strong>\u00a0Concerto 4-3\u00a0<\/em>
\nTCHAIKOVSKY <\/strong>\u00a0Francesca da Rimini<\/em><\/p>\n

JoAnn Falletta, conductor
\n<\/em>Time for Three (string trio)<\/p>\n

\n

7, 8 March 2020
\n<\/strong>
\nDEBUSSY <\/strong>\u00a0Prelude to the Afternoon of a Faun<\/em>
\nSCHMITT <\/strong>\u00a0Legend<\/em>
\nSCHMITT\u00a0 <\/strong>Musique de plein air, Op.44<\/em>
\nSCHMITT <\/strong>\u00a0Oriane and the Prince of Love<\/em>
\nRACHMANINOFF <\/strong>\u00a0Piano Concerto No.2<\/em><\/p>\n

JoAnn Falletta, conductor<\/em>
\nNikki Choi, violin<\/em>
\nKonrad Skolarski, piano<\/em><\/p>\n

\n

21, 22 March 2020<\/strong>
\n*** program cancelled due to pandemic<\/p>\n

BACH-SCHOENBERG <\/strong>\u00a0St. Anne Prelude and Fugue
\nMOZART <\/strong>\u00a0Piano Concerto No.23
\nSCRIABIN <\/strong>\u00a0Divine Poem Symphony No.3<\/p>\n

\n

3, 4 April 2020<\/strong>
\n*** program cancelled due to pandemic<\/p>\n

GILL\u00a0 <\/strong>Concerto d\u02bcavorio<\/em> (for piano four hands)
\nBRITTEN <\/strong>\u00a0Petr Grimes: Four Sea Interludes<\/em>
\nELGAR <\/strong>\u00a0Enigma Variations<\/em><\/p>\n

\n

18, 19 April 2020<\/strong>
\n*** program cancelled due to pandemic<\/p>\n

HOLLAND <\/strong>\u00a0Motorcity Remix<\/em>
\nPIAZZOLLA <\/strong>\u00a0Las Cuatro Estaciones Porte\u00f1as<\/em>
\nPIAZZOLLA <\/strong>\u00a0Libertango<\/em>
\nFALLA <\/strong>\u00a0Three Cornered Hat Suite 2<\/em>
\nSTRAVINSKY <\/strong>\u00a0Firebird Suite<\/em><\/p>\n

\n

1, 2 May 2020<\/strong>
\n*** program cancelled due to pandemic<\/p>\n

BEETHOVEN <\/strong>\u00a0Leonore No.3<\/em>
\nBEETHOVEN <\/strong>\u00a0Piano Concerto No.4<\/em>
\nBEETHOVEN <\/strong>\u00a0Symphony No.6<\/em><\/p>\n

\n

9, 10 May 2020<\/strong>
\n*** program cancelled due to pandemic<\/p>\n

BEETHOVEN <\/strong>\u00a0Creatures of Prometheus: Overture<\/em>
\nBEETHOVEN <\/strong>\u00a0Romance No.2<\/em>
\nBEETHOVEN <\/strong>\u00a0Triple Concerto<\/em>
\nBEETHOVEN <\/strong>\u00a0Symphony No.7<\/em><\/p>\n

\n

30, 31 May 2020<\/strong>
\n*** program cancelled due to pandemic<\/p>\n

BERLIOZ <\/strong>\u00a0Roman Carnival<\/em>
\nTCHAIKOVSKY <\/strong>\u00a0Violin Concerto in D major<\/em>
\nBRAHMS <\/strong>\u00a0Symphony No.4<\/em>[\/vc_column_text][\/vc_column][\/vc_row][\/vc_section]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_section][vc_row][vc_column][vc_custom_heading source=”post_title” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]21 September 2019 ROSSINI \u00a0Overture to Semiramide SAINT-SAENS \u00a0Introduction and Rondo Capriccioso LISZT \u00a0Totentanz for Piano and… Read more »<\/a><\/p>\n","protected":false},"author":169,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-737","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/737","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/users\/169"}],"replies":[{"embeddable":true,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/comments?post=737"}],"version-history":[{"count":10,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/737\/revisions"}],"predecessor-version":[{"id":3694,"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/pages\/737\/revisions\/3694"}],"wp:attachment":[{"href":"https:\/\/bpo.org\/archives\/wp-json\/wp\/v2\/media?parent=737"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}