Conducting phenom Teddy Abrams leads your BPO in an evocative musical narration from young Anne Frank’s hopes and visions for the future to her sobering final moments, composed by former BPO Music Director, Michael Tilson-Thomas. Contrasting the program is Antonin Dvořák’s well-known ovation for North America, with its gorgeous melodies inspired by African-American spirituals and Native American music.

Conducting phenom Teddy Abrams leads your BPO in an evocative musical narration from young Anne Frank’s hopes and visions for the future to her sobering final moments, composed by former BPO Music Director, Michael Tilson-Thomas. Contrasting the program is Antonin Dvořák’s well-known ovation for North America, with its gorgeous melodies inspired by African-American spirituals and Native American music.

The breathtaking kaleidoscope of Rachmaninoff’s colorful, flamboyant take on Niccolò Paganini’s melody is paired with the impressive triumph of the symphony that Beethoven himself called “one of the happiest products of my poor talents.” The energy of the two masterworks is mirrored in the multicultural rhythms of Jessie Montgomery’s modern work inspired by New York City’s frenetic pace.

The breathtaking kaleidoscope of Rachmaninoff’s colorful, flamboyant take on Niccolò Paganini’s melody is paired with the impressive triumph of the symphony that Beethoven himself called “one of the happiest products of my poor talents.” The energy of the two masterworks is mirrored in the multicultural rhythms of Jessie Montgomery’s modern work inspired by New York City’s frenetic pace.

Enescu’s ebullient and lively folk sounds of Eastern Europe juxtapose the driving, dramatic concerto of Rochester, NY native Adolphus Hailstork, performed by Canadian pianist Stewart Goodyear. Tchaikovsky’s supercharged Fourth Symphony, depicting a battle with Fate, rounds out a brilliantly energetic program.

Enescu’s ebullient and lively folk sounds of Eastern Europe juxtapose the driving, dramatic concerto of Rochester, NY native Adolphus Hailstork, performed by Canadian pianist Stewart Goodyear. Tchaikovsky’s supercharged Fourth Symphony, depicting a battle with Fate, rounds out a brilliantly energetic program.

Originally written for opera from poet Alexander Pushkin’s satirical fairytale of trial, heroism, and love, Glinka’s overture is ebullient and effervescent, a perfect complement to Prokofiev’s demanding piano concerto requiring dexterity and blazing virtuosity of the soloist. The rarely-performed symphony of Scriabin, displaying his growing fascination with mysticism fully realized in The Divine Poem and The Poem of Ecstasy, completes the program.

Originally written for opera from poet Alexander Pushkin’s satirical fairytale of trial, heroism, and love, Glinka’s overture is ebullient and effervescent, a perfect complement to Prokofiev’s demanding piano concerto requiring dexterity and blazing virtuosity of the soloist. The rarely-performed symphony of Scriabin, displaying his growing fascination with mysticism fully realized in The Divine Poem and The Poem of Ecstasy, completes the program.

Robert Schumann’s poetically expressive Cello Concerto was written in a brief two weeks of 1850 shortly before he was institutionalized, but rarely performed before the end of the 19th century. Similarly, Franck’s only symphony, both melancholy and luminous, was originally considered too avant-garde and radical, but became his most popular work after his death.

Robert Schumann’s poetically expressive Cello Concerto was written in a brief two weeks of 1850 shortly before he was institutionalized, but rarely performed before the end of the 19th century. Similarly, Franck’s only symphony, both melancholy and luminous, was originally considered too avant-garde and radical, but became his most popular work after his death.

Mendelssohn’s dramatic “Scottish” Symphony tells the tale of the composer’s travels through the highlands, and audiences will delight at the return of Drew Petersen to perform the Piano Concerto’s “Sturm und Drang” with dazzling virtuosity. The two monumental works are complemented by a high-spirited homage to the city of Detroit by contemporary composer Jonathan Bailey Holland.

Mendelssohn’s dramatic “Scottish” Symphony tells the tale of the composer’s travels through the highlands, and audiences will delight at the return of Drew Petersen to perform the Piano Concerto’s “Sturm und Drang” with dazzling virtuosity. The two monumental works are complemented by a high-spirited homage to the city of Detroit by contemporary composer Jonathan Bailey Holland.

This thrilling program opens with Kodály’s idyll for chamber orchestra. The theme of love carries through to David Ludwig’s celebratory concerto written for his new wife, violinist Bella Hristova, about the ritual of marriage. Rachmaninoff’s brilliant Symphonic Dances round out this not-to-be-missed program.

This thrilling program opens with Kodály’s idyll for chamber orchestra. The theme of love carries through to David Ludwig’s celebratory concerto written for his new wife, violinist Bella Hristova, about the ritual of marriage. Rachmaninoff’s brilliant Symphonic Dances round out this not-to-be-missed program.