Mentoring Composers at the BPO
Each year, the BPO offers budding composers the opportunity to work with professional composers, conductors and musicians through residencies, professional development workshops and new music readings. Past participating guest composers have included John Corigliano, Roberto Sierra, Eric Ewazen, Robert Beaser, David Felder, Melinda Wagner, Rob Deemer, Steven Stucky and many others.
We are proud to have received funding from the University at Buffalo’s Creative Arts Initiative to host a week long residency of Finnish composer Jaakko Kuusisto. The residency will culminate in a premiere of his new Trumpet Concerto on May 12-13, 2018 played by our principal trumpet player, Alex Jokipii. Mr. Kuusisto will work with composition students at University at Buffalo throughout the week and participate in open rehearsals, public lectures and appearances.
The BPO has also partnered many times with the American Composers Orchestra (ACO) to undertake the EarShot National Orchestral Composition Discovery Network (EarShot) New Music Reading Sessions. Most recently, twice the Orchestra took part in a special project called the Jazz Composers Orchestra Institute (JCOI).
The Jazz Composers Orchestra Institute is a partnership between the ACO/EarShot and the University of California at Los Angeles (UCLA) Herb Alpert School of Music, in co-operation with the Institute for Jazz Studies at Columbia University. In Phase I of the JCOI, composers participated in a 5-day intensive training program at UCLA with curriculum designed and led by James Newton (JCOI Director, UCLA), Anthony Davis (composer at UC San Diego), Gabriela Lena Frank (composer-in-residence, Houston Symphony), Anthony Cheung (composer), Vince Mendoza (composer/arranger), Nicole Mitchell, (composer/flutist), Steven Coleman (composer/saxophonist, MacArthur Fellow) and Christopher Rountree (conductor).
Following the JCOI/Phase I, participating composers were encouraged to apply for the opportunity to write a new 10-minute work for orchestra. From those applications received, twelve to fifteen jazz composers were selected. In an equitable rotation with other EarShot orchestras hosting JCOI readings, the BPO selected five composers for the EarShot New Music Readings (JCOI/Phase II).
BPO musicians, conducting staff and librarians participated in valuable feedback sessions to assist the conductors in crafting their new works in two intensive days of workshops and readings. The BPO is proud to be a part of the creation of new high quality works of repertoire for the orchestral canon.