2025-26 Classics Series

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  • Recurring

    Shostakovich No. 5

    Kleinhans Music Hall 3 Symphony Circle, Buffalo, NY, United States

    Composed to acknowledge an honorary degree despite not attending university, a mischievous Brahms penned the tongue-in-cheek Academic Festival Overture, featuring boisterous student drinking songs. Reinecke's Concerto in E minor spotlights the harp in a virtuosic display of shimmering arpeggios and rhythmic optimism. The forced optimism of Symphony No. 5, glorifying Stalin's regime, proved both career- and lifesaving for Shostakovich.

  • Recurring

    Shostakovich No. 5

    Kleinhans Music Hall 3 Symphony Circle, Buffalo, NY, United States

    Composed to acknowledge an honorary degree despite not attending university, a mischievous Brahms penned the tongue-in-cheek Academic Festival Overture, featuring boisterous student drinking songs. Reinecke's Concerto in E minor spotlights the harp in a virtuosic display of shimmering arpeggios and rhythmic optimism. The forced optimism of Symphony No. 5, glorifying Stalin's regime, proved both career- and lifesaving for Shostakovich.

  • Recurring

    Beethoven’s Fifth

    Kleinhans Music Hall 3 Symphony Circle, Buffalo, NY, United States

    Four notes instantly recognizable across generations welcome back the much-loved Symphony No. 5 to the Kleinhans stage. Dance Symphony's rhythmic jazz motifs were drawn from an evocative Copland ballet about a morbid conjurer who could raise the dead and make them dance. Beethoven expands on Mozart's influence in his Piano Concerto No. 1, featuring challenging key changes and bold harmonies.

  • Recurring

    Beethoven’s Fifth

    Kleinhans Music Hall 3 Symphony Circle, Buffalo, NY, United States

    Four notes instantly recognizable across generations welcome back the much-loved Symphony No. 5 to the Kleinhans stage. Dance Symphony's rhythmic jazz motifs were drawn from an evocative Copland ballet about a morbid conjurer who could raise the dead and make them dance. Beethoven expands on Mozart's influence in his Piano Concerto No. 1, featuring challenging key changes and bold harmonies.

  • Recurring

    Tchaikovsky Meets Elfman

    Kleinhans Music Hall 3 Symphony Circle, Buffalo, NY, United States

    A myriad of eclectic instruments—including pots, pans, and metal gadgets—accompany world-renowned percussionist Colin Currie and his acclaimed BPO ensemble in performing Danny Elfman's offbeat, idiosyncratic Percussion Concerto, composed without brass or woodwinds. Tchaikovsky's Fifth Symphony, once plagued by poor reviews and personal self-doubt, endures as a beloved, emotionally lyrical masterpiece, proving its timeless appeal.

  • Recurring

    Tchaikovsky Meets Elfman

    Kleinhans Music Hall 3 Symphony Circle, Buffalo, NY, United States

    A myriad of eclectic instruments—including pots, pans, and metal gadgets—accompany world-renowned percussionist Colin Currie and his acclaimed BPO ensemble in performing Danny Elfman's offbeat, idiosyncratic Percussion Concerto, composed without brass or woodwinds. Tchaikovsky's Fifth Symphony, once plagued by poor reviews and personal self-doubt, endures as a beloved, emotionally lyrical masterpiece, proving its timeless appeal.